PPT-GENDER AND REPRESENTATION IN FRENCH MEDIA SINCE 1970

WEEK 3 Theorising the Representational Other Structure of the Session Mulvey in hindsight Some thoughts on her legacy and applications since the 1970s Steve Neales response to Mulvey buddy films as an example. Week 5: . Le . Cinéma. du corps. See J. . Quandt. . o. n extra reading.. From ‘realism’ to ‘extremism’. N.B. On . realism. in cinema see . Hallam, J. and M. . Marshment. . 2000. . Realism and Popular Cinema. Introduction to Women. ’. s Studies. Robert Wonser. Gender and the Media. According to the . reflection hypothesis . the media only give the public what it expects, wants, or demands. . In other words, the media content mirrors the behaviors and relationships, and values and norms most prevalent in society.. Welcome to the course!. Week 1: Introduction/The Buddy Film . à la. française. Structure of the First . S. ession. Rationale of the course. General background; why gender matters (cf. Stuart Hall).. Week 4: Cultivating Perversity – From Unruly Women to Queer Identities. Structure of the session. Assessment FAQs . and information. The importance of studying popular cinema. - . Romantic comedy and its theorisations. FRENCH MEDIA SINCE 1970. Week 9: Gender in Television and New Media. Structure of the Session. Television in France. The possibility of feminist perspectives within the mainstream: Adele King and Judith Butler. Week . 7. : Representing the ‘Crisis of Masculinity. ’. Structure of the Session. Historical crises of masculinity: the twentieth century. Crisis points in France 1900-60. Masculinity in French cinema to 1970s. FRENCH MEDIA SINCE 1970. Week . 8. : Authorship and Literary Revisionism . The Case of the ‘. Rompol. ’. Structure of the Session. French crime novels. Fred Vargas. : background and work. The question of realism in Vargas’ novels. Week . 7. : Representing the ‘Crisis of Masculinity’. ‘Crisis Points’ in Twentieth-Century French Masculinity. 1900-20s? - First-wave feminism. 1914-18 – World War I. 1939-45: World War II. 1940-44: Occupation and the Vichy State. See timeline pages 262 and 263. WWI. French did not want to participate in a “British Imperial War”. Conscription Crisis. Many angered that soldiers instructed in English. (Nationalist). WWII. Conscription Crisis. PhD. student Mette Marie Stæhr Harder. mmharder@ruc.dk. University of Roskilde, Denmark. Department of Social Science and Business. The Substantive Representation of Gender Equality: . Using Pitkin’s second way of substantive representation to steer clear of the problems embedded within the concept of women’s interests. Media Representation Theory. Representation . refers to the construction in any medium (especially the mass media) of aspects of ‘reality’ such as people, places, objects, events, cultural identities and other abstract . Stereotypes are ‘. socially constructed. ’ and exist as ‘. myths. ’ and are neither ‘true’ nor ‘false’ but simply a reflection of . dominant ideologies. . Stereotypes can be. reinforced challenged or even constructed by the media through . As at 5. th. April 2021. Introduction. AXIS Specialty Europe SE publishes its gap in gender pay in line with government regulations that came into force in 2018. Although as of 2020, our AXIS UK Services Ltd entity is no longer in scope of the regulations, we have chosen to continue to disclose our gender pay gap for this entity along with a combined analysis for both UK entities in order to show an overall view of the gender pay gap across our UK population.. What is media?. Media is the plural form of medium. It describes any channel of communication. This can include anything from printed paper to digital data. In general, media refers to television, radio, newspaper, internet and other forms of communication..