PPT-Othello ‘Race’ A black man, or an olive-skinned Arab or north African? ‘Moor’
Author : stefany-barnette | Published Date : 2018-12-17
AC 1528 and the Moor in MoV is tawnie 210 There were black people in England Racism was appalling the Queens Majesty is discontented at the great number of
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Othello ‘Race’ A black man, or an olive-skinned Arab or north African? ‘Moor’: Transcript
AC 1528 and the Moor in MoV is tawnie 210 There were black people in England Racism was appalling the Queens Majesty is discontented at the great number of negars. SHAKESPEARE SCRIPT, STAGE AND SCREEN. by . Bevington. , Welsh and Greenwald. OTHELLO is unique among Shakespeare’s later plays as essentially a domestic tragedy. First recorded performance was November 1604. Shakespeare’s Baffled Lovers: . Othello, . Othello, and the rest …. ‘What a piece of work is a man. How noble in reason, how infinite in faculty, in form and moving how express and admirable, in action how like an angel, in apprehension how like a god – the beauty of the world, the paragon of animals. And yet …’ (. Dramatis Personae. Duke of Venice. Othello: Moor, married to Desdoma. Iago: Solider in Othello’s army. Cassio: Lieutenant in Othello’s army. Desdemona: Othello’s wife. Emilia: Iago’s wife. Rodreigo: Solider, love Desdemona. Act 1 Vocabulary . Scene 1. arithmetician: archaic a . mathematician. . bumbast. : archaic bombastic. . coursers. : archaic horses. . deluding. : misleading, deceiving. . epithites. : archaic lazy, worthless vagrants. Act I. Act I, Scene I. Summary:. Roderigo & Iago are going to tell . Barbanzio. that his daughter – Desdemona – married Othello.. Rodrigo is angry with Iago because he has been paying him to help secure Desdemona’s hand in marriage.. PARAPHRASE/ANALYZE. Theme TOPICS (NOT THEMES). Manipulation and deception. Love (Destructive Power of… Loss of…) . Jealousy/Envy. Appearance vs. Reality. Justice/Vengeance . The Source of Evil/The Power of Evil. Othello. Thesis. In Shakespeare’s . Othello. , references to. chaos, disorder or confusion illustrate both. the spiritual and psychological state of a. character.. “Who before . Iago. , in literature or in life, perfected the arts of disinformation, disorientation, and derangement? All these combine in . EN1001 - Library Research. Prof. Paolucci . Fall 2017. Outline. What is research?. Identifying scholarly resources (. 1.3, 1.5). Using the Research Guides (2.3). Developing search strategies (3.2). Finding scholarly articles and dissertations (3.4, 5.2). Throughout the whole scene, nobody has used Othello’s name – although all three men have referred to him several times.. Collect the terms used to describe him and add to your . Othello page. : State who speaks it and what it says about the speaker. O! beware, my lord, of jealousy; It is the green-. ey'd. monster which doth mock The meat it feeds on. O! I have lost my reputation! I have lost the immortal part of myself, and what remains is bestial. This scene readily divides into four parts:. first we see the Duke and his senior officers in council, awaiting Othello's arrival;. this is followed by Brabantio's accusation and Othello's defence;. Desdemona arrives later still (with Iago) to confirm Othello's story and ask to accompany him to Cyprus;. Othello?. By Gut, Dusty and Mo. Source material. Shakespeare’s . Othello . was based on . Giraldi. . Cinthio’s. . Gli. . Hecatommithi. The main plot was derived from . Cinthio’s. short story, but Shakespeare adapted it drastically.. Othello, . Othello, and the rest …. ‘What a piece of work is a man. How noble in reason, how infinite in faculty, in form and moving how express and admirable, in action how like an angel, in apprehension how like a god – the beauty of the world, the paragon of animals. And yet …’ (. This scene readily divides into four parts:. first we see the Duke and his senior officers in council, awaiting Othello's arrival;. this is followed by Brabantio's accusation and Othello's defence;. Desdemona arrives later still (with Iago) to confirm Othello's story and ask to accompany him to Cyprus;.
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