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). The French composer was frustrated by symp-the disorder also marked ). The French composer was frustrated by symp-the disorder also marked

). The French composer was frustrated by symp-the disorder also marked - PDF document

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). The French composer was frustrated by symp-the disorder also marked - PPT Presentation

Emerging Infectious Diseases ID: 258132

Emerging Infectious Diseases

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). The French composer was frustrated by symp-the disorder also marked the life and art of Anne Adams.A native of Canada, Adams was educated in the scienc-es and excelled in physics and chemistry, which she taught 35 as a student of cell biology, professor, and researcher. At been injured in an automobile wreck. The injury resolved much faster than anyone expected, but Adams decided not to return to science but pursue other interests. A lover of Her style and technique evolved rapidly, and she started them to colorful images (Rondo alla Turquoise, Rhapsody “Don’t you think this theme has an insistent quality?” ngered ). This he did. Two Volume and instrumentation increased along with two al-ternating staccato bass lines. There was no key change until the 326th bar, when the piece accelerated into a collapsing nale (). The result was haunting and infectious, an exer-vacation in the south of France. He was 53. Though the yet incapacitated by illness. The success of Boléro, which Anne Adams knew nothing of Ravel’s illness or her raveling Boléro, a visual analysis of Ravel’s composition. ABOUT THE COVER Emerging Infectious Diseases • www.cdc.gov/eid • Vol. 14, No. 7, July 2008 1183 Anne Adams (1940–2007). Gouache on paper. Used with permission of Robert A. Adams.“Much Madness is Divinest Sense” *Centers for Disease Control and Prevention, Atlanta, Georgia, ABOUT THE COVER 1184 Emerging Infectious Diseases • www.cdc.gov/eid • Vol. 14, No. 7, July 20081184 Emerging Infectious Diseases • www.cdc.gov/eid • Vol. 14, No. 7, July 2008 gures, one for each bar. Highly structured and rendered with meticulous dry in neat monotonous rows. The height of gures cor-responded with volume, the shape with note quality, the , on this month’s cover of Emerging Infectious Diseases, painted when Adams was 58 and before any ing music toward abstraction. At the peak of her creativity, she painted mathematical concepts. And it is not surpris-forgotten what it represents or how frequently it turns up , Adams portrayed a 32- × 46-digit portion rst 1,471 digits (plus the decimal point). With white, black, and component colors of the white light ’s expansion. culty with grammar, syntax, ar-control), main symptoms of Adams’ (and Ravel’s) illness, sions on the left frontal lobe. What was extraordinary in 62 of complications after neurosurgical treatment, Adams Neuropathy, with its dreaded sequelae, is a common to primary progressive aphasia. Meningitis, the scourge of when left undiagnosed and untreated. The epidemiology of ). Illness caused by emerg- and Unlike Adams and Ravel, most patients with neuro-tion and exquisite detail in their search for perfection. And 1. Jourdan-Morhange H. Ravel et nous. Genève: Ed. du Milieu du 2. Orenstein A. The ballets of Maurice Ravel: creation and interpreta-tion. Burlington (VT): Ashgate; 1991. 3. Seeley WW, Matthews BR, Crawford RK, Gorno-Tempini ML, 4. Kavanaugh P. Music of the great composers. Grand Rapids (MI): 5. Ceyhan M, Yildirim I, Balmer P, Borrow R, Dikici B, Turgut M, et al. A prospective study of etiology of childhood acute bacterial meningitis, Turkey. Emerg Infect Dis. 2008;14:1089–96. 6. Pérez-Osorio CE, Zavala-Velázquez JE, León JJA, Zavala-Castro as emergent global threat for humans. Emerg In- 7. Bovers M, Hagen F, Kuramae EE, Hoogveld HL, Dromer F, St-Germain G, et al. AIDS patient death caused by novel hybrid. Emerg Infect Dis. 2008;14:1105–8. 8. Crawford DC, Zimmer SM, Morin CA, Messonnier NE, Lyn eld R, Yi Q, et al. Integrating host genomics with surveillance for invasive bacterial diseases. Emerg Infect Dis. 2008;14:1138–40.Address for correspondence: Polyxeni Potter, EID Journal, Centers for Atlanta, GA 30333, USA; email: PMP1@cdc.gov