una corda 54 52 marcato il canto e Pi57593 mosso dolce con dolore 10 pi Copyright 57513 Ferdinand Gajewski Adieu Carl Filtsch Op posth No 3 brPage 3br 13 triste 16 5 4 3 3 3 2 1 1 19 2 3 22 25 brPage 4br 28 1 2 31 34 cresc dim 4 2 3 ID: 54057
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Piano \nEdited and fingered byFerdinand GajewskiAndante con pedale À son ami Theodor Wittchen.una corda5-4 5-2 6 \n marcato il canto e Più mosso 51 4 5425443 142 3 21314521421 dolce 53 23 7 \n 45 con dolore - - - - - - - - 123 \n 54 1 10 \n 55 più \n 5421 Copyright © Ferdinand Gajewski 452543 Adieu!Carl FiltschOp. posth. No. 3 28 345321 4 12 553431 \n 31 \n \n 534 122 5534 1 \n 11 34 \n 55 cresc. - - - - - - - - -dim. \n 5421 2353 455324 42 37 3 445242121311 25 53 dolce \n cresc. \n\n\n\n\n\n 40 \n \n 3 45 \n 4 \nrit. - - 58 \n 55 415 \n cresc. e accel. sempre 542 \n 44442121 \n 121 61 \n \n 44 più \n \n \n 3545 445 64 This is the third and last item comprising Charles Filtsch, uvres posthumes pour piano aa(Vienna: C. A. Spina [plate number C.S.17927.], n.d.), brought outin all like- aalihoodby Joseph Filtsch, the composer's eldest brother and traveling companion. A presentation autograph of the composition, dated "den 11-ten September 1844" and entitled "Das Lebewohl von Venedig," survives. Two of its pages are reproduced on page 40 of Ernst Irtel, Der junge siebenbürgische Musiker Carl Filtsch 1830-1845: ein Lebensbild (Munich: Landsmannschaft der Siebenbürger Sachsen in Deutschland e. V., copyright 1993). The posthumous Viennese edition of C. A. Spina bears the more refined reading and served as the source of the text offered above. Fingering has been added by the present editor, and sporadic minor errors of copying or engraving have been silently corrected. EDITORIAL COMMENT Andanteuna corda 215 \n 5-4 Ferdinand GajewskiWestfield, New Jersey \r \n\r \r 1255