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Vulnerable Body 8 Vulnerable Body 8

Vulnerable Body 8 - PowerPoint Presentation

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Vulnerable Body 8 - PPT Presentation

Phaedrus and the underdog A poet on the margins Aesop s vulnerable body A victim of Sejanus The wolf and the lamb 11 The cow the goat the sheep and the lion 15 The sparrow and the hare 19 ID: 527005

phaedrus body vulnerable slave body phaedrus slave vulnerable power slavery vulnerability bodily man roman freedman poet fables

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Slide1

Vulnerable Body 8

Phaedrus and the underdogSlide2

A poet on the marginsSlide3

Aesop

’s vulnerable bodySlide4
Slide5

A victim of

Sejanus

?Slide6

The wolf and the lamb, 1.1Slide7

The cow, the goat,

the sheep and the lion

(1.5) Slide8

The sparrow and the hare (1.9)Slide9

The dog and her puppies (1.19)Slide10

The ass and the shepherd (1.15)Slide11

The jackdaw and the peacock (1.3)Slide12

The poet’s body

‘Slavery is to freedom as incontinence is to self-control and emotions are to bodily appetite; the slave is to the master as body is to mind, as woman is to man, as child to father.

W.Fitzgerald

,

Slavery in the Roman Imagination Slide13

‘Bifocal hermeneutics’

As a freedman, Phaedrus can write

‘from below’

Yet as a man of letters, a poet of learning and sophistication, he can also speak from the opposite perspective,

‘from above

’. Slide14

Key questions…

Is this really light reading, or is its lightness a veil for risky, subversive political commentary and performance?

To what extent are the fables performances of power? Can there be any real transfer of power to those who are genuinely vulnerable or socially marginalized?

What is the role of

humour

in all this? And how much power is the reader granted to ‘enable’ the voice of the slave, the freedman, or the person in the gutter, to rise up and sound out, authentically and authoritatively? Slide15

Do we get a brave new insight into imperial Roman culture through Phaedrus, or are these fables just tweaked versions of the same old stories?

Is being a slave, or slave-like, just a literary trope, shorthand for all things ‘

Aesopic

’?

And what would be the point of (an aristocratic?) Phaedrus experimenting in the poetry of the low, the ugly, the vulnerable and the powerless?Slide16

Can you think of a historical or contemporary example of an author or well-known figure who has

either

sought advantage from a

pose of inferiority or vulnerability

,

or

has been successful in turning

actual social/bodily/economic vulnerability

into a strength?