dbednaruwoca Office SSC 2410 Office hours Thursdays after class or by appointment What will be on Test 3 Lectures 89 and 10 Anything written on the course website or said by a lecturer in class ID: 468562
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Slide1
Danny Bednar
dbednar@uwo.ca
Office: SSC 2410
Office hours: Thursdays after class or by appointmentSlide2
What will be on Test 3?
Lectures 8,9 and 10
Anything written on the course website or said by a lecturer in class
Videos are SUPPLEMENTARY to help understand, but will not be directly referenced in questions
Some links are testable, especially if they are looked through during class on the projector.
Test format will be short answerSlide3
Space in Popular Culture
Tuesday November 1
st
, 2012Slide4
This Presentation is complimentary to the GEOG 2090 lecture 9b “space in culture, science fiction”
http://instruct.uwo.ca/geog/136a/lec9b.htmSlide5
Space Culture in the 18
th
and early 19
th
century
Hard to imagine in some ways, but understanding of space before the 1960’s was very limited
The ideas that there could be advanced life on Mars or even Earth’s Moon were presented in very different contexts than they are today
http://www.lit4lib.sky7.us/luciansa.html
http://www.museumofhoaxes.com/hoax/archive/permalink/the_great_moon_hoax
http://news.nationalgeographic.com/news/2005/06/0617_050617_warworlds.htmlSlide6
Space as Frontier
Numerous authors in both popular culture and academia have discussed the notion of space as a continuing frontier in place of new areas on Earth to discover;
The idea of the frontier was especially prominent in United States history and continued into the Space Age
http://archive.spacefrontier.org/Policies/frontieragenda.htmlSlide7
Space, the Frontier and Star Trek
The quotes “Space…the final frontier” and “where no man [sic] has gone before” from the famous opening monologue during the credits of Star Trek have become culturally significant quotations in North American and European Culture
http://www.youtube.com/watch?v=A2gPUabIqQQ
A large portion of the world’s familiarity with space
exploration’s
concepts and
its challenges
likely come from popular culture properties like Star Trek.
Star Trek interacts with real science through things like the X-prize’s “
tricorder
challenge”
http://www.cbc.ca/news/technology/quirks-quarks-blog/2012/01/star-trek-tricorder-challenge.htmlSlide8Slide9
Evolution of Space as ‘Frontier’
In the 1970’s
images of the
whole Earth
taken from space become symbols of environmental movements and new cultural understandings of
human history and the frailty of Earth
http://photography.nationalgeographic.com/wallpaper/photography/photos/milestones-space-photography/earth-full-view
/
Within this movement, exploring the new frontier of space allowed us to reevaluate our place in the Universe (see Carl Sagan’s Cosmos)
The idea
of
space as a frontier began to grow
in the business and scientific community as
the finite nature of Earth’s resources gained popular discussion
Current business approaches to space rely heavily on the discourse of space as a new frontier
http://www.ctvnews.ca/billionaires-want-to-open-new-mining-frontier-asteroids-1.800490Slide10
Space as Unknown
Culturally, space has commonly represented the unknown and the
strange; much
as the open
Seas and deep
o
cean
once
did (still do)
Super market tabloids have traditionally relied on space to present some of the most outlandish and strange fictional tales which grab readers’ attention.
http://weeklyworldnews.com/Slide11
Space Literature
Space has been most prominent in literature in ‘Science-Fiction’
Landmark science fiction writers include Jules Verne, H.G. Wells, Arthur C.
Clarke,
Phillip K. Dyke, Frank Herbert, Ray Bradbury, Robert
Heinlien
, and Isaac Asimov
Before much was known abut Earth's neighborhood, space provided early 20
th
Century writers good settings for strange and provocative stories.
This early period of space culture was commonly used to make social commentaries on things such as religion, race and warSlide12
Space Music
Musicians have used space to illicit existential messages, environmental messages and
themes related to either
the advancement or downfall of human kind.
