PPT-Printmaking

Emphasis Center of Interest Emphasis is an area in an artwork that visually stands out from the rest of the piece Artists use center of interest to attract and hold a viewers attention The viewer often starts at a pieces center of interest moves around and then ends back at the center of interest. Jeremiah Hancock. Casey Lewis. Vicky . Enoul. Avery Porter. Laura Ball. Alexandra Cole. Printmaking. Describes a variety of techniques developed to create multiple copies of a single image. Prints in Our Society:. Mount Fuji, from the . Thirty-six Views of Mount Fuji. , . color woodcut.  by . Katsushika Hokusai. "Melencolia I", engraving by Albrecht . Dürer. , one of the most important printmakers.. "The sleep of Reason creates monsters", etching and aquatint . CRAFTSMANSHIP. Involves skill and dexterity in handling the techniques of a medium. Fine art requires this along with creativity.. BURNISHING. A technique used by printmakers to apply pressure to the back of the print paper in order to cause the ink to adhere to the paper rather than the relief block.. Close look at . Linolium. cut relief printmaking. “The Hub” . by Daniel Smith . 2007. “Survivor” . by . Elizabeth Catlett . 1983 . “. Scr-Emo. ” . by . Jesse . Mack. 2007. "Council of Solace“. Corrected. Type. Woodcut. Intaglio. Copper plate etch. Lithography. Silkscreen. Process. Draw design, cut away, leave what you want to ink. Incisions made by etching, usually into a copper plate. Plate covered in wax, carved into with a needle to expose copper, put into acid bath, remove wax resin, and print. Art with Ms. Gay. Spring 2016. What is a Linocut Print?. A . linocut print . is a form of . printmaking. . “Linocut” refers to the material used to make the print, which is . linoleum. (a soft type of rubber). . Printmaking: A Colony of the Arts by Luis Camnitzerwww.philagra ka.org ka.org were Art 1. What is Printmaking?. Block printing is one type of . printmaking. (intaglio, . callograph. and screen printing are others). In printmaking, a surface is taken away from or added to. Then ink is applied to the surface and printed on paper. With printmaking, you can make several images from the same source. . relief . printmaking lesson. Printmaking is an indirect . p. rocess. Huh? What does that mean? . When you draw or paint you put the brush where you want the mark and it is direct.. In printmaking, lots of cool things happen between the paper and the block- interesting bits of ink that might spread or be faded in an interesting way. Cool things sometimes happen that we didn’t expect. . Art with . M. s. Gay. Spring 2016. Safety with Sharp Tools. The . blade. should always be pointed . away from . your body and opposite hand. . Push the blade . forward. , . not down . (this will create holes in your linoleum).. What is Printmaking?. Usually on paper. Most types of printmaking can produce multiples of the same piece, which is called a print.. Each print is considered an original. Choosen. for it’s ability to produce multiples (yeah, commerce!) AND the unique qualities of the printmaking process.. Printmaking. An art form in which ink is transferred from a surface (wood, stone, linoleum, or metal) to a material like paper or fabric.. Printmaking is one of the world’s oldest . artforms. Relief printing is when the surface material is carved away to create a raised image…which prints in reverse..  . Prehistoric Engraving. Dates back 3,000 years . Evidence of engravings on walls of caves, on stone, clay, bone and ivory. . . …are designs . and pictures that are . incised. (carved) in to different materials for the beauty of artwork or the reproduction of a print.. The process of printmaking can be useful to art therapists in a wide range of settings: for example, the incremental process can be helpful in groupwork, and physically challenged clients can benefit from the physical aspects of printmaking. The author explores these therapeutic advantages of printmaking. She also describes its roots outside art therapy. Relief printing, intaglio, planographic or surface processes, and stencilling are all covered in detail, with many ideas for incorporating them into art therapy sessions. The author gives a comprehensive and clear account of the impact that printmaking can have on clients\' inner lives, using many examples drawn from her own practice.The combination of technical information, clinical applications and practical instructions for using the printmaking processes will make this book a valuable tool for art therapists, occupational therapists, physiotherapists, and others working with clients with a range of needs and abilities.