PPT-Music Culture Chapter 2 Find your folders, get a textbook, have a seat

Respond to the following statement in your journals Do you think music can enhance make better experiences and relationships Explain why or why not Begin Chapter 2 Music as Culture. Native American Music. Shireen. Ghaznavi. MUS266. Old Ceremonial Traditions. Song is short – similar to nursery rhyme; presented in large group and part of elaborate ceremonies/rituals. Peyote ceremony of Plains tribes – each singer sings 4 songs . of . Teaching . Russian . to Japanese . Students. O. .. N. .. Korotkova. Ph.D. , Associate Professor. ,. . M.V.Lomonosov. Moscow State University. This textbook gives a general idea of how to write a thesis, how to write an author’s abstract and what to say during a thesis' defense. . Books, Music, Architecture and the “Grand tour”. Elite culture: Combining Old and New. Old:. Patronage and sponsorship of artists with works performed in private halls. Classical spirit of ancient Greece and Rome – symmetry, proportion and reason. wub. . wub. . wub. . wub. and post . subcultural. analysis. Dan Conway. guiheadz@gmail.com. what we’ll cover today. History. Where did it come from?. What is happening right now?. Popularity in US. A . Musicultural. Approach . Culture. A classic definition. Culture: . “that complex whole which includes knowledge, belief, art, law, morals, custom, and any other capabilities and habits acquired by man [humankind] as a member of society” . Organizaton. Computer hard drives hold an enormous amount of data or information.. Knowing how a computer’s organization system works will help you find what you are looking for.. Computers use files and folders to organize data.. . Read pg. 108 in book. Culture and Customs. People living in other locations often have extremely different social customs. . Geographers ask why such differences exist and how social customs are related to the cultural landscape.. “. How you act, walk, look, and talk is all part of Hip Hop culture. . And the music is colorless. . Hip Hop music is made from black, brown, yellow, red, and white. .” . . . . --. The beliefs, values, norms, and traditions within . a society.. Counterculture . - . Groups in society that stand in indifference or opposition to mainstream culture. .. In other words…any subculture whose values and norms differ strongly from mainstream culture.. Music was important to ancient cultures too!. The history of music dates as far back as humankind.. In ancient times, music would not have been played for pleasure. There was always a purpose for music.. Organizaton. Computer hard drives hold an enormous amount of data or information.. Knowing how a computer’s organization system works will help you find what you are looking for.. Computers use files and folders to organize data.. Monday, October 22 Red Ribbon week!! Red/White/Blue Day Your seats have been chosen – find your tags. If there is a problem with your seat unbeknownst to me, come and find me privately and we will talk. Performance: Bali Travel Seminar December 29, 2014 - January 18, 2015 3 - credit, 200 - level course (TX 200C) Located in Southeast Asia, Indonesia is the world’s largest archipelago and th From its beginnings in hip hop culture, the dense rhythms and aggressive lyrics of rap music have made it a provocative fixture on the American cultural landscape. In Black Noise: Rap Music and Black Culture in Contemporary America, Tricia Rose, described by the New York Times as a hip hop theorist, takes a comprehensive look at the lyrics, music, cultures, themes, and styles of this highly rhythmic, rhymed storytelling and grapples with the most salient issues and debates that surround it.Assistant Professor of Africana Studies and History at New York University, Tricia Rose sorts through rap\'s multiple voices by exploring its underlying urban cultural politics, particularly the influential New York City rap scene, and discusses rap as a unique musical form in which traditional African-based oral traditions fuse with cutting-edge music technologies. Next she takes up rap\'s racial politics, its sharp criticisms of the police and the government, and the responses of those institutions. Finally, she explores the complex sexual politics of rap, including questions of misogyny, sexual domination, and female rappers\' critiques of men.But these debates do not overshadow rappers\' own words and thoughts. Rose also closely examines the lyrics and videos for songs by artists such as Public Enemy, KRS-One, Salt N\' Pepa, MC Lyte, and L. L. Cool J. and draws on candid interviews with Queen Latifah, music producer Eric Vietnam Sadler, dancer Crazy Legs, and others to paint the full range of rap\'s political and aesthetic spectrum. In the end, Rose observes, rap music remains a vibrant force with its own aesthetic, a noisy and powerful element of contemporary American popular culture which continues to draw a great deal of attention to itself.