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The Cabinet of Dr. The Cabinet of Dr.

The Cabinet of Dr. - PowerPoint Presentation

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The Cabinet of Dr. - PPT Presentation

Caligari Mise en Scene and German Expressionism Mise en Scene What matters is the way space is cut up the precision of what happens within the magical space of the frame where I refuse to allow the smallest ID: 404267

film scene german expressionism scene film expressionism german expressionist mise caligari mountebank narrative focused man strange day lighting part madman bridge notes

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Slide1

The Cabinet of Dr. Caligari

Mise en Scene and German ExpressionismSlide2

Mise en Scene

“What matters is the way space is cut up, the precision of what happens within the magical space of the frame, where I refuse to allow the smallest

clumsiness.”

Federico Fellini

Mise

en Scene

– staging a scene through the artful arrangement of actors, scenery, lighting, and props; creates the look of the world in the story (narrative film)

and/or

arranges chosen elements in the frame (documentary)Slide3

Mise en Scene in The Godfather Trilogy

Wedding Scene Part IEmphasizes the secular, wealth, and

business

Wedding Scene

Part

I

Emphasizes

religion, tradition, family, communitySlide4

ExpressionismExpressionism

– 20th century modernist art that is the result of the artist’s unique inner or personal vision and that often has an emotional dimension (created through abstract shapes and vivid colors). Expressionism contrast with art focused on visually describing the empirical world

Anti-mimetic vs. mimeticSlide5

German Expressionism: Two Schools

Die Brücke (The Bridge): sought to bridge

the

old and new; focused on detrimental effects of industrialization and alienation of the individual in a modern city

Der

Blaue

Reiter (The Blue Rider): focused on capturing feeling in visual form

Ernst Ludwig Kirchner,

Street, Dresden

, 1908

Vasily

Kandinsky,

Picture with an Archer,

1909Slide6

Dr. Caligari’s Significance for Film

dramatic use of m

ise

en scene distinguishes the film’s importance

u

ses avant-garde/expressionist techniques such as:

c

hiaroscuro lighting – the use of contrasting areas of lightness and darkness to create compositional effectsdiagonal linesb

izarre, artificial sets and shadowscombined techniques with a narrative involving a sleepwalker and a murderous madmanSlide7

Expressionist work, Das Kabinett des Dr.

Caligari (The Cabinet of Dr. Caligari, 1919)

The

film recounts a series of brutal murders that are committed in the north German town of

Holstenwall

by a

somnambulist

at the bidding of a demented mountebank

, who believes himself to be the incarnation of a homicidal 18th-century hypnotist named Dr. Caligari.Slide8

s

omnambulist = sleepwalker

Erich

Pommer

,

Caligari

’s

producer at Decla-Bioskop (production company), added a scene to the original scenario so that the story appears to be narrated by a madman confined to an asylum of which the mountebank is director and head psychiatrist.

Incarnation of

Dr.

Caligari

(mountebank)

mountebank=a

person who deceives

othersSlide9

To represent the narrator’s tortured mental state, the director, Robert Wiene, hired three prominent Expressionist artists—Hermann Warm, Walter

Röhrig, and Walter Reimann—to design sets that depicted exaggerated dimensions and deformed spatial relationships. Slide10

To heighten this architectural stylization (and also to economize on electric power, which was rationed in postwar Germany), bizarre patterns of light and shadow were painted directly onto the scenery and even onto the characters’ makeup.Slide11

Writer Hans Janowitz claims to have gotten the idea for the film when he was at a carnival one day. He saw a strange man lurking in the shadows. The next day, he heard that a girl was brutally murdered there. He went to the funeral, and saw the same strange man lurking around. He had no proof that the strange man was the murderer, but he fleshed the whole idea out into his film.

Trivia!Slide12

As you watch the

film:Keep in mind the previous descriptions/definitions, the examples of Expressionist painting, and the other films we’ve watched in class.

T

ake notes, including specific observations, in your journals on the following as you

watch:

set

design

lighting

makeup After you view each day

, reflect how the

German

Expressionist

style and the narrative

work together to achieve a desired effect:

How does the a

ct establish

mise

en scene?How does it fit the style of German

Expressionism?

Make a prediction about what you think will happen at the end of the

act.

** You will use these notes**