/
Literary Musicians Literary Musicians

Literary Musicians - PowerPoint Presentation

liane-varnes
liane-varnes . @liane-varnes
Follow
425 views
Uploaded On 2016-05-23

Literary Musicians - PPT Presentation

Berliozs Literary Trinity Hector Berlioz 18031869 literary influences and program music Virgil Les Troyens 185658 Shakespeare Le roi Lear 1831 Roméo et Juliette ID: 331479

anthology mendelssohn symphony music mendelssohn anthology music symphony piano 1847 overture felix fantastic 1843 1809

Share:

Link:

Embed:

Download Presentation from below link

Download Presentation The PPT/PDF document "Literary Musicians" is the property of its rightful owner. Permission is granted to download and print the materials on this web site for personal, non-commercial use only, and to display it on your personal computer provided you do not modify the materials and that you retain all copyright notices contained in the materials. By downloading content from our website, you accept the terms of this agreement.


Presentation Transcript

Slide1

Literary MusiciansSlide2

Berlioz’s Literary Trinity

Hector Berlioz (

1803–1869

)literary influences and program musicVirgilLes Troyens (1856–58)ShakespeareLe roi Lear (1831)Roméo et Juliette (1839)Béatrice et Bénédict (1862)GoetheLa damnation de Faust (1846)Slide3

Berlioz’s Fantastic First Symphony

Symphonie

fantastique (1830) [Anthology 2-39]Episode in the Life of an Artist: Fantastic Symphony in Five Movementsidée fixeHarriet SmithsonSlide4

Berlioz’s Fantastic First Symphony

Symphonie

fantastique (1830) [Anthology 2-39]1. Reveries—Passions2. A ball3. Scene in the country4. March to the scaffold5. Dream of a Witches’ SabbathDies IraeSlide5

Berlioz’s Fantastic First Symphony

Symphonie

fantastique (1830) [Anthology 2-39]Orchestrationexpanded wind and brass sectionsfour harpsfive percussionistsspecial effects with mutes, slides, and bowingSlide6

Following the Idée Fixe

“reminiscence motive”

appears in all five movementsSlide7

Discriminating Romanticisms

Schumann’s review of the

Symphonie

fantastiqueNeue Zeitschrift für Musik (1835)Program vs. absolute musicSlide8

The Prodigious Mendelssohn

Felix Mendelssohn (

1809–1847

)“The Mozart of the nineteenth century”Octet in E♭Major for Strings, Op. 20 (1825)Overtue to A Midsummer Night’s Dream (1826)Concert OvertureSlide9

The Prodigious Mendelssohn

Felix Mendelssohn (

1809–1847

)Overture to A Midsummer Night’s Dream (1826 [Anthology 2-40]later added incidental musicSlide10

The Prodigious Mendelssohn

Felix Mendelssohn (

1809–1847

)Calm Sea and Prosperous Overture (1828)Hebrides (Fingal’s Cave) (1829)Fair Melusine OvertureSymphony No. 3 in A Minor “Scottish” Symphony No. 4 in A Major “Italian”Lider ohne Worte (Songs without Words)Slide11

The Prodigious Mendelssohn

Felix Mendelssohn (

1809–1847

)1833: Appointed Music Director of Düsseldorf1835: Appointed chief conductor of the Leipzig Gewandhaus orchestra concerts1843: director of the Leipzig conservatory1843: director of the Berlin Cathedral Choir and conductor of Symphonic subscriptions concertsSlide12

Mendelssohn’s

Paulus

and Civic Nationalism

Paulus (1832–1836) [Anthology 2-41]oratorioallegory of the German nationLutheran chorales“Wachet auf, ruft uns die Stimme”Slide13

Nationalism Takes a Racial Turn

“Das

Judenthum

in der Musik” (Judaism in Music) (1850)K. Freigedank (Richard Wagner)Slide14

Schumann and Literature

Robert Schumann (

1811–1856

)Early piano studies with Friedrich WieckMarriage to Clara Wieck (1840)music critic for Neue Zeitschrift für Musik Davisbund (League of David)FlorestanEusebiusMaster RaroSlide15

Music of Letters

Carnival

,

Op. 9 (1833–34)(A, A♭,B, C, E♭)(SCH)umann, AschSlide16

The Piano Fantasie

, Op. 17

[Anthology 2-42]

3-movement work(Ruins, Trophies, Palms)Schlegel’s “Die Gebüsche”Through all the sounds In the motley dream of earthly life There sounds a soft, long drawn-out sound For the one who overhears in secretSlide17

Schumann’s “Year of Song”

First 23 published opuses were piano pieces

1840 devoted almost entirely to song

1841 “symphony year”1842 primarily chamber music1843 oratorio1848 dramatic musicSlide18

Schumann’s “Year of Song”

1840

Nearly

150 songsHeinrich Heine, Buch der LiederDichterliebe (Poet’s Love) [Anthology 2-43]Im wonderschonen Monat MaiDie alten, bösen LiederSlide19

Schumann’s Last Years

Large-scale

dramatic compositions

Das Paradies und die Peri (1843)Scenen aus Goethes Faust (1844–53)Genoveva (1848)Manfred Attempted suicide in 1854, spent his final 2 years in an asylumSlide20

Genius Restrained

Fanny Mendelssohn (

1805–1847

)500 compositions250 songs125 piano worksstring quartet, piano trio, orchestral overtureSlide21

Genius Restrained

Clara

Wieck

Schumann (1819–1896)virtuoso pianistvariations sets, piano concerto, songsEr ist gekommen in Sturm und Regen [Anthology 2-44]