PPT-Othello’s language vs

Iagos STARTER QUESTION Who is the main character of the play Othello or Iago Give as detailed an explanation as possible Monday 18 th November Othellos language vs Iagos Othello is noted for the beauty of his speaking about which he makes claims to be a modest speaker . The Tragedy by . William Shakespeare. Dr. Neighbours. The Tragedy of Othello. Venice, Italy – the Setting of . Othello. Othello. – A Shakespearean Tragedy. Othello. is a Shakespearean Tragedy. It encompasses . assessment task #2. How to prepare?. Where to start?. What process should you follow?. …what does it all mean???. ESSAY QUESTION: . ‘Shakespeare’s . OTHELLO . continues. to . engage audiences. By William Shakespeare. Major Character. Othello–- a military general from Africa who is now living in Venice, Italy. He captures the heart of a young nobleman’s daughter, and later suspects her of infidelity.. Extended Essay. Othello. Lesson 9. LQ: Can I explore Shakespeare’s development of Othello?. Form: . p. lay, drama, genre, . tragedy, hubris, hamartia, . Contexts: historical, social, cultural, race, religion, gender, Venice, Cyprus, attitude, audiences. Evan Verrilli . &. Danny Bruns. Summary. Iago tells Othello that Desdemona is cheating on him with Cassio. He supports this by telling Othello that he saw Cassio dream of Desdemona. Othello is convinced, but Iago tells him to wait for more evidence. Act I. Act I, Scene I. Summary:. Roderigo & Iago are going to tell . Barbanzio. that his daughter – Desdemona – married Othello.. Rodrigo is angry with Iago because he has been paying him to help secure Desdemona’s hand in marriage.. PARAPHRASE/ANALYZE. Theme TOPICS (NOT THEMES). Manipulation and deception. Love (Destructive Power of… Loss of…) . Jealousy/Envy. Appearance vs. Reality. Justice/Vengeance . The Source of Evil/The Power of Evil. For each Quote, Guess the speaker and meaning.. You will see these again!. “But that I love the gentle Desdemona, I would not my unhoused free condition put into circumscription and confine for the sea’s worth?”. ACT I. p. 13: Act I . Vocab:. 1. Desolate. (. adj. ) Spiritual ruin; loss of the soul; barren. 2. Laconic. . (. adj. ) . Concise; using few words. 3. Obsequious. . (. adj. ) . Obsessive or servile to an excessive degree. Kawakami Otojiro’s . Osero. (1903), an adaptation of Shakespeare’s . Othello. Photo preserved in the Tsubouchi Memorial Theatre Museum of Waseda. Kawakami Otojiro’s Osero (1903). The premiere of . Throughout the whole scene, nobody has used Othello’s name – although all three men have referred to him several times.. Collect the terms used to describe him and add to your . Othello page. : State who speaks it and what it says about the speaker. Look at your notes and quickly summarise.. We meet Othello for the first time in this scene. . What opinion do we form of him? . Does it match the opinions we have heard in Act 1 Scene 1? . Note: . throughout this scene, Othello speaks in . . “If a quotation runs to more than four lines in your paper...” (3.7.2). “. Verse. quotations of more than three lines” (3.7.3). Basic Block Quotation for Prose. . In “Homosexuality and the Signs of Male Friendship in Elizabethan England,” Alan Bray defines “sodomy”:. AC. 1.5.28) and the Moor in. . MoV. . is ‘. tawnie. ’ (2.1.0).. There were black people in England. Racism was appalling. ‘…the Queen’s Majesty is discontented at the great number of . negars.