PPT-Dickson Experimental Sound Film

18945 Dir William Dickson and Thomas Edison Broken Blossoms 1919 Dir DW Griffith Old San Francisco 1927 Dir Alan Crosland   Bonus scene Singin in The Rain 1951 Dir Gene Kelly and Stanley . presentation.. Description of the audience and purpose of the film. Description of audience.. O. ur 5 minute video will be aimed at pupils aged between 11 to 18 year olds who also go through what our pupils do in the SSC. The video will also appeal to other teachers especially support teachers to show them how we run things in out student support centre.. Introduction: Sound and the Study of Sound. What is sound?. What is sound?. What is sound?. What are the differences between hearing and vision?. What is sound?. What are the differences between hearing and vision?. Chapters 3 and 4 . A scene is a section of narrative that gives the impression of continuous action taking place in a continuous time and place . A shot is an uninterrupted strip of exposed motion-picture film or video that represents a subject during an uninterrupted segment of time . Stylistic Self-negation. Changing Styles. A variety of visual and narrative styles.. Different visual and narrative . styles . employed in each film. Deliberate refusal of relying on a constant and enduring visual (narrative) . 4. Film Music. TWO PERSPECTIVES & PERIODS:. Unheard Melodies: Narrative Film Music . by Claudia . Gorbman. (published in 1987). Hearing Film: Tracking Identifications in Contemporary Film Music. 2. Silent . Film Sound. Professor in Cinema and Comparative literature at University of Iowa. Also written books on the musical film genre, and edited a book on sound theory and practice that we will read from later this semester.. Sound. Though we might think. of film as an essentially visual experience, we really cannot afford to underestimate the importance of film sound. A meaningful sound track is often as complicated as the . PRESS KIT PRODUCTION NOTES Director Alan Dickson Writer Wayne Ching Producer Glen Real Production Company Yukfoo Animation Duration 11 mins Screening format 35mm Completion Da te 2011 35mm / D olby By Hayden Collins 13p1. Brief History . Before the 1930s, film often used compiled tracks and other pieces of music from famous composers in order to accompany the film that was being showed on the screen. The music that went alongside film at this time was live (performed under the screen), and only near the end of the 30’s did film makers produce their own scores.. By Hayden Collins 13p1. Brief History . Before the 1930s, film often used compiled tracks and other pieces of music from famous composers in order to accompany the film that was being showed on the screen. The music that went alongside film at this time was live (performed under the screen), and only near the end of the 30’s did film makers produce their own scores.. 5. Filmic Sound Spaces. Sound Theory Sound Practice. Edited by Rick Altman (1992). With essays by James . Lastra. , Michel . Chion. , and others. The Soundscape of Modernity: Architectural Acoustics and The Culture of Listening in America, 1900-1933 . Dr. Kim . Neuendorf. Selected UNDERGROUND AND . avant. . garde. filmmakers. PART II. Underground cinema. Michael . Snow . Canadian artist working in various media. Noted for his experimental work in “Structural film” (content was secondary to form or structure). Silent Era. Sound and synchronization started in 1923 so all films before this were silent with accompanied orchestras.. 1920-1930 America was the leading producer of film. . “The Sprinkler Who Sprinkled”- The First Comedy. A scene is a section of narrative that gives the impression of continuous action taking place in a continuous time and place . A shot is an uninterrupted strip of exposed motion-picture film or video that represents a subject during an uninterrupted segment of time .