Daivd
Bowie’s “Space Oddity” is one of the most famous space themed singles in music history. It uses space travel as a means to discuss various themes including the desolate nature of space, loneliness and technology.
http://www.youtube.com/watch?v=D67kmFzSh_oSlide13
The First ‘Sci-Fi’ Film
The first science-fiction film was space themed
1902- Voyage
Dans
La Lune: considered by many to be the first science-fiction movie. Inspired by earlier literary work by Jules Verne and H.G. Wells.
http://www.filmsite.org/voya.htmlSlide14
Space and Film
Numerous themes have been explored in
films where space
exploration
is the main
setting.
http://www.hobbyspace.com/Movies/index.html#SpaceMovies
Because of the visual
spectacle
which space provides, films have played a large role in fostering some of the more prominent discourses
and imagery that
surround space exploration in our society.
Stanley Kubrick's 2001: A Space Odyssey has specifically been often discussed for its application to various political-philosophical themes
http://www.palantir.net/2001/meanings.htmlSlide15
Space in Film: Ominous VisitorsSlide16
Space in Film: Isolation/TerrorSlide17
Space in Film: True StoriesSlide18
Space in Film: Doom, Gloom and Human Nature (and Metaphors)Slide19
Space in Film: Bad ScienceSlide20
Distinguishing Science and SCI-FI
Some movies (like the Carl Sagan written ‘Contact’) work to portray science and scientists in
a somewhat
accurate
manner,
despite relying on story-necessary leaps in technology or
plausibility
(hence science-FICTION).
Others do not
http://listverse.com/2007/11/23/top-10-errors-in-science-fiction-movies/
http://www.everythingaction.com/2011/01/07/nasas-most-scientifically-accurate-and-inaccurate-movies/Slide21
Conclusion: Space Culture as Important
Space exploration exists as a concept of one form or another to practically everyone
Before taking this class you may have had your own assumptions about what space exploration was
Often what drives geographers, engineers, physicists or geologists among others to study space is their connection to
it
through popular-culture
There are interesting connections between space as it is studied by scientists and academics and the space that is presented in television, literature and filmSlide22
Conclusion: Space Culture as Important
Space discourse reflects some of humanities biggest challenges and hopes for the future (environmental, economic, scientific, philosophical, and political,)
http://fwb.home.xs4all.nl/rgbmars.html
Some of the biggest questions facing humanity look towards space exploration for answers (Are we alone? How did it all start?)
Space culture is used to honor and maintain our history (Roman and Greek names for planets, craters named after scientists and authors etc…)
Space
influences
art
http://iaaa.org/
Defining moments of human history have been related to space exploration: Galileo and Copernicus’ ideas of
Heliocentrism
, the launch of Sputnik and the televised broad cast of the Apollo 11 landing
http://history.nasa.gov/sp4801-chapter4.pdf
http://www.worldpicturejournal.com/WP_7/PDFs/Engell.pdfSlide23
Space and ConspiraciesSlide24
Space and
Conspiracies
One of the more prominent ways space exploration is discussed in popular culture is through conspiracies related to it
This is commonly related to the ‘unknown’ and ‘mysterious’
discourses
of space mentioned
earlierSlide25
Apollo Moon Conspiracy
Assumes that the Apollo 11 and subsequent missions to land on the Moon were filmed in a
studio;
commonly
‘
Area 51’
Suggests that the incentive to fake the landing existed, implies Nixon Administration was head of conspiracy efforts
Often claim that technology did not, and even still does not, exist that could successfully land humans on the Moon
Points to apparent inconsistencies with moon landing evidence
Photographs
Footage
Lack of continued travelSlide26
Apollo Moon Conspiracy
