Schonbrunn booms which rise on little elevators in each bay Ill bet they are hardly ever in the right place The auditorium was swathed in polythene sheeting because the stage boxes were being ID: 324026
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Stadttheater, Grein am Donau. part of the annual summer stage and auditorium renovations that were busying a huge crew. Burgtheater tours are a smaller affair and conducted in German only. Access was restricted because of extensive refurbishment of the flying system, although it was possible to visit both the stage and, more dramatically, the understage with its huge revolve which includes extensive elevators. And on this stage there is something that I have not seen anywhere else -lighting Schlosstheater Schonbrunn. booms which rise on little elevators in each bay. (I'll bet they are hardly ever in the right place!) The auditorium was swathed in polythene sheeting because the stage boxes were being totally reconstructed as lighting perches. The auditorium is another post-war reconstruction, but the majestic original foyer of Semper and Hasenauer can still be savoured. Some day I intend to take a backstage tour of our own National Theatre. I am rehearsing my disguise. The leaflets publicising the exhibition of Her Majesty's -A 50th Birthday Tribute at the Performing Arts Museum in Melbourne 's Victorian Arts Centre announce: ''The finest theatre ml{seum . . attitude that I applaud. And when that space is so attractive and its exhibitions are presented with such flair, then my applause is accompanied with shouts of bravo! unrestrained. Throughout the antipodes, each of Her (His) Majesty's Theatres of the former J.C. Williamson circuit are universally known as the 'Maj'. Melbourne's original Maj was destroyed by fire and the Maj whose silver jubilee was being celebrated by exhibition is the replacement theatre of 1934. Entry to the exhibition was by a stage door with historic notices on the wall and a vintage tape of stage manager Sue Nattrass calling beginners against a background of audience chatter and orchestral tuning. Sound was particularly well used throughout the Panels exhibited in the Melbourne MAJ during J.C. Williamson's Centenary Year (1974) 21