PPT-GENDER AND REPRESENTATION IN FRENCH MEDIA SINCE 1970

Week 7 Representing the Crisis of Masculinity Structure of the Session Historical crises of masculinity the twentieth century Crisis points in France 190060 Masculinity in French cinema to 1970s. Week 5: . Le . Cinéma. du corps. See J. . Quandt. . o. n extra reading.. From ‘realism’ to ‘extremism’. N.B. On . realism. in cinema see . Hallam, J. and M. . Marshment. . 2000. . Realism and Popular Cinema. Welcome to the course!. Week 1: Introduction/The Buddy Film . à la. française. Structure of the First . S. ession. Rationale of the course. General background; why gender matters (cf. Stuart Hall).. WEEK 3. Theorising the Representational Other. Structure of the Session. Mulvey. in hindsight. Some thoughts on her legacy and applications since the 1970s. Steve Neale’s response to . Mulvey. – buddy films as an example?. Week 4: Cultivating Perversity – From Unruly Women to Queer Identities. Structure of the session. Assessment FAQs . and information. The importance of studying popular cinema. - . Romantic comedy and its theorisations. FRENCH MEDIA SINCE 1970. Week 9: Gender in Television and New Media. Structure of the Session. Television in France. The possibility of feminist perspectives within the mainstream: Adele King and Judith Butler. Week . 7. : Representing the ‘Crisis of Masculinity’. ‘Crisis Points’ in Twentieth-Century French Masculinity. 1900-20s? - First-wave feminism. 1914-18 – World War I. 1939-45: World War II. 1940-44: Occupation and the Vichy State. To explore the difference between reality and representation in media texts. Defining representation . What does . representation. . mean?. The . portrayal. of someone or something in a . particular way. Foundation of Gender Concepts:. What . I. s Gender?. Gender . refers to the social differences between males and females that are learned, and though deeply rooted in every culture, are changeable over time, and have wide variations both within and between cultures. . vine rst second Representation Heads Modiers Representation Heads Modiers Representation Heads Modiers Representation Heads Modiers First-OrderFeatureCalculation ArcLengthByPart-of-Speech ArcLeng ALISE Gender SIG. Kristen Gallant -. . kgallant@binghamton.edu. Visual Literacy - A Formal Definition . “Visual literacy is a set of abilities that enables an individual to . effectively find. , . Organization of American States Hall. Washington DC. November 2, 2015 -9:00 – 12:00. Prepared by: . Dawnette. Hinds . Furzer. B. Sc (. Hons. ). WMW Jamaica. Women have made important advances in the field of communication. Media Representation Theory. Representation . refers to the construction in any medium (especially the mass media) of aspects of ‘reality’ such as people, places, objects, events, cultural identities and other abstract . Entry Points in Course Content. “Higher education is one of the most important institutions responsible for re-thinking and re-defining reality. As such, it is key to change.”. The Role of Tertiary Education. As at 5. th. April 2021. Introduction. AXIS Specialty Europe SE publishes its gap in gender pay in line with government regulations that came into force in 2018. Although as of 2020, our AXIS UK Services Ltd entity is no longer in scope of the regulations, we have chosen to continue to disclose our gender pay gap for this entity along with a combined analysis for both UK entities in order to show an overall view of the gender pay gap across our UK population..