THE AUDIO DESCRIPTION PROCESS MODULE 1 UNIT 5 NINA
Description: THE AUDIO DESCRIPTION PROCESS MODULE 1 UNIT 5 NINA REVIERS UNIVERSITY OF ANTWERP IN THIS UNIT Parameters of the AD workflow. Stages in the AD workflow. Role of specialists involved. PARAMETERS Type of product: recorded or live? Additional
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slide1. THE AUDIO DESCRIPTION PROCESS MODULE 1
UNIT 5 NINA REVIERS
UNIVERSITY OF ANTWERP<br>
slide2. IN THIS UNIT Parameters of the AD workflow.
Stages in the AD workflow.
Role of specialists involved.<br>
slide3. PARAMETERS Type of product: recorded or live?
Additional services: audio introductions or audio-subtitles?
Creation approach: post-production or integrated AD?
Technical requirements: recording and distribution?
Scope: time and budget?<br>
slide4. STAGES Preparation.
Scripting.
Voicing.
Mixing/performing.
Quality control.
Feedback.<br>
slide5. PREPARATION Determine the parameters of the project.<br>
slide6. SCRIPTING Create the AD-script:
Analyse the source text.
Time the descriptions.
Write the descriptions.
Review and edit the descriptions.<br>
slide7. VOICING Select appropriate voices.
Rehearse.
Record.<br>
slide8. MIXING/PERFORMING Recorded AD: mix voices in the soundtrack.
Live AD: perform the AD-script.<br>
slide9. QUALITY CONTROL Integrated after each stage in the AD process.
Mistakes cannot be corrected after recording!<br>
slide10. FEEDBACK From the production team.
From AD users.<br>
slide11. SPECIALISTS Single describer AD team<br>
slide12. The organiser.
The artistic team.
The AD team. SPECIALISTS<br>
slide13. THE ORGANISER Film production company.
Broadcaster.
Cultural venue.
Sports organisation.
Museum curator.
Etc. Preparation & feedback<br>
slide14. THE ORGANISER Film production company.
Broadcaster.
Cultural venue.
Sports organisation.
Museum curator.
Etc. Preparation & feedback<br>
slide15. ARTISTIC TEAM Directors and assistants.
Actors or artists.
Directors of photography.
Sound designers.
Costume and stage designers.
Scriptwriters.<br>
slide16. ARTISTIC TEAM Directors and assistants.
Actors or artists
Directors of photography.
Sound designers.
Costume and stage designers.
Scriptwriters. Scripting<br>
slide17. AD TEAM Audio describer.
Final editor.
Visually impaired advisor.
AD director.
Voice talents.
AD sound technician.<br>
slide18. AD TEAM Audio describer.
Final editor.
Visually impaired advisor.
AD director.
Voice talents.
AD sound technician. All stages<br>
slide19. THE AUDIO DESCRIPTION PROCESS MODULE 1
UNIT 5 NINA REVIERS
UNIVERSITY OF ANTWERP<br>
slide20. The preparation of this presentation was supported by ADLAB PRO
(Audio Description: A Laboratory
for the Development of a New Professional Profile),
financed by the European Union
under the Erasmus+ Programme,
Key Action 2 – Strategic Partnerships,
Project number:2016-1-IT02-KA203-024311.<br>
slide21. The information and views set out in this presentation
are those of the authors and do not necessarily reflect
the official opinion of the European Union.
Neither the European Union institutions and bodies
nor any person acting on their behalf may be held responsible for the use which may be made
of the information contained therein.<br>
UNIT 5 NINA REVIERS
UNIVERSITY OF ANTWERP<br>
slide2. IN THIS UNIT Parameters of the AD workflow.
Stages in the AD workflow.
Role of specialists involved.<br>
slide3. PARAMETERS Type of product: recorded or live?
Additional services: audio introductions or audio-subtitles?
Creation approach: post-production or integrated AD?
Technical requirements: recording and distribution?
Scope: time and budget?<br>
slide4. STAGES Preparation.
Scripting.
Voicing.
Mixing/performing.
Quality control.
Feedback.<br>
slide5. PREPARATION Determine the parameters of the project.<br>
slide6. SCRIPTING Create the AD-script:
Analyse the source text.
Time the descriptions.
Write the descriptions.
Review and edit the descriptions.<br>
slide7. VOICING Select appropriate voices.
Rehearse.
Record.<br>
slide8. MIXING/PERFORMING Recorded AD: mix voices in the soundtrack.
Live AD: perform the AD-script.<br>
slide9. QUALITY CONTROL Integrated after each stage in the AD process.
Mistakes cannot be corrected after recording!<br>
slide10. FEEDBACK From the production team.
From AD users.<br>
slide11. SPECIALISTS Single describer AD team<br>
slide12. The organiser.
The artistic team.
The AD team. SPECIALISTS<br>
slide13. THE ORGANISER Film production company.
Broadcaster.
Cultural venue.
Sports organisation.
Museum curator.
Etc. Preparation & feedback<br>
slide14. THE ORGANISER Film production company.
Broadcaster.
Cultural venue.
Sports organisation.
Museum curator.
Etc. Preparation & feedback<br>
slide15. ARTISTIC TEAM Directors and assistants.
Actors or artists.
Directors of photography.
Sound designers.
Costume and stage designers.
Scriptwriters.<br>
slide16. ARTISTIC TEAM Directors and assistants.
Actors or artists
Directors of photography.
Sound designers.
Costume and stage designers.
Scriptwriters. Scripting<br>
slide17. AD TEAM Audio describer.
Final editor.
Visually impaired advisor.
AD director.
Voice talents.
AD sound technician.<br>
slide18. AD TEAM Audio describer.
Final editor.
Visually impaired advisor.
AD director.
Voice talents.
AD sound technician. All stages<br>
slide19. THE AUDIO DESCRIPTION PROCESS MODULE 1
UNIT 5 NINA REVIERS
UNIVERSITY OF ANTWERP<br>
slide20. The preparation of this presentation was supported by ADLAB PRO
(Audio Description: A Laboratory
for the Development of a New Professional Profile),
financed by the European Union
under the Erasmus+ Programme,
Key Action 2 – Strategic Partnerships,
Project number:2016-1-IT02-KA203-024311.<br>
slide21. The information and views set out in this presentation
are those of the authors and do not necessarily reflect
the official opinion of the European Union.
Neither the European Union institutions and bodies
nor any person acting on their behalf may be held responsible for the use which may be made
of the information contained therein.<br>