Texas AampM University Corpus Christi From Fluency to Comprehension Agenda Reading Fluency as the Bridge to Comprehension Building Fluency through Performance Break Implementing Readers Theater ID: 223902
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Slide1
Chase Young, Ph.D
.Texas A&M University – Corpus Christi
From Fluency to ComprehensionSlide2
Agenda
Reading Fluency as the Bridge to ComprehensionSmall Group Instruction for Accuracy, Comprehension, and FluencyBreak
Building Fluency through PerformanceLunchImplementing Readers Theater
Extending
Readers Theater through
Scripting
Break
Student Produced Movies
Powerful Reading Fluency
InterventionsSlide3
Planning Small Group Instruction for Accuracy, Comprehension, and FluencySlide4Slide5Slide6Slide7
Let’s Do ThisSlide8Slide9
Reading Fluency as the
Bridge
to ComprehensionSlide10
Elocution
According to Hyatt (1943): Reading fluency began as elocution instruction for the purpose of pleasing oral discourse.Slide11
Humble to Hopeful
Goodman’s Miscue AnalysisGoodman (1964) conducted a linguistic study on the cues and miscues of 100 primary school readers; he observed an interesting phenomenon. Natural intonation came from comprehension of the text, and was portrayed through oral reading. Although many processes were in play, stress, pitch, and juncture manifested with meaning.
Automaticity Theory
According to
Laberge
and Samuels (1974) automatic
of word recognition is a prerequisite of comprehension.
Automaticity frees cognitive resources used
in lower level
processing for
the higher level cognitive processes necessary for comprehension.Slide12
Neglected No Longer
Fluency: The Neglected Reading Goal (Allington, 1983)Slide13
Some Aspects Neglected
Speaking of Prosody: Fluency's Unattended Bedfellow
Sarah L. DowhowerSlide14
Fluency Matters – Rasinski & Young, 2014Slide15
Performance-Based
Mastery
Duke
Interpersonal
Buddy
Understanding
Electra
Self-Expressive
CelesteSlide16Slide17
Building Reading Fluency through Performance
Young & Nageldinger, 2014Slide18
Speeches
Use existing, or
create your own!Slide19
Little Boy Blue, Please Cover Your Nose
Little Boy Blue,Please cover your nose.You sneezed on Miss MuffetAnd ruined her clothes.You sprayed Mother Hubbard,
And now she is sick.You put out the fireOn Jack’s candlestick.Your sneeze is the reasonWhy Humpty fell down.
You drenched Yankee Doodle
When he came to town.
The blind mice are angry!
The sheep are upset!
From now on use tissues
So no one gets wet!
PoetrySlide20
Interpretations
The Land of NodBY ROBERT LOUIS STEVENSONFrom
breakfast on through all the dayAt home among my friends I stay,But every night I go abroadAfar into the land of Nod.All by myself I have to go,
With none to tell me what to do —
All alone beside the streams
And up the mountain-sides of dreams.
The strangest things are there for me,
Both things to eat and things to see,
And many frightening sights abroad
Till morning in the land of Nod.
Try as I like to find the way,
I never can get back by day,
Nor can remember plain and clear
The curious music that I hear.Slide21
Inference
Mary Had a Little Pet
By Judith Natelli McLaughlinMary had a little pet.Its fur was black as night.
It followed her to school one day,
Which gave the kids a fright.
It made the teachers shout and scream,
It gave them such a scare.
For Mary didn’t have a lamb—
She had a grizzly bear.Slide22
Poetry Academy
Wilfong (2008)increased words correct per minute
word recognitionattitude toward academic reading
comprehension
improved
attitude toward
school
Or… Have a full on poetry slam!Slide23
Find a poem on www.gigglepoetry.com
Read it.If you like it, share it. Slide24
You can sing poetry, too! 6:55
(to the tune of "Twinkle, Twinkle, Little Star")Tinkle, tinkle, little bat,Wonder where the potty’s
at?Straight ahead or to the right? Caves are very dark at night.
Little bat, why do you frown?
Did you tinkle upside down?Slide25
In fact, you can sing about anything…
Even Tests…Slide26
Rock and Read!
PrimaryAdvanced stand up!
ResearchSlide27Slide28
Readers TheaterSlide29
Readers Theater Research
Griffith & Rasinski (2004)PassionateAvg GE 5.8093% At Risk On Level
Young &
Rasinski
(2009)
20% gain in prosody
65 WCPM gain (35 expected and 29 previous year)
Speed Does Matter (Rasinski, 2000)
Tyler & Chard (2000)
Natural Link to Repeated Readings
Martinez,
Roser
, &
Strecker
(1998
/
1999)
MotivationSlide30
The Five Day Format(Young & Rasinski, 2009
)Day 1: Read scripts and form groupsDay 2: Focus on word recognitionDay 3: Focus on expressive readingDay 4: Practice Performance
Day 5: PerformanceYour Turn! Slide31
Implementing Readers Theater
VideoSlide32
Sources for Scripts
Your Reading ProgramTrade BooksTextbooksPoetryGuided Reading Bookswww.thebestclass.org/rtscripts.htmlYour Students…Slide33
Pee Ew! Is That You Bertie?
