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Welcome...equipment out...ready to learn...Welcome...equipm - PPT Presentation

Extended Essay Othello Lesson 9 LQ Can I explore Shakespeares development of Othello Form p lay drama genre tragedy hubris hamartia Contexts historical social cultural race religion gender Venice Cyprus attitude audiences ID: 319104

language othello progress explore othello language explore progress contexts form aspects extended essay characters text shakespeare

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Slide1

Welcome...equipment out...ready to learn...Welcome...equipment out...ready to learn...

Extended Essay

Othello

Lesson 9

LQ: Can I explore Shakespeare’s development of Othello?Slide2

Form:

p

lay, drama, genre,

tragedy, hubris, hamartia,

Contexts: historical, social, cultural, race, religion, gender, Venice, Cyprus, attitude, audiences

Structure, language, juxtaposition, split lines, pentameter, relationships, love, fraternity

Extended Essay Text 1: Othello

Starter:

Some critics describe Othello as a play of

journeys

, for exampleHow many journeys relate to Othello the man?

Ext: Can you use evidence from throughout the play to support your ideas?

Setting

Venice

Cyprus

Emilia

Obedience to

Iago

Anger and hostility towards

I

ago

Othello

Trust

Jealousy Slide3

LQ: Can I explore Shakespeare’s development of Othello?

Outstanding Progress:

you will

confidently

explore

and evaluate through

detailed and sophisticated critical analysis

how writers use these aspects to create

meaning.

Good Progress:

you will show awareness

of structure, form, language, themes and contexts, and comment

on specific aspects with reference to how characters could be interpreted

Excellent Progress:

you will explore

structure, form, language, themes and contexts, commenting on specific aspects with reference to how characters could be interpreted.

B4

B3

B2

Extended Essay Text 1: Othello Slide4

The Big Picture

Extended Essay Text 1: Othello

LQ: Can I explore Shakespeare’s development of Othello?Slide5

LQ: Can I explore Shakespeare’s development of Othello?

Outstanding Progress:

you will

confidently

explore through detailed and sophisticated critical analysis

how writers use these aspects to create

characters and meaning.

Good Progress:

you

will

show awareness of structure, form, language, themes and contexts, and comment

on specific aspects with reference to how characters could be interpreted

Excellent Progress:

you will explore

structure, form, language, themes and contexts, commenting on specific aspects with reference to how

characters could be interpreted.

B4

B3

B2

Extended Essay Text 1: Othello Slide6

Form:

p

lay, drama, genre,

tragedy, hubris, hamartia,

Contexts: historical, social, cultural, race, religion, gender, Venice, Cyprus, attitude, audiences

Structure, language, juxtaposition, split lines, pentameter, relationships, love, fraternity

Extended Essay Text 1: Othello

LQ: Can I explore Shakespeare’s development of Othello?

Read through Othello’s soliloquy from Act III (lines 262-283, in sections on your

handout

). This is the first chance for the audience to see into his mind and find out what he thinks about Iago’s

‘honest’ insinuations.

In pairs, take responsibility for one of the sections:

What do you find interesting in what he says, how he might say it, and how it relates to what has gone before (in terms of content,

attitude

and language/imagery)?Slide7

Form:

p

lay, drama, genre,

tragedy, hubris, hamartia, Contexts: historical, social, cultural, race, religion, gender, Venice, Cyprus, attitude, audiences

Structure, language, juxtaposition, split lines, pentameter, relationships, love, fraternity

Extended Essay Text 1: Othello

LQ: Can I explore Shakespeare’s development of Othello?

Closer analysis: Othello’s language and state of mind.

Read through the extract your group has been given (either from Act 1 Scene 3, or Act 5 Scene 2).

Annotate your extract to show:

What Shakespeare's language reveals about Othello’s characterHow the language has changed in the course of the play.

Read over the annotated example from Act 4 Scene 1 to helpSlide8

Form:

p

lay, drama, genre,

tragedy, hubris, hamartia, Contexts: historical, social, cultural, race, religion, gender, Venice, Cyprus, attitude, audiences

Structure, language, juxtaposition, split lines, pentameter, relationships, love, fraternity

Extended Essay Text 1: Othello

LQ: Can I explore Shakespeare’s development of Othello?

Feedback

Present your findings to another group.

Annotate the other speech as the other

grouppresents to you. How much progress have you made?

Outstanding Progress: you will confidently

explore through detailed and sophisticated critical analysis how writers use these aspects to create

characters and meaning.

Good Progress:

you will

show awareness of

structure, form, language, themes and contexts, and comment on specific aspects with reference to how characters could be interpreted

Excellent Progress:

you will explore

structure, form, language, themes and contexts, commenting on specific aspects with reference to how characters could be interpreted. Slide9

Plenary:

Do you agree or disagree with these readings? Use evidence to support your answers.

Extended Essay Text 1: Othello

Ext: Can you use evidence from

throughout

the play to support your ideas?

Othello’s nature is all of one piece. His trust, where he trusts is absolute. Hesitation is almost impossible to him. He is extremely self reliant, and decides and acts instantaneously. If stirred to indignation…he answers with one lightning stroke. Love, if he loves, must be to him the heaven where either he must live or bear no life. If such a passion as jealousy seizes him, it will swell into an incontrollable flood.

A.C. Bradley

Othello’s tragedy is that he lives according to a set of stories through which he interprets the world – an ideology – but it is a world that has been superseded. He cannot see that this is so, and the contradictions within his ideology destroy him. He is living the life of a chivalric warrior in a world run by money and self-interest.

Sean

McEvoy

He really is, beyond any question, the nobly massive man of action, the captain of men, he sees himself as being…in short, a habit of self-approving, self-dramatisation is an essential element in Othello’s make-up. F.R.

Leavis