PPT-Tatau
Author : min-jolicoeur | Published Date : 2016-07-24
p ē Equality and Talanoa Tongan Oral Culture Dr Amelia AfuhaamngoTuipulotu Supervisors AProfessor Maureen Boughton Professor Jill White The University of Sydney
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Tatau: Transcript
p ē Equality and Talanoa Tongan Oral Culture Dr Amelia AfuhaamngoTuipulotu Supervisors AProfessor Maureen Boughton Professor Jill White The University of Sydney Background. . The Short Story . The Kīngitanga (Māori King movement) is one of New Zealand’s longest-standing political institutions. Founded in 1858, it continues today.. The idea of a King. There was no single Māori sovereign when Europeans first came to New Zealand. Instead, Māori tribes functioned independently under the leadership of their own chiefs. However, by the 1850s Māori were faced with increasing numbers of British settlers, political marginalisation and growing demand from the Crown to purchase their lands. Māori were divided between those who were prepared to sell and those who were not.. Haere Mai ki Tō Tātau Kāinga SAMPLE IMAGE right click to replace Include a photo of the home or family in the box above. He Rawe te Tūtaki atu ki a Koe! Include a photo of the caregivers in the box above. Vol. 4 , No. 8 , pp. 20 - 31 , August 2016 ___ Published by European Centre for Research Training and Development UK ( www.eajournals.org ) 20 ISSN: 2052 - 6350(Print) ISSN: 2052 - 6369(On line) PERC Aisea ua ou maua ai i le gugu?suamalie ma le tele o le tausami i aano o manufasi faapea figota E gaosia e lou tino le aseti mai meaai ete tausamiina. O se mea masani ma lelei le iai o aseti i lou tino Tatau is a beautifully designed and richly illustrated retelling of the unique and powerful history of Samoan tattooing, from 3,000 years ago to modern practices.The Samoan Islands are virtually unique in that tattooing has been continuously practiced with indigenous techniques: the full male tattoo, the pe\'a has evolved in subtle ways in its design since the nineteenth century, but remains as elaborate, meaningful, and powerful as it ever was.This cultural history is the first publication to examine Samoan tatau from its earliest beginnings. Through a chronology rich with people, encounters, and events it describes how Samoan tattooing has been shaped by local and external forces of change over many centuries. It argues that Samoan tatau has a long history of relevance both within and beyond Samoa, and a more complicated history than is currently presented in the literature.It is richly illustrated with historical images of nineteenth and twentieth century Samoan tattooing, contemporary tattooing, diagrams of tattoo designs and motifs, and with supplementary photographs such as posters, ephemera, film stills and artefacts.
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