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Kevin D Roon12 Jason A Shaw3 and D H Whalen123In Tokyo Japanese high v Kevin D Roon12 Jason A Shaw3 and D H Whalen123In Tokyo Japanese high v

Kevin D Roon12 Jason A Shaw3 and D H Whalen123In Tokyo Japanese high v - PDF document

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Kevin D Roon12 Jason A Shaw3 and D H Whalen123In Tokyo Japanese high v - PPT Presentation

are retained Various acoustic studiesc the cyan contours represent when k was followed by i while the brown contours do when k was followed by u For d and e red lines represent when the first ID: 865313

japanese lines devoiced represent lines japanese represent devoiced contours high acoustic tokyo speaker action vowels

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1 Kevin D. Roon1,2, Jason A. Shaw3, and D.
Kevin D. Roon1,2, Jason A. Shaw3, and D. H. Whalen1,2,3In Tokyo Japanese, high vowels (/i/ and /u/) are typically devoiced between voiceless obstruents. are retained). Various acoustic studies (c), the cyan contours represent when /k/ was followed by /i/ while the brown contours do when /k/ was followed by /u/. For (d) and (e), red lines represent when the first /k/ preceded devoiced /i/ or /u/, blue lines represent when followed by voiced /i/ or /u/, and green lines show when whispered. In all, the black line represents the average palate trace for this speaker. References Faber, A., & Vance, T. J. (2000). More acoustic traces of ÔdeletedÕ vowels in Japanese. In M. Nakayama & C. J. Quinn, Jr (Eds.), Japanese/Korean Linguistics (Vol. 9, pp. 100Ð113). CSLI. Goldstein, L., Byrd, D., & Saltzman, E. (2006). The role of vocal tract gestural action units in understanding the evolution of phonology. In M. Arbib (Ed.), Action to Language via the Mirror

2 Neuron System. Cambridge University Pres
Neuron System. Cambridge University Press. http://dx.doi.org/10.1017/CBO9780511541599.008 Shaw, J. A., & Kawahara, S. (2018). The lingual articulation of devoiced /u/ in Tokyo Japanese. *&+,-$./%&'(%!"#)$!%*01,'2$3$./%%!","$!%&'(%!",)$!%*&+,-$./%&'(%!",)$!%*01,'2$3$./%%!",)$!%&'(%!"#)$!%*01,'2$3$./%%!",)$!%&'(%!"#)$!%%!","$!%&'(%!"#"$!%%4+0%56%1,)1%*77/ 4+0%56%1,)1%*77/ 4+0%56%1,)1%*77/ *8/%%*9/%%*-/%%8:;$3,+3%56%2+';$3,+3%*77/ 8:;$3,+3%56%2+';$3,+3%*77/ 8:;$3,+3%56%2+';$3,+3%*77/ !"!%,:%!","$!%!"!%,:%!"#"$!%!"!%,:%!",)$!%!"!%,:%!"#)$!%!"!%,:%!",)$!%*01,'2$3$./%!"!%,:%!"#)$!%*01,'2$3$./%8:;$3,+3%56%2+';$3,+3%*77/ 8:;$3,+3%56%2+';$3,+3%*77/ 4+0%56%1,)1%*77/ 4+0%56%1,)1%*77/ *./%%*$/%%Figures 1. Smoothing splines (solid lines) along with 95% Bayesian confidence intervals (dashed lines) of the tongue contour corresponding to the release burst of the first /k/ from one speaker; (a) the comparison between /kike/ and /kuke/ (i.e, when the high vowel wa