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Rococo- Rococo-

Rococo- - PowerPoint Presentation

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Rococo- - PPT Presentation

barroco Portuguese irregularly shaped pearl and rocaille shellFrench artificial shell for a garden Shift of power from royalty to the aristocrats French Academy dictates good taste in all things copied by other countries no WOMEN ALLOWED ID: 591031

architecture rococo history marble rococo architecture marble history painting france industrial sculpture academy work life works artists century class grand straight world

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Slide1

Rococo-

barroco

( Portuguese- irregularly shaped pearl ) and

rocaille

-shell-French artificial shell for a garden)

Shift of power from royalty to the aristocrats-

French Academy dictates good taste in all things- copied by other countries (no WOMEN ALLOWED)

Rococo architecture unites all the arts into a coherent experience

Quintessential Rococo- Fete

Galante

’–

leisurely pursuits of the aristocracy; the GRAND TOUR and the SALONs

Strong school of satirical painting

European conquest of the world- Spain, France, England, Holland- all colonial powers- cost of maintenance

vs

gain

Settlers built Baroque and Rococo palaces- Power of France diminishes after death of Louis XIV. Focus in France on the upper class, not the royalty. New World that looks like the Old World

Patronage- Academy- taught- perspective, anatomy, realismSlide2

Court at Versailles begins to diminish in importance after Louis XIV death- paintings done more for the fashionable town house owners than the kings..

Discovery of Pompeii lead art historians like Johann

Wincklemann

to write The First Art History Book.

Renewed interest in the classics caused Academies to spring up everywhere and to a revival of the Classics.

Rococo Architecture

NO STRAIGHT LINES IN ARCHITECTURE------

Elegance and grace, pliable surfaces, undulating forms, uniting

architecture and

Painting and sculpture

No stained class- clear light to see the ceilings

Sculpture everywhere even in the paintings

Figures overhang the architecture and sculptural areas

MORE IS MORESlide3

Rococo Painting

No STRAIGHT LINES

No STRAIGHT FRAMES- all curvilinear

Spilled images coming out over the frames

Erotic, sensual in a TEASING MANNER

Rubenistes

over

Poussinistes

Slender forms, backs, shimmering clothes, bucolic settings

Location- gardens, copses, glens

ARCADIAN paintings

Pastel colors, spontaneous brushstrokes, backs of people with

Light and bucolic settings.

Work for Private Display- aristocrats

More domestic than Baroque-private

Fete

galante

- listen to music, taking a walkSlide4
Slide5
Slide6
Slide7
Slide8

18

th

century English Painting

Jonathan Swift- Dead Baby Essay- satire as a result of the Industrial Rev.

Voltaire and Candid

Hogarth is the forerunner of the political cartoon

Demonstrated the abuses of the upper class

These works were plain people shown in the most elegant of circumstances- The GRAND MANNER

Hogarth is a Series of satirical works made into prints.Slide9
Slide10
Slide11
Slide12
Slide13
Slide14

NeoClassicism

– 1750-1815

Took the place of Rococo and rejected royalty and the aristocracy

Inspired by the un-

earthing

of Pompeii and Herculaneum

Johann

Winklemann’s

Book on Art History

Current Events and Portraits using Classical Allusions

Industrial Revolution encouraged the use of cast iron in architecture

As a base and behind the wood and marble.

Also encouraged the use of bronze- but marble stayed the “classical” look

Industrial Revolution brought out materials and science and technology but

Mechanized life and made life difficult for the workers

Intellectual transformations in philosophy and science in LOGIC AND OBSERVATOIN

Denis Diderot- 52 Volume Encyclopedia in France

Samuel Johnson Dictionary in England 1755

Jean-Jacque Rousseau- Social Contract- the will of the people in Government- 1762

Declaration of Independence in 1776- JeffersonSlide15

Rome was the respected past and artists came to look and emulate with a modern touch

Rococo was decadent-

Winklemann

said that Rome was PURE!

Artists were trained traditionally and took the Grand Tour of Italy

Submitted work to the Academy for the

Salons- the Academy

would select a few for excellence- that meant the price of your work would go up

and more would want your pieces

Accepted for public viewing- in this order

History

Mythology

Religion

Portraits

Landscape

Genre

Still life

ARCHITECTURE INNOVATION:

Cast iron- hidden and used structurally

CLEVER USE OF CLASSICAL principles tailored to 18

th

century living

Palladio and Jones

Symmetry balance order and composition

Themes in each room – colors or

history ( White House) Slide16
Slide17
Slide18
Slide19
Slide20

NeoClassical

Sculpture –

Bronze was cheap and used before the Industrial Revolution.

Mass production

of

metal-Cause

the price to fall and the price of marble to rise. Because of

Winklemann

and the

discovery of Pompeii artists though that the RIGHT material to use

was Marble.

They

thoughts that the Romans

preferred

white marble and uncolored

marble and

tht

The

Romans had sculpture standing with a contrapposto and something to hold them

up.

Pantheon statures were discovered and the Elgin Marbles came to Britain.

Houdon saw this style as carrying on the work of the ancient traditions.Slide21
Slide22

Neo- Classical Painting

Accepted for public viewing- in this order

History

Mythology

Religion

Portraits

Landscape

Genre

Still life

Stories of antiquity spoke to the 18

th

Century.

Exemplum

Virtutis

helped to elevate

these

works. Symmetrical, linear perspective, invisible brushstrokes and layers.Slide23
Slide24
Slide25
Slide26