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Teaching “Star Wars” and Classical Mythology Teaching “Star Wars” and Classical Mythology

Teaching “Star Wars” and Classical Mythology - PowerPoint Presentation

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Teaching “Star Wars” and Classical Mythology - PPT Presentation

Tom Sienkewicz Monmouth College tjsienkewiczmonmouthcollegeedu http departmentmonmeduclassicsswpacastarwarspptx httpdepartmentmonmeduclassicscoursesCLAS230StarWars http ID: 431716

star wars myth hero wars star hero myth mythology greek http magic luke lucas father iliad

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Slide1

Teaching “Star Wars” and Classical Mythology

Tom Sienkewicz

Monmouth College

tjsienkewicz@monmouthcollege.edu

http://

department.monm.edu/classics/swpaca.starwars.pptx Slide2
Slide3

http://department.monm.edu.classics/courses/CLAS230/StarWars

Slide4

http://

department.monm.edu/classics/Courses/Clas230/StarWars/myththeme.htmSlide5

Required Text

ISBN: 

0553378104

Format: Paperback, 200ppPub. Date: November 1997Publisher: Bantam Doubleday Dell Publishing Group

Henderson, Mary

Star

Wars. The Magic of MythSlide6

https://airandspace.si.edu/exhibitions/star-wars/online/Slide7

https://airandspace.si.edu/exhibitions/star-wars/online/guide.htmSlide8
Slide9

http://department.monm.edu/classics/Courses/Clas230/StarWars/myth2015Schedule.htmSlide10

Course Introductions: What

is Myth?

Star Wars Scene: IV.1 OpeningPowerpoint: What is Myth?

American Heritage Dictionary definitionCullen's "Yet Do I Marvel" Sisyphus: Odyssey 11.593; Apollodorus Note 147; Pausanias 2.5.1; Diodorus Siculus 6.6.3; Hyginus:#60; Apollodorus 1.9.3 On Myths and Sisyphean Tasks Star Wars: The Magic of Myth, 1-7Star Wars V.31 "There is No Try";"Always with you it can't be done."Slide11

Greek Myths and Star Wars

in Popular Culture 

Greek Mythology TodayGreek Mythology in Popular Culture

Sisyphus in the Modern WorldSisyphus in Popular Culture (Powerpoint)Cultural Impact of Star WarsPowerpoint: Star Wars and Popular CultureBeckman and Star WarsStar Wars Gangsta RapStar Wars Propaganda PostersStar Wars A CapellaStar Wars According to a Three-Year-OldSlide12

The Intersection of Star Wars and Classical Mythology in Popular Culture

http://empirestripsback.deviantart.com/art/The-Laocoon-Group-325986849Slide13

http://travisdurden.com/index.php/oeuvresSlide14

http://wac.450f.edgecastcdn.net/80450F/planet1051.com/files/2015/02/Sacred-Drunken-Wookiee-Original2.jpg

http://ep.yimg.com/ay/wizardworld/intergalactic-krewe-of-chewbacchus-2.jpg

The Intergalactic Krewe of Chewbacchus is a parade organization for the most revelrous of Star Wars Freaks, Trekkies, Whovians, Mega-Geeks, Circuit Benders, Cryptozooligists, UFO Conspiracy Theorists, and all the rest of Super Nerdom.http://wac.450f.edgecastcdn.net/80450F/planet1051.com/files/2015/02/Sacred-Drunken-Wookiee-Original2.jpg Slide15

http://panoplyclassicsandanimation.blogspot.com/2015/12/the-force-awakens-new-greek-vase-scenes.html

Slide16

What is a

Hero? Achilles, Anakin and Luke

Some Definitions of "Hero"

 / The Hero PacketTrojan Cycle Summary of Events Apollodorus Note 111 (Achilles)Hyginus: #92, 96 and 107 (Achilles)AnakinPadme in Revenge of the Sith: “There's good in him“ Script 230; chapter 46https://www.youtube.com/watch?v=Lbjru5CQIW4  “I am your father” script Chapter 46Luke in Return of the Jedi:"I sense the good in you” Script 78, chapter 39Star Wars IV.48 A Hero's Welcomehttp://www.youtube.com/watch?v=hhdk0YOrVCgStar Wars Scene: IV.10 Lars Family Dinner (start at 4:30)Torched Homestead IV.17Powerpoint: Achilles and Luke SkywalkerSlide17

