PPT-Creating a Musical Score

Poetry Out Loud Mrs Barrett 20152016 Learning Outcomes Dramatic play helps students go beyond mere comprehension by helping students evoke the text and elaborate upon it as a story participant Wilhelm 121. (1940-1950). “They Couldn’t Pick a Better Time”. Kenrick. , Chapter 11 (238-264). 1940. With the world at war and America still suffering . effects from . the Great Depression, most Broadway professionals . , Chapter 15. Spectacles and Boardrooms – . “As If We Never Said Goodbye”. 1980-1999. David Merrick and Gower Champion. "The Lullaby of Broadway". The first musical hit of the 1980s was a musical comedy based on a classic . Chapter 12: “The Street Where You Live”. Summary of trends. 1900-1910: Vaudeville, revue and comedy. 1920s: The movies and Show Boat. 1930s: Prohibition and jazz. 1940s: Rodgers and Hammerstein. Kenrick, . Musical Theatre, A History. Chapter 16. James Joyce’ THE DEAD. The year 2000 found the Broadway community quite unsure of what the future of musical theater could be. . James Joyce's The Dead. Depression Era Miracles. “Trouble’s Just a Bubble”. Kenrick. , . Musical Theatre A History. The Great White Way in the 1930s. By 1932, more than 12 million adults in the United Stages were unable to find work…. (1970-1979). Kenrick. , Chapter 14. “Vary My Day”. The Rock Musical. HAIR inspired several new rock musicals.. TWO GENTLEMEN OF VERONA (1971) was a rock, multiracial adaptation of Shakespeare’s comedy that first played in Central Park and then ran for almost 2 years on Broadway.. Chapter 13. Kenrick. , . Musical Theatre: A History. “Soon It. ’. s . Gonna. Rain”. (1960-70). Intimate musicals re-emerged. THE FANTASTICKS . began . life as a one-act college project for Tom Jones and Harvey . A Lasting . Legacy. From MUSICALS 101website. by John . Kenrick. Birth of a partnership. Richard Rodgers . and . Oscar Hammerstein had . known each other since they worked on varsity shows at Columbia University. . Paper by Craig . Stuart Sapp. 2007 & 2008. Presented by . Salehe. . Erfanian. . Ebadi. QMUL ELE021/ELED021/ELEM021. 5 March 2012. Outline. A technique for comparing numerous performances . of an . Presentation by: David Lee. Early Life. Born: July 6, 1944 in Vannes, France. His father was an organ repairer and his mother was a piano tuner. His career began off in France as a singer, writer and producer of pop songs. DISNEY’s. ANIMATED FEATURES. Oliver Lindman. STRUCTURE OF PRESENTATION. The . title. – . explanation. and . background. The research . questions. Literature. . review. - . overview. Structure. The Digitally Accessible Music Library. Presented by Christine Edwards. , Music Librarian. Angela S. . Beakerman. Music Library. Eastern Empire State University, NY. Why digitize? Why now?. Increased awareness. NIME02-02context For example solo music hasqualitiesthe musical instruments that fulfill thea3to introduce to theprone to experiment withsensors and sound makers without always havingapplication ofth extending . and . accelerating . learning for promising young musicians. Three . barriers in a promising young musician’s journey and how we’re tackling them. Barrier 1: Identification. Barrier 2: The pyramid.