/
Document one: Document two – Document one: Document two –

Document one: Document two – - PowerPoint Presentation

melanie
melanie . @melanie
Follow
64 views
Uploaded On 2024-01-29

Document one: Document two – - PPT Presentation

Headings are an example only You may wish to consider your own headings Estimated age Personality Appearance Bad traits Good traits Document three Comprehension questions to absorb the video ID: 1041891

window document peter sky document window sky peter edmund mother adelaide feeling night air coming london left filled light

Share:

Link:

Embed:

Download Presentation from below link

Download Presentation The PPT/PDF document "Document one: Document two –" is the property of its rightful owner. Permission is granted to download and print the materials on this web site for personal, non-commercial use only, and to display it on your personal computer provided you do not modify the materials and that you retain all copyright notices contained in the materials. By downloading content from our website, you accept the terms of this agreement.


Presentation Transcript

1. Document one:

2. Document two –Headings are an example only. You may wish to consider your own headingsEstimated agePersonalityAppearanceBad traitsGood traits

3. Document three: Comprehension questions to ‘absorb’ the video.Platinum:1. The film is set in 1939, during the Blitz. Do you think this is when it was filmed? Explain why you think this.2. Summarise the events that you saw in the clip. 3. Compare the characters of Edward (the younger boy) and Peter (the eldest). Talk about both characters in your comparison4. How is the scene from 1:39-1:44 made more intense by audio?5. Why does the mother close the curtains after Edwards comes away from the window?6. Where is their father? Why do you think this?Silver:1. Estimate what year you think the scene is set?2. From 15-20 seconds, we see light beams moving in the sky. Why do you think there are light beams looking into the sky?3. From 20-50 seconds, the pilots are talking in German. What do you think they might be saying? 4. What are the planes dropping?5. Why does the window smash on 1:42?6. Why does mother tell Edward to get out of the window?Gold:1. Why does the mother tell Edward to get away from the window?2. Without mentioning her height or size, explain how the video shows us that Lucy is the youngest of the sisters. 3. How is Lucy feeling in the scene on 1:20? How do you know?4. From 20-50 seconds the pilots are talking in German. What do you think they are saying to each other?5. Summarise the events that you saw in the clip. 6. Where is their father? Why do you think this?

4. Document fourFeatures of text type -Powerful adjectives to support your description:Pronouns:

5. Document fourFeatures of text type -The use of the five senses:I can see …I can hear ….I can feel …I can smell …I can taste …Use of adverbs:Fronted adverbials:

6. Document fourFeatures of text type -Metaphors:Similes:Direct speech:Words to use instead of said -

7. London was swamped in fear and darkness. Light was a disease which the city was keen to eradicate itself of at night. Within the Pevensie household, much was still and stagnant. Lucy was in her cold bed, attempting to sleep, whilst the rest of the house remained on high alert. Behind an old window sill, Edmund peered out into the cold, desolate and scared city of London. He just wondered and hoped, that this would all end soon. In fact the whole of the city did, they were exhausted of feeling vulnerable like a helpless animal in a pen. Tonight however Edmund felt different. He had a confidence in his manner as he scanned the evening sky. No longer was he the mouse running but the cat scanning its next hunt. “Get out of that window!” whistled Peter in a whispered undertone. Peter was the eldest of all of the children in the Pevensie household. Whilst he was highly respected by Edmund, they did often have clashes of opinion. Edmund often pushed the boundaries of safety whereas Peter wished to provide security for the family with his mature attitude. Quietly, the house waited for further noise to emerge from outside. As the night aged, throats and mouths began to draw drier with fear. Outside on the London street, the trees began to chatter to each other as they swayed in the brisk wind. Document five