Folktale Themes 

in  Greek Myths and Star Wars

Powerpoint: Perseus Hyginus

: 63 (Danae)Apollodorus 2.4.1-2.4.5“Labyrinth and Rescue of the Princess” in Star Wars: The Magic of Myth, pp. 47-56Star Wars Scenes: IV, 32-34 Rescuing the Princess, Into the Garbage Chute, The Trash CompactorSlide18

Folktale Themes

The process of METAMORPHOSIS

The Unwanted Child who SurvivesThe Wicked Step-mother/Step-envyThe Wicked UncleThe Rival Brothers

The Curse on a FamilyThe Curse and the VendettaThe Son's Responsibilities to his FatherThe Son's Search for his FatherThe Acquisition of MaturityThe Offense against a God or Goddess and its ConsequencesThe Unavoidable Truth of the OracleThe recognition Sign or the Test of IdentityThe Gift of the Culture HeroThe Hero's QuestThe Test of the Hero through Perils or Temptation (of irresponsibility, sensuality, violence)The Search for Immortality/the Conquest of Death/ the Descent to the Underworld/ the Harrowing of HellFinding what is lostFreeing the OppressedThe Man who ReturnsThe Hero's Betrayal of the PrincessRescue of the PrincessRescue by the Heroine (Women to the Rescue)A Woman's WebA Woman's WitThe Revenge of the Woman ScornedThe Danger of the FeminineCivilization versus Chaos--Justice vs. Injustice--Love vs. HateThe Suitor ContestThe Theft of the BrideThe Deathly Wedding or the Fatal Marriage

The Foundation LegendThe Symbol upon which a Life Depends (Life Token)The Symbol upon which a City's Safety DependsThe Unwanted or Unlucky GiftThe Magical garment

The Fatal Choice

The Never-ending Punishment

The Impossible Task

The "Happily-ever-after" Ending

Divine hostility/ Divine favor

The Magic Spell or Charm

The Hero's Loss of favor with his People and/or the Gods

Mysterious Death of the Hero

Apotheosis of the Hero (Deification)

Ingenious Device or Trick

Disobedient Child or Spouse

Harmful Curiosity

The Solution of a riddle

The breaking of a taboo/disobedience to divine instructions

The skilled craftsman or possessor of a special talent

Intelligence versus Brute Strength

The Accidental Murder of a near relative Slide19

Mythology and Epic:

Homer and Star Wars

Homer and Epic (Genre Section)Also useful: 

Iliad (Malhanas) / Chronology / Trojan War /  Chronology of Ancient Sources / Odyssey /  Peter Struck's CLAS200 Webpage at UpennPowerpoint: Epic: Iliad and Star Wars"Funeral of Hector" Hyginus:

 106 Iliad

 24

:692-804

(You can also read this

electonically

in

Johnston’s

2006 translation 

or in 

Samuel Butler’s 19th-century translation

)

Star Wars Scene: VI. 48-49 (Funeral Pyre and Celebration)Slide20

Comparing Star Wars and the Iliad

In what ways are the two similar? How are they different?

Iliad Summary / Structure of the

 Iliad  Star Wars: Lists of Scenes Star Wars Scripts:IV. A New Hope / V. Empire Strikes Back / VI. Return of the Jedi / I. Phantom Menace / II. Attack of the Clones / III. Revenge of the SithStar Wars Personality Chart / Myers-Briggs Personality IndicatorIliad comparison book by book with Star WarsSlide21

Iliad comparison book by book with Star Wars

http

://

department.monm.edu/classics/Courses/Clas230/StarWars/IliadandStarWars.pdfSlide22

Contests in Mythology and Star Wars

Funeral Games of Patroclus in Homer's 

Iliad 23  (or Johnston

 or Butler)Summary of Funeral Games of PatroclusStar Wars Scene: I.17 Pod RaceBen-Hur Chariot RacePowerpoints: Athletic contests in HomerRoman Circus and AmphitheatreStar Wars and Ben HurSlide23

Katabasis in Star Wars?