Numerous sources exist to both be exposed to these claims as well as to refute and de-bunk them
http://www.ufos-aliens.co.uk/cosmicapollo.html
Scientists, Social Scientists, independent researchers and various government agencies have all provided material which debunks these hoax ideas
http://www.badastronomy.com/index.html
http://www.popularmechanics.com/science/space/4279691
http://topdocumentaryfilms.com/truth-behind-moon-landings/
http://www.youtube.com/watch?v=W5MUv7QkMmA&feature=related
http://www.youtube.com/watch?v=qz7cUP4o-ZQ
http://www.youtube.com/watch?v=RWZ_LCnkE7ASlide27
Moon Conspiracy De-Bunking
“Ask
the Russians”
– Buzz
Aldrin
During the Cold War both the US and USSR were aware that there were enemy spies throughout their governments
Information about the progress of the Apollo mission, as well as other classified material constantly found its way to the USSR
This would likely have compromised any attempt to fake a Moon landing Slide28
Moon Conspiracy De-Bunking
“it would have been harder than
actually
going to the Moon” –
James Longuski
, Department of Aeronautics, Purdue University
The conspiracy implies that thousands of involved individuals were either fooled or complaisant with the hoax
This is generally a reverse understanding of Government competence. Communication vs. Technical Skill and ResourcesSlide29Slide30
Moon Conspiracy De-Bunking
Not a necessarily difficult task to go back, but an expensive and unsupported one
Once the SIX Apollo
missions
were finished the
political incentive fund more missions to
the Moon
dwindled
as
ratings fell dramatically for missions
3
-6 and the Cold War cooled down
http://www.hq.nasa.gov/pao/History/SP-4204/ch22-8.html
To revisit the Moon in the 1980s, 1990s or beyond would have required
billions
of dollars to restart the program and create new
infrastructure
up
to par with
advances in
technology
NASA has received continuous
cuts.
T
he
Apollo program cost approximately $25 billion in 1969, over $100 billion in 2012 Dollars
http://curiosity.discovery.com/question/cost-of-apollo-program
The Cold War and Space Race were very unique situations in American political discourse and economic circumstanceSlide31
Moon Conspiracy De-Bunking
Either Humans have been on the Moon, or
it is
made out of mirrors
http://www.youtube.com/watch?v=VmVxSFnjYCASlide32
Conspiracies
Why do people still believe?
Psychologists and other academics have provided many explanations for peoples propensity to accept conspiracies
2011 Darwin et al. - Belief in Conspiracy Theories, the Role of Paranoid Belief, Paranoid Ideation and
Schizotopy
2011
Newhieser
et al. - The Functional Nature of Conspiracy Beliefs –
Examining
the Underpinnings of Belief in the
Da
Vinci Code conspiracy
2011 Kay - Show me the Birth Certificate –
Conspiracism
in the Age of Obama
2012 Swami et al. – Lunar Lies – The Impact of Informational Framing and Individual Differences in Shaping Conspiracy Beliefs about the Moon Landings
2012 Wood et al. – Dead or Alive – Belief in Contradictory Conspiracy Theories
THESE ARTICLES WILL NOT BE DIRECTLY REFRENCED IN A TEST QUESTION!!!!!!Slide33
Conspiracies
Some reasons the research indicates Moon conspiracies (and others) continue to fester
Impossible burdens of proof
Confirmation bias (self-fulfilling information)
Helplessness
Over-Saturation of Information and Lie Resonance
Hyper-Criticism
Assumption of Hyper-Competence
Need for answers within existing concepts and lack of necessary understanding towards new concepts (Van Allen Belts)
False Cause and Effect
The Assumption of Major Events having ‘major causes’
Framing oneself as ‘the wise contrarian’, ‘crusader of truth’
Lack of understanding of ‘reality’ and
‘proof’,
(paranoia)
Inconsequential nature of “theories”Slide34
Finally…Slide35
The ‘Face on Mars’
http://science.nasa.gov/science-news/science-at-nasa/2001/ast24may_1/
Pareidolia