PPT-Agamemnon He came from Mycenae.

His wifes name is Clytemnaestra He was the brother of Menelaus and the son of Atreus He killed his uncle to get back his throne He had four children C hrysothemis E lectra I. The Nobody Came The appalling true story of brothers cruelly abused in a Jersey care home we think have quite excellent writing style that make it easy to comprehend Pfeil and Associates Frank Weberg broker and Marvin Hochstein sales associate and a GRK 102, . CH19 . Civ. Homer . Iliad. 2.569, 576-7. Οἳ. . δὲ. . Μυκήνας. . εἶχον. . ἐϋκτίμενον. . πτολίεθρον. [ . . . ]. τῶν. . ἑκατὸν. . Objectives . SWBAT- read and identify primary documents and make connections between myth and real life.. Homeric Epics. Epic. = long poem about a hero, important to a culture. Homer. = probable author, lived around 750 BCE . Aeschylus’ . Agamemnon. 2. Agenda. Tragedy in Performance. “Words, Endless Words”—Role . of the Chorus. Recap & Update. Tragic Patterns, Tragic Themes in Aeschylus’ . Agamemnon. Discussion. . Type of Work. ....... The . Iliad. is an epic poem, a long narrative work about heroic exploits that is elevated in tone and highly formal in its language. .. . It was composed in ancient Greek and transmitted orally before it was written down. . Iliad. Book 11. Classical Civilisation. The . aristeia. is a type of scene in the . Iliad. in which a hero in battle has his finest moments (. aristos. = best). Such is the ferocity of the hero's efforts, an . Aeschylus’ . Agamemnon. 1. Agenda. Discussion: Clytaemnestra. Victim? Monster? Other?. Recap & Update. Play Intro, Aeschylean Patterns. 27-Sep-17. aeschylus agamemnon 1. 2. Discussion: Clytaemnestra. PatroClus. THE TROJAN . WAR. BY STATHIS, PHOTIS, JOHN & . KOSTAS (2. ND. GROUP, f2). Agamemnon. . In Greek mythology, Agamemnon was the son of king Atreus and queen . Aerope. of Mycenae, the brother of Menelaus, the husband of Clytemnestra and the father of Iphigenia, Electra, Orestes and . It investigated the relationship between . individual freedom . and . civic responsibility. The nature of the . beautiful. The ideal harmony between the . natural world . and the . intellectual realm. Aulis. 1. Why??. Why?. Clip, Michael Cacoyannis’ . Iphigenia. . (1977). That’s why?.... IPHIGENIA. It is unthinkable that this . man [Achilles] . should pit himself against the whole of Argos . Oresteia. Part 1: . Agamemnon. Red-figure vase painting: Aegisthus slays Agamemnon. In Aeschylus’ . Oresteia. , Clytemnestra commits the murder.. Let’s Go to the Movies. https://goo.gl/hTo3Ds. Gendered (?) . Aulis. 1. Why??. Why?. Clip, Michael Cacoyannis’ . Iphigenia. . (1977). That’s why?.... IPHIGENIA. It is unthinkable that this . man [Achilles] . should pit himself against the whole of Argos . 1. 15: The End: . 1. Troy. Heinrich Schliemann . (1871-3, 1878-9,. 1882-3, 1888-90). 15: The End: . 2. 15: The End: . 2. Troy VI-VIIA, Homer's "Troy" (1800-1200). 15: The End: . 3. 15: The End: . The narrative of \"She Came to Me\" intricately weaves together the interactions of its characters in three compelling love stories, subtly foreshadowing two surprising plot developments. The exceptional performances of Dinklage, Tomei, and Ellison enhance the brilliance of the film, while Rebecca Miller\'s seamless direction showcases her talent to a tee. Akin to the works of Nora Ephron, this seventh film in Miller\'s repertoire is truly captivating, urging me to explore her preceding six works of art.