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Index Review Scales, Key, and Modes! Index Review Scales, Key, and Modes!

Index Review Scales, Key, and Modes! - PowerPoint Presentation

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Index Review Scales, Key, and Modes! - PPT Presentation

Chapter 3 Scales Scales an ordered collection of pitches in whole and halfstep patterns Scale comes from the Latin word scalae meaning Stairs or Ladder The Chromatic Scale ID: 781217

minor scale key major scale minor major key degree scales tone natural tonic step pattern signature modes tonality leading

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Slide1

Index Review

Slide2

Scales, Key, and Modes!

Chapter 3

Slide3

Scales!

Scales

: an ordered collection of pitches in whole and half-step patterns.

Scale comes from the Latin word: “

scalae

” meaning “Stairs” or “Ladder”

Slide4

The Chromatic Scale

Chromatic Scale

: a symmetrical scale with all pitches a half step apart.

Sharps going up; Flats going down

Enharmonic notes

Ex.

Every key up and down the piano

Slide5

The Major Scale Pattern

Major Scale

: an asymmetrical scale pattern of whole and half steps.

ALL major scales share this same pattern

W W H W W W H

Tetrachord

W

Tetrachord

Start and end on the same note

Either all Sharps or al Flats – No

mixies

! *COOTIES*15 Major Scales overall – Three of them are enharmonic!

Tetrachord

: four-note group with the pattern W W HTwo Tetrachords combined by a whole step create a major scale

Lets

try

it!!!

Slide6

What is a KEY?!

Tonality

: the principal of organizing a composition around the key note, or TONIC.

Used in reference to pitch center only

EX.

Key signature could have 2 sharps, but the tonality might be G

Modality

: modal quality; scale type used; major, minor,

dorian

….etc…

Key

: a specific series of pitches based on a pattern or whole and half steps that define a tonality.Can be defined as major or minor [modality]Key refers to both tonality and modality.

EX. G Major = Tonality is G, Modality is Major

Slide7

Key Signatures

Key Signature

: written at the beginning of every staff to show which pitches are to be consistently flat or sharp throughout the entire piece; helps determine the key or tonality

Order of Flats

: B E A D G C F

Order of Sharps

: F C G D A E B

What is similar about the above two orders….???????

Slide8

Placement of Key Signatures on the Grand Staff

Sharps: Down first-then Up

Flats: Up first-then Down

ACCIDENTALS NEVER ON LEDGER LINES [key signature]

Slide9

Identifying the Key from the Key Signature

Sharps: The last sharp is the 7

th

scale degree, or LEADING TONE

Therefore, the key is one half step up from the last sharp listed

Flats: The second to last flat names the key

Slide10

The Circle of Fifths

Circle of Fifths

: demonstrates the relationship of the tonal centers to each other

C at the top

Right – Up a 5

th – Adds a sharp

Left – Down a 5th – Adds a flat

IMPORTANT TO REMEMBER

: the major scale pattern generates the key signature, NOT the other way around

Slide11

WORKSHEET TIME

Major scales and Major keys!

Slide12

The Minor Scale Pattern

Natural minor Scale

: W H W W H W W pattern

Same pattern as Major Scales… but starting on a different note

Named to differentiate from the artificial forms of the scale

There are THREE forms of the minor scale

all of them are derived from the Natural Minor scale

All three minor scales begin with the same minor

pentachord

[first 5 notes]

The difference between a Major and minor

pentchord

is the 3rd scale degree – flattenedLeading Tone v. Subtonic

Slide13

Relative

v

. Parallel Keys

Relative

: Major and minor scales that share the same exact pitches and therefore share the say key signature

The tonic of the relative minor scales is the 6

th

degree of the Major key

C Major and a minor

Parallel

: Major and minor keys with different key signatures but with the same TONIC

A Major and a minor

Slide14

Harmonic Minor

Harmonic minor

: 7

th

scale degree is raised by ascending and descending

Everything else is the same at the natural minorSubtonic

Leading Tone

Named because it is often used when harmonizing melodies

Slide15

Melodic Minor

Melodic minor

: 6

th

and 7

th scale degree is raised by ascending; Descending = natural minor scale

Ascending = Leading Tone; Descending = Subtonic

Named because it is often used in the melody line

Slide16

More minor Info!