Readers Theater PerformanceSlide34Slide35
Scripting
Student Scripts, Performances, and InterviewsSlide36
Enhancing Authors’ Voice Through Scripting (Young & Rasinski
, 2011)ParodySophia Finds a Turtle
Take it a Step Further with SPMS
Mentor Text
Straight Up
Voice Variation of Billy Goats Gruff
Scratch
King Kong
vs
Second GradeSlide37
Student Produced Movies
The Bad NewsSlide38
Student Produced Movies(Young & Rasinski, 2013
)Phase 1: Grouping Phase 2: Idea Development
Phase 3: Script Treatment Phase 4: Storyboard Phase 5: Scripting
Phase
6: Preproduction Conference
Phase 7: Filming
Phase 8
:
Post-Production
Slide39
Phase 1: Grouping (Risko
& Walker-Dalhouse, 2011; Pachtman & Wilson, 2006)
Students groups are selected based preferred genre.How does this phase connect to literacy?Slide40
Phase 2: Idea Development (Culham, 2011; Dorfman & Cappelli
, 2007; Smith, 1994)Students choose method for creating scripts: mentor, parody, or scratchHow does this phase connect to literacy?Slide41
Phase 3: Script Treatment (National Institute of Child Health and Human
Development, 2000)Students write a summaryAssign rolesHow does this phase connect to literacy?Slide42
Phase 4: Storyboard (
Naughton, 2008)
How does this phase connect to literacy?Slide43
Phase 5: Scripting (Culham, 2011;
Dorfman & Cappelli, 2007; Smith, 1994; Young & Rasinski, 2011)
As students create their scripts they are analyzing the original text from the point of view of the writer. What did the author do to make his or her writing so engaging? How can we incorporate those features into my script?
How does this phase connect to literacy?Slide44
Phase 6: Preproduction Conference
The production team meets with the teacher and discuss light edits, materials, and responsibilities. How does this phase connect to literacy?Slide45
Phase 7: Filming
The student director runs the production of each scene, with input, of course, from other members of the production (and me). The director carries the storyboard and script, leads the class to filming locations, makes sure all props and materials are ready, and directs characters’ actions and assists with their lines. How does this phase connect to literacy?Slide46
Practicing Prosody
VideoSlide47
Phase 8: Post-Production
Students learn how to upload the movies into the software, drop clips into the editing line, delete unused takes, reorder and cut clips, configure special effects, utilize transitions, add music, and create title and credit sequences. How does this phase connect to literacy?Slide48
Sophia Finds a Turtle
SPM Written and Produced by Second GradersGenre: Comedy. Method: ParodyVideoSlide49
SPMs and Literacy
Students reflected on their reading preference, identified different genres, composed summaries, drafted sequences, used their knowledge of story structure to deconstruct text and turn it into a new creation, rehearsed the script focusing on expressive and meaningful reading, proficiently wielded multiple technologies, and offered their unique understandings of text.They had a purpose.Slide50
Pee Ew! Is That You, Bertie?
SPMSlide51Slide52
Effective and Efficient
What I learned from LightningSlide53
Which aspects of your instruction do you feel are most effective, most efficient? How do you make them so?
Do you know the research that supports your effective instructional practices? Discussion OneSlide54
Lightning was a third-grade student. His oral reading was choppy, halting, and boring. His low reading rate (55 words per minute, WPM) was hampering both his reading achievement and
Lightning’s sense of himself as a reader. He did not enjoy reading, had no favorite books, and his progress was slow even in small-group configurations. Lightning had begun the year on the Developmental Reading Assessment (DRA, Beaver, 1991) Level 18, approximately one year below grade level. After six weeks of guided reading intervention, he showed no assessed growth. His DRA level remained the same.
Case Study (Mohr, Dixon, & Young, 2012)Slide55
The Method of Repeated Readings (Samuels, 1979)Slide56
Visually Representing RR
18-24 in 8 WeeksSlide57
In which instructional aspect could you or teachers you have observed be more effective or efficient? What
seems to hinder the effectiveness of this instruction? Discussion TwoSlide58
Despite his improvement in reading speed (approx 70 WPM),
it was noted that Lightning’s expression did not consistently match the meaning of the story. Though he was excited about his progress, he still not enjoy reading.Case StudySlide59
AutomaticityRateProsody
Speaking of Prosody: Fluency’s Unattended Bedfellow (Dowhower, 1991)Slide60
The Limbic SystemSlide61
Lightning’s progress with repeated readings was remarkable. He does need to read text more prosodically
. As a reading professional, you have to make a choice.Case StudySlide62
CMSE (if you feel the Education World needs more acronyms) is a NIM and RR Hybrid
This stacked intervention using NIM and repeated reading was used for another eight weeks. Lightening’s DRA level increased from a 24 to a 30, only slightly behind the third grade expectation. Lightning read the DRA-level 30 text with very good comprehension, 99% accuracy, at 99 WPM, and great expression—a score of 4 according to the rubric.
After the completion of the study, 2 weeks later, he read a 34 and was excited from the program.10 Weeks: 24-34.
Read Two Impress
(
Young, Mohr, & Rasinski, 2015
)Slide63
Compare the advantages and disadvantages these two modes of reading and the hybrid. Consider
the role of the teacher and the students. What tends to interfere with using these modes efficiently and effectively in a classroom? Discussion ThreeSlide64
Lightening clutched his new Diary of a Wimpy Kid
book and said, “Now, don’t forget about your chubby little buddy, Mr. Young!”Case StudySlide65
Appropriate AssessmentsAnalysis of AssessmentsResearch-Based Instruction
Evaluation of InstructionTeacher and StudentModification of InstructionStacked InstructionLearning from LighteningSlide66
How are effectiveness, efficiency, and engagement related to literacy achievement? How can teachers increase student engagement in addition to their own effectiveness and efficiency?
Tell us about a time when you were very engaged in a reading or writing task. What characterized this experience that teachers could replicate in their instruction?Discussion FourSlide67
In small groups, make a list of things teachers do to manage students and to teach students. Compare these listed items and the time given to them. How could a teacher save even 20-30 minutes a day in order to have more time for rich instruction?
Task (if time)Slide68Slide69
chase.young@tamucc.edu -
www.thebestclass.org Thank you.