Roman Laughter Week 1 Theories, taxonomies, terminologies: joking ancient and modern - PowerPoint Presentation

Slide1

Roman Laughter

Week 1

Theories, taxonomies, terminologies: joking ancient and modernSlide2

‘…we shall not aim at imprisoning the comic spirit within a definition. We regard it, above all, as a living thing. However trivial it may be, we shall treat it with the respect due to life. We shall confine ourselves to watching it grow and expand.’

Henri Bergson, Laughter: An essay on the meaning of the comic (1911, first published as

Le rire, 1900)Slide3

Plato, Republic 388e-389a

“Again, they must not be prone to laughter. For ordinarily when one abandons himself to violent laughter his condition provokes a violent reaction.” “I think so,” he said. “Then if anyone represents men of worth as overpowered by laughter we must accept it, much less if gods.” “Much indeed,” he replied. “Then we must not accept from Homer such sayings as these either about the gods: ‘Quenchless then was the laughter that rose from the blessed immortals

When they beheld Hephaestus officiously puffing and panting’ (Homer, Iliad 2.599-600): we must not accept it on your view.” Slide4

Aristotle, Nicomachean Ethics 4,8

“Those who carry humour to excess are thought to be vulgar buffoons, striving after humour at all costs, and aiming rather at raising a laugh than at saying what is becoming and at avoiding pain to the object of their fun; while those who can neither make a joke themselves nor put up with those who do are thought to be boorish and unpolished. But those who joke in a tasteful way are called ready-witted, which implies a sort of readiness to turn this way and that.”Slide5

Just joking: the social, the political, the moral

Is the Jewish Rabbi who recounts a joke that relies on anti-semitic stereotypes really secretly self-hating?Can a woman recounting a conventional rape joke invented by men be a feminist? Slide6

Who is speaking/telling?

How is the joke performed? In what context?

To what kind of audience? With what kind of expectations?Who laughs and who gets laughed at? Do we laugh with, or at?Slide7
Slide8

‘

Humor is the rehearsal and re-establishment of concepts’ Jonathan Miller (in

Laughing Matters, ed. J.Miller and J.Durant

, 1981) Slide9

Looking from sideways on: the punchline

Lateral thinking, e.g. puns and metaphors – we are made to think about how one word relates, or does not relate, to another.The punch – shock? Weirdness? Political incorrectness or inappropriateness? Obscenity? Rule-breaking? Surprise? Offensiveness? Embarrassment? Humiliation? Pleasure in unravelling normal ways of thinking?

The trick of incongruity – audience bamboozled into accepting, or almost accepting, an absurdity?Slide10

So..

Jokes are acts of (re)interpretation: discussSo are our responses to jokes: discussSlide11

Fluid humor

The intellectual / cognitiveThe emotional

The psycho-physicalSlide12

Ancient & modern theories of humour

1. The superiority theoryHumour as malice and abuse directed at people marked as deficient, to whom the amused or the joker feels superior.

Plato, Aristotle, Hobbes ‘Sudden glory, is the passion which makes those grimaces called laughter; and is caused either by some sudden act of their own, that pleases them; or by the apprehension of some deformed thing in another, by comparison whereof they suddenly applaud themselves. And it is incident most to them, that are conscious of the fewest abilities in themselves; who are forced to keep themselves in their own

favor

by observing the imperfections of other men. And therefore much laughter at the defects of others, is a sign of pusillanimity. For of great minds, one of the proper works is, to help and free others from scorn; and to compare themselves only with the most able.’

Hobbes, Leviathan part 1,

ch

6Slide13

Laughing as ritual biting?

Cf. Horace

Sat.

2.1.84-5: What if a poet has barked (

latraverit

) at someone who deserved abuse?Slide14

Not laughing now?

Think of an example of a borderline joke/joke topic/comment/scenario.What issues, emotions and ideas does it evoke for you? Slide15

2. The incongruity theory

i.e. the idea that the object of comic amusement is incongruity or perceived incongruity. Cicero, in

On the Orator (ch. 63):

“The most common kind of joke is that in which we expect one thing and another is said; here our own disappointed expectation makes us laugh.”

Aristotle

Rhetoric

3.11

: “

And what

Theodorus

calls ‘novel expressions’ arise when what follows is paradoxical, and, as he puts it, not in accordance with our previous expectation; just as

humorists

make use of slight changes in words. The same effect is produced by jokes that turn on a change of letter; for they are deceptive. These novelties occur in poetry as well as in prose; for instance, the following verse does not finish as the hearer expected: ‘And he strode on, under his feet—chilblains’, whereas the hearer thought he was going to say “sandals.” This kind of joke must be clear from the moment of utterance.”Slide16

3. The release theory

i.e. jokes as

liberatory

, releasing energy that would have repressed emotions (cf. especially Freud, and perhaps Aristotle?

)

“The natural free spirits of ingenious men, if imprisoned or controlled, will find out other ways of motion to relieve themselves in their constraint; and whether it be in burlesque, mimicry, or buffoonery, they will be glad at any rate to vent themselves, and be revenged upon their constrainers.”

Lord Shaftesbury, 1709 essay “An Essay on the Freedom of Wit and Humor”Slide17

Freud

The Joke and Its Relation to the Unconscious, 1905‘Here at last we can understand what a joke can do for its tendency. It makes the satisfaction of a drive possible (be it lustful or hostile) in face of an obstacle in its way; it circumvents this obstacle and in doing so draws pleasure from a source that the obstacle had made inaccessible.’ (2002 edition, p98)

‘We would say that laughter arises when an amount of psychical energy previously used in charging certain psychical pathways has become unusable, so that it can be freely released.’ (p144)Slide18

Erwartung – Aufschluss

: Martial’s Epigrams

1.10Petit

Gemellus

nuptias

Maronillae

et

cupit

et

instat

et

precatur

et

donat

.

adeone

pulchra

est

?

immo

foedius

nil est.

quid ergo in

illa

petitur

et

placet

?

tussit

.

Gemellus

is courting

Maronilla

and

he desires

and

presses

and

prays

and

gives.

Is she so pretty? Couldn’t be uglier.

So what does he see in her? She

coughs.Slide19

‘Getting under the skin’ of Roman humour:

Problems and issues Cultural specificity/hybridityThe limited viewWrittenness

and readingThe danger of naturalisationLost in translationSlide20

Our language of humour, exposed

Laugh, smile, giggle, belly laugh, chortle, chuckle, grin, smirk, simper, snigger, cackle, snort, shriek with laughter, peal/roar of laughter, in fits, convulsions, burst out laughing, guffaw, crack a smile, beam, break into a smile, crow, titter, cachinnate, split one’s sides, pee your pants, (nearly) die laughing, laugh in one’s beard, be in stitches, laugh oneself sick/silly/limp, laugh in one’s sleeve, be tickled pink, nervous laughter, courtesy laugh, evil laugh, laughing hysterically