Scalar Variance

: the use of natural, harmonic, and melodic minor scales within one composition

Opens up our menu of choices, provides more options

Harmonic and Melodic forms of minor are

Artificial ScalesThe natural minor is the only

Artificial minor scale

Slide17

Slide18

Performing Scales

Each step of the scale is a

Scale Degree

Tonic

: the beginning pitch of a scale; scale degree 1

You need to be able to refer to members of the scale by…Scale degree

Number

Scale degree

Name

The

Solfege syllable

Slide19

Scale Degree Names

Scale Degree Numbers have the ^ symbol on them. This helps differentiate scale degrees from other numbers related to music.

Scale Degree 1 : Tonic = Do –

the tonic on which a scale is built on

Scale Degree 2 : Supertonic = Re –

the prefix “super” meaning above the tonic

Scale Degree 3 :

Mediant

= Mi –

halfway between tonic and

dominic

Scale Degree 4 : Subdominant =

Fa

– the prefix “sub” meaning lower than dominantScale Degree 5 : Dominant = So – refers to the pitch dominating the tonality; perfect fifth above tonicScale Degree 6 : Submediant = La – halfway between the subdominant and tonicScale Degree 7 : Leading Tone = Ti – leads upward towards resolution to the tonic

Slide20

Major Scale

Slide21

Minor Scale

In the

natural minor

scale the 7

th

scale degree is a whole step below tonic;

NOT A LEADING TONE

In the

melodic minor

scale, the 6

th

scale degree is called the Raised SubmediantThis scale degree is called

Subtonic, meaning below tonic

Slide22

The Stability Chart

Certain pitches in the scale sound stronger or more stable than others

Active Tones

: scale degrees 4, 6, and 7

The most active = leading tone. Most Musical Energy!

Resolution Tones

: scale degrees 1 and 3

These are the notes to which active tones move to [resolve]

Slide23

The Stability Chart

The resolution is always a diatonic step away.

Diatonic

: within the scale

Chromatic

notes [accidentals/not in the key] are even less stable than any diatonic note.

Flat

 Down ; Sharp  Up

Notice that the most active tones [4&7] resolve to the most stable tones [1&3]

Slide24

WORKSHEET TIME

Minor

scales and Major keys!

Slide25

Other Scales!

Pentatonic Scale

5 tone scale [+octave]

There are MANY different versions on the pentatonic scale

Most Common:

What are the scale degrees? Which are missing? Importance??

Whole-Tone Scale

7 tone scale

Each pitch is a whole step apart

This is an

Artificial Scale

because it has altered notes that do not represent an actual key

Not strict spelling rules; accidentals chosen for ease of comprehension

Slide26

Other Scales!

Diminished Scale

[

Octatonic

]

Alternating whole and half step intervals

2 kinds : Whole Half ; Half Whole

Features four pairs of

tritones

[dim 5

th

or aug

4th]Not strict spelling rules; accidentals chosen for ease of comprehension

Blues Scale7 tone scale, including the octave “Jazzy” song styleThree lowered notes – referred to as “blue notes”

Slide27

Review…Other Scales!

Pentatonic Scale

1, 2, 3, 5, 6, 1

Whole Tone Scale

1, 2, 3, b5, b6, b7 –or – 1, 2, 3, #4, #5, #6

Diminished Scale

1, 2, b3, 4, b5, b6, 6, 7

Blues Scale

1, b3, 4, b5, 5, b7

Slide28

Church Modes

The term

mode

is synonymous with

scale

You already know two modes!!!Ionian

= major scale

Aeolian

= natural minor scale

Minor modes –

Dorian, Aeolian & Dorian

Derived from the minor scaleMajor modes – Lydian, Mixolydian & Ionian

Derived from the major scaleThe Locrian mode does not fit into either of these categories, and it is not used as much

Slide29

Major Modes

Inonian

: Major scale

Mixolydian

: Major +

b7Lydian

: Major + #4

Minor Modes

Aeolian

: Natural minor scale

Phrygian

: Natural minor +

b

2Dorian : Natural minor + #6Church ModesLocrian : Natural minor + b2, b5

Slide30

Church Modes

I

D

on’t

Particularly L

ike

M

odes

A

LotMarine’s Mode Way

Slide31

What Key Am I In?!

Key Signature is just one factor.

Look at the music!

Which note seems to be the center or main note?

Look for common occurring patterns

What are the accidentals telling you?

Look for key melodic patterns

Leading Tone is a HUGE clue!

Know that music moves around keys, but usually likes to stay near home base

Slide32

Why are there so many keys?

Imagine a world with only Vanilla Ice Cream… MADENSS! Only having one kind of scale or key in all music would be just as bland and boring. When looking at music, look beyond just the key signature! There are lots of different “flavors” out there!

Slide33

Questions?!!??!?

It’s review & worksheet time!