Vergil's

Georgics IV.453-528Homer's Odyssey 11

Star Wars: The Magic of Myth, pp. 106-113Star Wars Scenes: III.43-47  "Immolation", "The Emperor Arrives", "Secret Delivery", "Birth and Rebirth" and "Darth Vader Awakes“; V.25 “Failure in the Cave”The Hero's Return and Homecomings in Myth and Star WarsStar Wars, 91-95Powerpoint: Katabasis and Star WarsSlide24

Divine

Machinery in Homer and Star Wars

Greek Pantheon  / 

The Pantheon  / The Major Gods /Genealogical TablesApollodorus 1.1.1-1.4.1 (the gods)Athena Restrains Achilles (Iliad 1. 187-222)Athena Mentors Telemachus (Odyssey 1)Size Matters NotHe's Quite Crafty For a HumanThey Think I am a GodPowerpoint: Divine Machinery in Greek Myth and Star WarsSlide25

Gods and Humans in Mythology

GODS:

Extraordinary

Immortals

HEROES:

Extraordinary

Mortals

HUMANS: Ordinary

MortalsSlide26

Why is C-3PO an Ewok god?

C-3PO

: I do believe they think I am some kind of god.

Han Solo: Well, why don't you use your divine influence and get us out of this? C-3PO: I beg your pardon General Solo, but that just wouldn't be proper. Han Solo: Proper? C-3PO: It's against my programming to impersonate a deity. Return of the Jedi (VI.24)Slide27

He’s quite clever, you know, for a human being.”3CPO’s opinion of Luke in “Empire Strikes Back”

V.6 (Closing the Doors)

  3CPO’s statement about Luke juxtaposes humans with droids (machines) in a significant way which suggests important things about the Force and about Nature, especially when seen in conjunction with the Ewoks’ role in the fall of the Empire in “Return of the Jedi.” EWOKS HUMANS DROIDS

FORCE DARK SIDESlide28

EWOKS HUMANS DROIDS

simple complex

 

nature technology   FORCE DARK SIDE  Nature TechnologySlide29

Star Wars and The Hero Pattern

Lord Raglan's Hero Pattern

Other Hero Patterns

Apollodorus

 2.4.8 (Birth of Heracles)

Livy 1 

(Birth of Romulus and Remus)

Birth of Luke Skywalker

Powerpoint

Hero Pattern

PowerpointSlide30

How Many Points Does Luke Skywalker Fit?

Hero's mother is a royal virgin;

His father is a king, and

Often a near relative of his mother, but The circumstances of his conception are unusual, and He is also reputed to be the son of a god. At birth an attempt is made, usually by his father or his maternal grand father to kill him, but he is spirited away, and Reared by foster -parents in a far country. We are told nothing of his childhood, but On reaching manhood he returns or goes to his future Kingdom. After a victory over the king and/or a giant, dragon, or wild beast, He marries a princess, often the daughter of his predecessor and And becomes king.

For a time he reigns uneventfully and Prescribes laws, but later he loses favor with the gods and/or his subjects, and Is driven from the throne and city, after which

He meets with a mysterious death,

Often at the top of a hill,

His children, if any do not succeed him.

His body is not buried, but nevertheless

He has one or more holy sepulchres. Slide31

How Many Points Does Anakin Fit?

Hero's mother is a royal virgin;

His father is a king, and

Often a near relative of his mother, but The circumstances of his conception are unusual, and He is also reputed to be the son of a god. At birth an attempt is made, usually by his father or his maternal grand father to kill him, but he is spirited away, and Reared by foster -parents in a far country. We are told nothing of his childhood, but On reaching manhood he returns or goes to his future Kingdom. After a victory over the king and/or a giant, dragon, or wild beast, He marries a princess, often the daughter of his predecessor and And becomes king.

For a time he reigns uneventfully and Prescribes laws, but later he loses favor with the gods and/or his subjects, and Is driven from the throne and city, after which

He meets with a mysterious death,

Often at the top of a hill,

His children, if any do not succeed him.

