PPT-Night of the Living Dead

George Romero 1968 Meaning Text the meaning created by either written word images or moving images Does the Canon matter What was the film about What does the film say Does . 1 Ion Toncea 1, N. Titulescu, bl. 2, sc 1, ap. 4, 915 200 Fundulea/Calarasi - Romania This is the title under which it was first published in 1981 in the No.2 "Inventor a nd Rationalizer" magazine, James Joyce. Tasneem. B. . Iqelan. Yasmeen. F. El-. Sous. 1. From Beginning to End:. James Joyce: A Man to . Remember. The story of . The . Dead. Dubliners. The Dead. : Significance of the . title. Día. de los . Muertos. families visit the cemeteries and gravesites of their loved ones. They clean the sites and leave flowers and candles and, in many countries, they bring entire meals with special drinks and traditional breads to share with the deceased. Displays are set up next to the . Are . You Aiming High. ?. SALVATION: . Is . Heaven Your Final Destination. ?. BIBLE STUDY: . Are . You Approved. ?. PRAYER: . Are . You Connected to the Power Source. ?. MINISTRY: . Are . You A Dead Sea or a life-giving river? . Dead . George Romero 1968 . Meaning. Text: the meaning created by either written word, images or moving images. Does the Canon matter? . “What was the film about?”. “. What does the film say?” . Epic of Gilgamesh. -The oldest known human story, dating 18. th. century B.C.. -Ancient Mesopotamia. “I will knock down the Gates of the Netherworld,. I will smash the door posts, and leave the doors flat down,. CO: . Evaluate Lincoln’s efforts to abolish slavery and to end the Civil War. . QW: . Read and analyze the quotes from Lincoln’s letters.. Lincoln. Organize an outline or chart of Lincoln’s key arguments in the passage defending his wartime emancipation policy.. Know What you believe. and Why you believe it. Nicene Creed. Council of Nicaea 325AD.. Council of Constantinople 381AD.. Council of Ephesus 431AD.. One document. WE BELIEVE in one God,. the Father, the Almighty,. John 14:1-4. “Let not your heart be troubled; believe in God, believe also in Me. In My Father’s house are many dwelling places; if it were not so, I would have told you; for I go to prepare a place for you. And if I go and prepare a place for you, I will come again, and receive you to Myself; that where I am, there you may be also. And you know the way where I am going.”. How can you tell the difference?. Living Things. Living things have at least 6 common characteristics. 1. They have cellular ORGANIZATION. 2. They have similar CHEMICALS of life. 3. They use ENERGY. How did you determine the difference between a living specimen and a nonliving one?. What is the difference between a nonliving specimen and one that you considered dead?. According to your data table. How can you tell the difference?. Living Things. Living things have at least 6 common characteristics. 1. They have cellular ORGANIZATION. 2. They have similar CHEMICALS of life. 3. They use ENERGY. Grief | Connections | The Metropolitan Museum of Art (metmuseum.org). Mourning figures. The Artist's Parents.   |  1932  |  Raphael . Soyer. (American, born Russia)  |  Oil on canvas  |. Sheet of Studies with a Woman Lying Ill in Bed, etc.. During the archaic and classical periods, Greek ideas about the dead evolved in response to changing social and cultural conditions—most notably changes associated with the development of the polis, such as funerary legislation, and changes due to increased contacts with cultures of the ancient Near East. In Restless Dead, Sarah Iles Johnston presents and interprets these changes, using them to build a complex picture of the way in which the society of the dead reflected that of the living, expressing and defusing its tensions, reiterating its values and eventually becoming a source of significant power for those who knew how to control it. She draws on both well-known sources, such as Athenian tragedies, and newer texts, such as the Derveni Papyrus and a recently published lex sacra from Selinous.Topics of focus include the origin of the goes (the ritual practitioner who made interaction with the dead his specialty), the threat to the living presented by the ghosts of those who died dishonorably or prematurely, the development of Hecate into a mistress of ghosts and its connection to female rites of transition, and the complex nature of the Erinyes. Restless Dead culminates with a new reading of Aeschylus\' Oresteia that emphasizes how Athenian myth and cult manipulated ideas about the dead to serve political and social ends.