PPT-Narrative Theory Media Studies AS

Narrative the way in which a story is told in both fictional and nonfictional media texts Vladimir Propp Russian critic and literary theorist Analysed over 100 Russian fairytales in the 1920s. Theory . & . Forrest Gump. Assumptions of the Theory. Humans are naturally storytellers. In the movie, Forrest Gump does not pass any opportunity to tell a story. With each conversation he has he finds away to relate that to an experience he has had and this gives him the opportunity to tell one of his many stories. Victor Evans. Thiel College. August 4, 2011. Asian Topics Infused in Courses. In the communication department at Thiel, we don’t have a specific course in Asian Film, Media or Journalism.. I will infuse the information I learned at this institute in the following courses as part of the regular course topics and objectives:. perspective. Wendy Patterson. Propp’s. classic model of . narrative. 1. . mapped onto. . my . model of a trauma . narrative. 2. equilibrium. turbulence. disequilibrium. action. intervention. restoration of modified . Mrs. Duggan . Grade 7 ELA . Three Types of Writing . Expository . Narrative . (Fictional & Personal). Persuasive . Expository Writing . An expository prompt does not ask you to write a story.. . cognition in general. Verbal narrative versus . screen based. Summary. Situation . models+event. segmentation: . modelling. . environment, film and verbal narrative are similar. But these are not enough to explain narrative comprehension by film or word. Norma . Maxvold. Christian Barrett. Why Narrative Medicine. “A scientifically competent medicine alone cannot help a patient grapple with the loss of health…”. Narrative medicine allow the “singular” patient’s story to be heard, . Frameworks for Discussion and Comparison. Lots of two-feature frameworks for characterizing media. Initial framework. Interactive media tend to change the relationship between the reader and the author. An interpretive perspective. Janet Harris . K U Leuven QES Workshop 4 – 6 June 2012. Acknowledgements. These power points build on the materials presented by Angela Harden in the systematic . review . Writing Strong Openings. Identify/Define:. Leads, Hooks, . Attention Grabbing Openers (AGOs). Why do we have to do this?. Effective and dramatic openers are designed to grab a reader’s attention…like a hook grabs a fish.. Year levels: 3, 4, 5 & 6. Ziptales. Webinar Number . 3. . The Importance of Narrative. . Stories are central to people’s lives. .   . Children love narrative. .  . We need to teach children how to construct narratives. . The Premise. The story follows Katie, a college grad who is returning home after a year of traveling. However, she discovers that no one is home when she gets back. You explore the house from Katie’s perspective and discover clues in the form of notes, that fill you in on what has happened in the last year. . retrospect. . You find out where events have led in its very first sentence: "The other night at dinner, Sheba talked about the first time that she and the Connolly boy kissed." We are told this by Barbara, the 60-something history teacher with whom Sheba is living in the wake of a scandal. Narrative Arc. Conflict. Structure. Chapter Cards. Voice & Flow. “The Crack”. The Ideal Reader. Just do it. Narrative Arc. . = . CHANGE. Conflict.. Conflict is the heart of drama.. No conflict? Cut it.. Approaches to Qualitative Inquiry Narrative, phenomenological, ethnographic, case study, Action research, grounded theory Research paradigms Qualitative researchers generally see human behavior as something that is influenced by both internal and external factors. Thus, human behavior is variable, and can change from person to person, time to time, and situation to situation