PPT-Figured Bass
Author : yoshiko-marsland | Published Date : 2017-04-22
Kostka Payne Chapter 3 In the last presentation we learned about Triad and 7 th Chord inversions Triad Inversions For each inversion remember to memorize which
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Figured Bass: Transcript
Kostka Payne Chapter 3 In the last presentation we learned about Triad and 7 th Chord inversions Triad Inversions For each inversion remember to memorize which member of the chord is in the bass. In basso continu o two performers helped to fill in the texture of a composition while one or more performers provided the melody A singleline bass instrument such as cello bassoon or trombone would play the bass line At the same time a chordal inst Bassics. Alex Ramirez. Email: . aaramirez@charter.net. Welcome Bass Players!!. Our goals for this session are:. Review basic bass playing techniques. Analyze famous bass lines. Create our own bass grooves and fills. consonance and dissonance is difficult to adapt to situations where the notion of dissonance is slightly different, such as music of the 19th century. In addition, as noticed by David Temperley [12], Chapter 6. Figured Bass Exercise. What are you thinking?. Key signature. What chords will the figured bass reveal. What type of inversions are there?. Follow proper harmonic structure while maintaining good voice leading. Any questions on the homework?. Figured Bass. Figured Bass. The numbers we learned Monday for labeling chord inversions comes from the Baroque practice of FIGURED BASS. During the Baroque period (1600-1750), the keyboard player in an ensemble read from a part consisting of a bass line and symbols that indicated what chord to play. Figured Bass. Figured Bass. Root position, change the 3. rd. by a half step.. First inversion, change the 3. rd. by a half step.. Inverted chord, change the sixth by a half step.. Raise the indicated interval by a half step.. akademins värld. Staffan Andersson. Uppsala universitet. Föreläsningen är flyttad.. Gå till Betty Pettersson.. In the . end. , a . Discourse. is a ”. dance. ” . that . exists. in the abstract . OFFSET Body Contour DES 187,001 TRADE MARK JAZZ BASS PAT. 2,573,254 2,960,900 3,143,028 2,968,204 2 9 4 3 1 JACO PASTORIUS JAZZ BASS FRETLESS 0196208 06-13-2000 Pg. 1 of 4 T900001 6 C E 7 5 8 10 16 By:Robert. . McCary. Outline of Presentation . I will discuss-. →My research paper. →My physical product. →What have I learned. →Successes and challenges. →My Mentor. Research paper. Thesis. Triads and Chords. Triads. Tonal harmony makes use of Tertian (. buit. of 3rds) chords.. The fundamental sonority is the triad, a 3-note chord consisting of a 5. th. divided into two superimposed 3rds. . 1600-1750. Baroque Era. Baroque is a term generally used by music historians to describe a broad range of musical styles in a large geographic area covering much of Europe and lasting for about 150 years between 1600-1750. January 31. st. , 2017 meeting . WELCOME NEW MEMBERS . Introduce yourself. Where you’re from. What year you are. Why you want to join the club. Fishing experience (years, tournaments, etc.). Officer Introductions . Laura Reid (from the Computer Science Department). Number 5. Buy the book: . E-Learning and the Science of Instruction . by Clark and Mayer. Great Tips about:. Avatars. Closed Captioning. Feedback on quizzes . Mr. Silvagni. Figured Bass. Figured bass consists of the bass line and the Arabic numbers under the bass line (figures) that represent the intervals above the bass to be played. The voicing of the chord and the linear movement of each line is determined by the performer..
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