PPT-Connecting Reading and Writing Using Signposts and the ICE
Author : mitsue-stanley | Published Date : 2017-06-16
By Megan Fritz and Shannon Orosz mfritzpointpleasantk12njus soroszpointpleasantk12njus The Signposts Created by Kylene Beers amp Bob Probst Signposts are a way
Presentation Embed Code
Download Presentation
Download Presentation The PPT/PDF document "Connecting Reading and Writing Using Sig..." is the property of its rightful owner. Permission is granted to download and print the materials on this website for personal, non-commercial use only, and to display it on your personal computer provided you do not modify the materials and that you retain all copyright notices contained in the materials. By downloading content from our website, you accept the terms of this agreement.
Connecting Reading and Writing Using Signposts and the ICE: Transcript
By Megan Fritz and Shannon Orosz mfritzpointpleasantk12njus soroszpointpleasantk12njus The Signposts Created by Kylene Beers amp Bob Probst Signposts are a way to give readers focus and let them know what they should be looking for as they read They help readers make meaning of the texts they are working in. Our story so far…. Andy . Kinnear . June 2015. What is Connecting Care?. Connecting Care – Why?. Local drivers. National drivers. Who the partners are. What we have delivered so far . What are the benefits? . (Depts. of Transportation). Pat Burns, CIO. Colorado State University. RMCMOA . Presentation. January . 13, . 2014. 01/12/15. Connecting the DOTS. 1. The Fiber “Value Proposition”. CSU transitioned from Qwest xx Mbps service to fiber. Adapted . from . Kylene. Beers & Robert E. . Probst. What is a signpost?. A . signpost. is a signal that points to the correct direction needed to take to accurately arrive at the desired destination. . Strengthening your reading skills. Contrasts & Contradictions. When . author’s . show us something that doesn’t fit with what we expect. Example: teacher mood/behavior. ASK: . why would the character act this way. What is Close Reading?. Close reading is stopping independently at points in our reading to re-read, ask questions, make observations and reflect in order to reach a new understanding of our text.. Post-It-. Signposts for close reading. What are signposts?. Important moments in the text worth examining. Like “red flags” in literature saying “Pay attention!”. Common across narrative (both fiction and non-fiction). Tim N. Taylor . Linda Copeland. Introductions: About Us. Tim. Director of Comp at EIU. Linda. Assistant Professor of English at St. Louis CC . The State of Developmental Reading & Writing Courses. UNCONNECTED. Mike Watson. Heartcentricleadership.com. A. S. A. A. E. E. E = Observations and Experiences. A. = Ideas, Concepts, Theories. S. = Propositions. Creation. Unconnected. Deduction. Connected. PROJECT TEAM MEMBERS. K SIVA RAMA KRISHNA. Y LOKESWARA RAO. R MANI KANTA. S SATISH. D NETAJI. ABSTRACT. The automobile engine connecting rod is a high volume production, critical component. It connects reciprocating piston to rotating crankshaft. . Bridging the Gap. Lillie O. Smith, Reading Specialist, . K-5 Literacy Leader. Kristin Palmer, Literacy Coach. Hampton City Schools. Presenters. Lillie Smith is a Reading Specialist, K-5 Literacy Leader for Hampton City Schools. In 2008, she earned National Board Certification. In 2010, she was selected as a member of the National Board. What is Four Square Writing?. Four-square writing is a method of teaching basic writing skills that is applicable across grade levels and curriculum areas. It can be applied for the narrative, descriptive, expository and persuasive forms of writing. . Teachers struggle every day to bring quality instruction to their students. Beset by lists of content standards and accompanying high-stakes accountability tests, many educators sense that both teaching and learning have been redirected in ways that are potentially impoverishing for those who teach and those who learn. Educators need a model that acknowledges the centrality of standards but also ensures that students truly understand content and can apply it in meaningful ways. For many educators, Understanding by Design addresses that need.Simultaneously, teachers find it increasingly difficult to ignore the diversity of the learners who populate their classrooms. Few teachers find their work effective or satisfying when they simply serve up a curriculum--even an elegant one--to students with no regard for their varied learning needs. For many educators, Differentiated Instruction offers a framework for addressing learner variance as a critical component of instructional planning.In this book the two models converge, providing readers fresh perspectives on two of the greatest contemporary challenges for educators: crafting powerful curriculum in a standards-dominated era and ensuring academic success for the full spectrum of learners. Each model strengthens the other. Understanding by Design is predominantly a curriculum design model that focuses on what we teach. Differentiated Instruction focuses on whom we teach, where we teach, and how we teach. Carol Ann Tomlinson and Jay McTighe show you how to use the principles of backward design and differentiation together to craft lesson plans that will teach essential knowledge and skills for the full spectrum of learners.Connecting content and kids in meaningful ways is what teachers strive to do every day. In tandem, UbD and DI help educators meet that goal by providing structures, tools, and guidance for developing curriculum and instruction that bring to students the best of what we know about effective teaching and learning. Visit www.heinemann.com/ReadingNonfiction for special previews, videos, and more.Also available: Reading Nonfiction Student Bookmarks and Notice & Note/Reading Nonfiction Signpost Student BookmarksWhen students recognize that nonfiction ought to challenge us, ought to slow us down and make us think, then they\'re more likely to become close readers. That means we need to help them question texts, authors, and, ultimately, their own thinking. No matter the content area, with Reading Nonfiction\'s classroom-tested suggestions, you\'ll lead kids toward skillful and responsible disciplinary literacy.Picking up where their smash hit Notice & Note left off, Kylene Beers and Bob Probst write: Fiction invites us into the writer\'s imagined world nonfiction intrudes into ours and purports to tell us something about it. This crucial difference increases the responsibility of the nonfiction reader, so Kylene and Bob have developed interlocking scaffolds that every student can use to go beyond a superficial reading:3 essential questions that set students up for closer, more attentive readings of nonfiction texts 5 Notice & Note nonfiction signposts that cue kids to apply the skills and processes that sophisticated readers use instinctively 7 proven strategies readers can use to clear up confusions when the text gets tough. We all know the value of helping students define nonfiction and understand its text structures. Reading Nonfiction goes the next crucial step-helping kids challenge the claims of nonfiction authors, be challenged by them, and skillfully and rigorously make up their mind about purported truths. Key Advances. Foundational Unit 1. Produced Under U.S. Department of Education. Contract No. ED-VAE-13-C. -0066 . With StandardsWork, Inc.. 2016. Structure of the Literacy Standards. Four Strands: Reading, Writing, Speaking and Listening, Language.
Download Document
Here is the link to download the presentation.
"Connecting Reading and Writing Using Signposts and the ICE"The content belongs to its owner. You may download and print it for personal use, without modification, and keep all copyright notices. By downloading, you agree to these terms.
Related Documents