PPT-Digital Preservation in Theory and Practice
Author : liane-varnes | Published Date : 2017-06-30
Preservation and Archiving Special Interest Group PASIG Boot Camp Tom Cramer Chief Technology Strategist Stanford University Libraries PASIG Digital Preservation
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Digital Preservation in Theory and Practice: Transcript
Preservation and Archiving Special Interest Group PASIG Boot Camp Tom Cramer Chief Technology Strategist Stanford University Libraries PASIG Digital Preservation Boot camp PASIG Digital Preservation Boot . Preservation. measuring our capability and ‘confronting the . abyss’. Sarah Slade . on behalf of the NSLA Digital Preservation Group . NSLA Digital Preservation Group. Gaining . a shared understanding of current digital collection management practices and workflows in NSLA libraries . Multimedia Specialist, Cornell University Libraries. Audio Visual Preservation. Older, ‘legacy’ media. > magnetic tape (open reel audio, VHS, cassette). . >. d. egredation. & playback obsolescence. Using . Archivematica. and . DSpace. as Solutions for Small-sized Institutions. (and other options). Digital Commonwealth Annual Conference 2012. Joseph Fisher. Database Management Librarian @ UMass Lowell. Trinity College Dublin. pierantg@tcd.ie. Digital Preservation for Archivists. Introduction: What is DRI ?. Why is DRI a science gateway ?. The DRI Project. Preservation. The DRI Architecture. The DRI projects. Charles L. Cartledge. Michael L. Nelson. Old Dominion University. Department of Computer Science. Norfolk, VA 23529 USA. Why the problem is of interest. Picking apart the title. Preservation. Graph. Suitability. Store & Protect. Laurie Sauer. Information Technologies Librarian. Knox College. lsauer@knox.edu. http://www.publicdomainpictures.net/view-image.php?image=295. IDENTIFY. the types of digital content you have.. MA / CS 109. April 22, 2011. Andrea Goethals. Manager of Digital Preservation & Repository Services. Harvard Library. “Digital Content”?. Digitized . (born-analog). Born-digital. Tweets. Web sites. Introduction to Newcomers. Susanne Nickel. ICOM CIDOC. Milano 2016-07-05. Introduction. - . 2. Introductions. Name. Organization . Job Responsibility. Experience. Digital preservation. Expectations. Producers of Digital Content today use technologies (media, software and hardware. ). with . an increasing amount of dependencies. Preserving Digital Content is about understanding these dependencies and take action to assure. &. Ford International Fellowships Program. Columbia University. . Columbia Libraries Digital Program. Collection-based digitization. Long-term digital preservation. Website development. Digital Library infrastructure development. abyss’. Sarah Slade . on behalf of the NSLA Digital Preservation Group . NSLA Digital Preservation Group. Gaining . a shared understanding of current digital collection management practices and workflows in NSLA libraries . What is a Policy?. “A course or principle of action adopted or proposed by an organisation or individual” . (OED). Written representation of the aims and objectives. Sets the environment for all other activities . Infrastructure. Information about users and practices. ISO standard: OAIS. ISO standard: OAIS update . ISO : Audit and Certification. Standards plus organisation. Tools. Relationship to related work and community practices. Esther . Conway, . Brian . Matthews, . David . Giaretta, . Simon . Lambert, . Nick . Draper. . Michael Wilson: Science . and Technology Facilities . Council . Nick Draper: . . Tessella . RAL. Diamond Light Source.
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