receptivity E H GOMBRICH Story of Art xxv 402 Whistler became a leading figurein the socalled ID: 226810
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foundpopular acceptance, and appeared in English after 1830, though its adoption was longopposed. (See below.) Recent extravagances in the adoption of a sentimental archaismas the ideal of beauty have still further removed ¾sthetic and its derivatives from theiretymological and purely philosophical meaning. ÔThe pronunciations /!s"!!t#k/ ,/i$s"!!t#k/ , /!s"!i$t#k/ , /i$s"!i$t#k/ , are all in use; the second is at present mostcommon in LondonÕ ( receptivity E. H. GOMBRICH Story of Art xxv. 402 Whistler became a leading figurein the so-called Ôaesthetic movementÕ which tried to make out thatartistic sensibility is the only thing in life worth taking seriously. B. n. commonly pl. ¾sthetics, as collect. sing.: but also in sing.,after German ¾sthetik, French esthtique 139 Aesthetic commonly signifiesthe Critique of Taste, but with Kant, the science containing the rules ofsensation.1803 Edinb. Rev. 253 If the experimentalists of the Institute hadabandoned their physics forâ¸the study of transcendental ¾sthetics andall the refinements and abstractions of pure reason.1825