8. Document six:“Come on – that’s her! That’s the one!”He felt Adelaide shrink away beside him: paralysed again. Nervously, he grabbed her hand as the men came out of the hut, and they turned and shot back the way they’d come. There were no side turnings: the walls of the warehouses rose sheer and dark on either side. “Run, now! Run, Adelaide!” He cried, his voice blistered with panic.In the nick of time, he saw an opening on the left and flung himself into it, dragging her after him; and then round a left-hand corner, and then a right, until the men were out of sight. “Where to?’ he panted, his face red with exhaustion. ‘Come on, quick – I can hear them”“Shadwell way,’ she gasped, glancing behind her to check for any sign of the pursuing predators. ‘Oh Jim, they’re coming for me.”“Shut up and don’t be stupid. They’re not coming for you. No one’s coming for you. She only said that to frighten you. She wants Sally, not you. Come on, how do we get to Shadwell?”They were in a little place called Pearl Street – hardly wider than an alley. Tall, stately houses hung over the narrow cobbled road like the branches of a spindly tree. In some areas, they hunched so far forward they almost touched the houses on the opposite side, which made the road beneath impenetrably dark – especially at night. Oil lamps with flickering flames pierced the darkness in some areas and spilled yellow blotches of light onto the cobbles. A cold mist blanketed the ground, causing a cold shiver down Adelaide’s spine. An intense feeling of dreadful anticipation hung over them like a patch of thick fog. They looked to left and right, indecisively. “There they are!” came a cry from behind them, and pounding footsteps echoed from the walls.Once again they fled. But Adelaide was tiring, and Jim was short of breath; another corner, and another, and another, and still those heavy footsteps continued to follow them. In desperation, Jim flung himself down a little court so narrow he could hardly squeeze through, thrusting Adelaide ahead of him. She tripped. He fell on top of her, and gasped, and lay still.Something moved in the passage ahead of them – a quick, scuttling sound like a rat. Adelaide flinched, and pressed her face into his neck.

9. It started as any other ordinary evening - if you could call bombings, air-raid sirens, rationing and devastation ordinary, that is. When the piercing wail of the air-raid sirens filled the skies, we knew exactly what to do. We may have been living through the Blitz, but for us, life was ordinary - we didn’t know any different.  At five o’clock I stood at my window and watched the street below. The occasional car whizzed past and children clung to their mother’s skirts as they rushed to be indoors before night shrouded the streets in its velvet blanket. Above the rooftops of the houses across the road, darkness seemed to rise in a fury. It quickly became apparent that it wasn’t night that was approaching, but a thick, black smoke which rapidly filled the air and consumed everything within its reach. Fire. Burning. Something was wrong. Before long, the sinister wail of air-raid sirens filled the air. How I hated that persistent, undulating sound which brought with it a hideous sense of foreboding. Every instance was a false alarm, like a naughty child banging on the door and running away - the bombs never fell near us. “I shan’t take cover.” I whispered to myself. “The smoke is from fire a long way from here. I’m safe. I shall watch and see what happens.” A cry interrupted my thoughts, “Lights out! Turn the lights out!” Across the street, curtains were pulled and lights extinguished. We were truly in darkness. I shivered in anticipation as I stood, watching, waiting to see what happened. Searchlights scoured the sky for enemy planes, their beams stretching far into the blackness. Nothing, of course. “False alarm!” I shouted at them, “There’s nothing there!” As the words left my mouth a shape emerged from the rooftops in front of me: a huge, winged monster, with a roar so loud and so deep that the windows rattled. Then another, and another and another. This was no false alarm! I stood, paralysed by fear, watching as enemy planes poured over the houses. Fire filled the sky. Crashes and booms accompanied violent explosions, resonating overhead.  “Thomas! Thomas!” Never had the frantic cry from my mother been so welcoming. Running to the door I whimpered back,“I’m coming Mother, I’m coming.” One last glance at the window revealed an angry, red sky over the burning city. I turned and ran to the sanctuary of my mother’s arms, safe at last.Document seven:

10. Document eight:Support with writing direct speech.Using synonyms to replace said.Rules for direct speechIdeas for the sentences…Peter – - Telling Edmund to stay away from the window.- Organising the family to get to the Anderson shelter safely. Edmund – Arguing with Peter about acting safely.Explaining what he can see outside the window.

11. Document nine:Success criteriaSilverGold

12. Document nine:Success criteriaPlatinum

13. Document ten:Possible structure of writingParagraph one – Planes above LondonWhat can be seen? What does the sky look like?Can you hear anyone talking? What are they saying?Is there any sign of activity or life from London?How are the people of London feeling?Paragraph two – Panic in the Pevensie houseWhat is Edmund doing by the window?What can he see? How does he feel?What does his Mum shout at him?How does Peter take control? What leadership skillsdoes he have?

14. Document ten:Possible structure of writingParagraph three – Running to safetyHow are the family feeling as they are racing to theAnderson Shelter?Who is shouting? What are they saying?Do any of the falling bombs land close by?What can the children smell, feel and taste?Paragraph four – Reaching the Anderson shelterWhat is the atmosphere in the shelter like?What can you see? Does it seem warm and safe?From inside the shelter what can be heard?How does the sound of crashing bombs nearby effectthe children's emotions?