His body is not buried, but nevertheles

s

He has one or more holy sepulchres. Slide32

Heroines in Greek Mythology and Star WarsSlide33

Heroines and the Hero Pattern

The Hero Pattern applied to Women in Myth, History, and Literature

 Hero Cycle of Marie de MediciLeia and Lord Raglan

Star Wars: The Magic of Myth, pp. 65-67; 158-159"Penelope to Ulysses" in Ovid's Heroides Star Wars Scenes: VI, 11-12 On the Sail Barge and The Sarlacc PitPowerpoint: Heroines in Greek Myth and Star WarsSlide34

The Hero Quest

in Classical Mythology and Star Wars 

The Hero Quest Stages in the Heroic Quest

 Variations on the Theme of the Heroic QuestStar Wars: Magic of MythStar Wars: The Magic of Myth, pp. 15-46Star War Scenes: IV/17-18 Torched Homestead and Luke's DecisionPowerpoint: Hero Quest and Star WarsSlide35

Five Stages of the Hero Quest

Call to AdventureStruggle or Crossing the Threshold

Tests of Will, Endurance and AbilityThe Ordeal and Its RewardThe ReturnSlide36

Joseph Campbell and Star Wars

"The Power of Myth" (video)

"Joseph Campbell--A Scholar's Life""Joseph Campbell's Mythic Journey" by Jonathan YoungSlide37

George Lucas and Star Wars

Mythology of Star Wars

Star Wars: The Magic of Myth, pp. 7-14"George Lucas on Joseph Campbell""George Lucas Interview"

"How did George Lucas Create Star Wars?George Lucas bio"George Lucas in Love"Mythic Map of Lucas' LifeGeorge Lucas and Frank CoppolaHeinrich ZimmerSlide38

The Feel of the Past

in Greek Mythology and Star Wars

Cultural and Historical Influences on  Star Wars and Greek MythologyStar

Wars: The Magic of Myth, pp. 160-202PowerPointStar Wars Pp. 123-157Myths: 1.) Plutarch on Theseus; 2.) Herodotus on Europa ; 3. Thucydides on and the Trojan War; 4.)Vergil on Anchises and Aeneas; 5.) Vergil on Aeneas and RomeDid Theseus Slay the Minotaur?Hyginus: 40-43Theseus and MinotaurMyth and HistorySlide39

Feel of the Past in Homer

Boar Tooth HelmetHomeric Shields

Nestor’s CupSlide40

The Feel of the Past in Star Wars

Military Costumes, Weapons and Aviation

Touches of Art DecoHitler’s GermanyFar Eastern InfluencesLuke’s Transformations

Mythic SettingsFemale robot from Fritz Lang’s film “Metropolis” (1927)Restoration Trailer

Japanese Kabuko HelmetSlide41

The Feel of the Past

Tamtel

Skreej was the alias taken by Lando Calrissian during his stay a tJabba's Palace, as he attempted to rescue his friend Han Solo, who had been frozen in carbonite. An essential part of the resulting disguise was a mask of gondar tusks to hide his face.

...while on his head

He put a helmet made of hide, stiffened

With numerous taut leather thongs inside

And faced outside with gleaming white teeth

Of a tusker boar set thick in alternate rows

Cunningly and well. It was lined with felt.

(

Iliad

10.261-65, Stanly Lombardo trans.) Slide42

Writing Assignments

Compare the use of Greek Mythology and Star Wars in Popular Culture

.Compare and contrast the use of folktales themes in Greek Mythology and Star Wars.Explain the epic features of Star Wars

Compare and contrast a scene from Star Wars and a scene from the Iliad.Compare and contrast chariot races in the Iliad and in Star Wars.Compare and contrast divine machinery in the Iliad and in Star Wars.Compare and Contrast how Anakin or Luke Skywalker and a Greek hero of your choice, fit Raglan's and one other hero pattern.Compare and Contrast how Leia or Padme and a Greek heroine of your choice, fit Raglan's and one other hero pattern.Respond to Joseph Campbell's interpretation of Star Wars. Do you agree or disagree?Slide43
Slide44

The Force Awakens

Rey vs. Leia: heroinesFin vs. Luke: I am no hero

Kylo Ren vs. Han Solo: father-son conflictKylo Ren vs. Darth Vader

Rey: heroine

Finn: I am no heroKylo Ren vs. Han Solo: father-son conflictSlide45

Teaching “Star Wars” and Classical Mythology

Tom Sienkewicz

Monmouth College

tjsienkewicz@monmouthcollege.edu

http://department.monm.edu/classics/swpaca.starwars.pptx