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Medieval Theatre to Renaissance Theater Medieval Theatre to Renaissance Theater

Medieval Theatre to Renaissance Theater - PowerPoint Presentation

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Medieval Theatre to Renaissance Theater - PPT Presentation

By Mr Healy The Fall of Rome in Broad Strokes The Roman Empire had become to large to manage Soon it split into small independently controlled states After the fall of Rome Europe fell into the Dark Ages ID: 444661

faustus plays restoration theater plays faustus theater restoration play renaissance shakespeare church www stock watch morality youtube https society

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Slide1

Medieval Theatre to Renaissance Theater

By Mr. HealySlide2

The Fall of Rome in Broad Strokes…

The Roman Empire had become to large to manage

Soon it split into small independently controlled statesSlide3

After the fall of Rome

Europe fell into the Dark Ages

These were characterized by a shrinking population,

deurbanization

, and an increase in the authority of the Holy Roman ChurchSlide4

Question

What affect do you think an increase in the power of the Catholic Church had?Slide5

Theater in the Middle Ages

The Church labeled our Greek and Roman originators Pagan, and therefore performances of this type were banned

They were instead replaced by Religious Ceremonies

In this way they were not so different from the GreeksSlide6

Move towards Morality

Liturgical Drama: A dramatic form that celebrates morality and the Christian Religion

Subjects were taken from the Bible and lives of the SaintsSlide7

Mystery Play

A type of liturgical drama

Subject focused on some Miracle or mystery from the Bible

The scenes were not interconnected like our plays today

Instead the only unifying theme was that they were about Christian faithSlide8

Mystery Plays

Mechanical devices, trapdoors, and other artifices were employed to portray flying angels, fire-spouting monsters, miraculous transformations, and graphic martyrdoms.Slide9

Mystery Plays

Plots

included: Creation

, Adam and Eve, the murder of Abel, and the Last Judgment.

Plays were organized into

Cycles

Cycles:

groups of 25 to 50 plays that took days to performs

In France a single play,

The Acts of the Apostles

by

Arnoul

and Simon

Gréban

, contained 494 speaking parts and 61,908 lines of rhymed verse; it took 40 days to performSlide10

Mystery Plays

Eventually these plays

took on sacrilegious elements

Furthermore, satirical elements were introduced to mock physicians, soldiers, judges, and even monks and priests

Pope

Innocent III

banned

them

Because

, you know, Popes didn’t like

fun

Renaissance scholars found little of interest in their great rambling texts,Slide11

Bonus Word

Satire:

the

use of humor, irony, exaggeration, or ridicule to expose and criticize people's stupidity or vices, particularly in the context of contemporary politics and other topical issues.Slide12

Morality Plays

Plays were forced out of the Church and into the hands of guilds, or organized groups of artists

Allegorical play in which the protagonist is met by personifications of various moral attributes who try to prompt him to choose a Godly life over one of evil.

Allegory:

a

story, poem, or picture that can be interpreted to reveal a hidden meaning, typically a moral or political one.Slide13

Everyman

The most famous Morality Play

God Sentences Everyman to die

He tries to find friends to help him show God he deserves life in heaven

Most of his “friends” abandon

him (Pride, Beauty, Five Wits, Strength and

Discretion)Slide14

Good Deeds

Good Deeds is the only one who does not abandon Everyman, and goes with him to reckon with God

What do you think the Moral of this story is?Slide15

English Renaissance Theater

At this time, England had broken away from the Catholic Church

The Renaissance has lead to a rediscovery of Classical texts and ideas

Theater emerges as a prime source of entertainment in England for both commoners and Nobles alikeSlide16

Transition to Secular Theater

Secular

: denoting attitudes, activities, or other things that have no religious or spiritual basis

.

With the break from the Church, Nobles began funding theater

In the sixteenth century, the Elizabethan stage became almost wholly professional and

public

Side note:

Elizabethan is named after Queen Elizabeth of England

This means actors were now paid, and the shows were available to everyoneSlide17

MONEY $$$$$

The new theater groups devoted their entire

lives

to the art and craft of play producing.

Likewise

, the production of plays at this time was a good financial venture.Slide18

Patronage

Groups swore

patronage

, or loyalty to, a particular noble who financed them

This protected them from harsh anti theater laws which saw traveling theater troupes as vagabonds

As you can see, theater was still not universally respected as an artSlide19

Construction of Theaters

Successful acting companies eventually built their own performance venues

Theaters sprung up in London

Soon, However, theaters drew the ire of the law and were forced out of the city limits

Still, theater was fashionable and profitableSlide20

Acting

Acting Performances were “over the top”

The actors expressed themselves in a highly operatic manner with flamboyant

expressions Slide21

The Shows Themselves

Plays did not attempt to persuade anyone that they were not in a theater

Very little scenery to add to illusion

Only male actors played the parts

Actors would break fourth wall and speak to audience

Costumes were huge and colorful

They were also not historically accurate

For example, in Shakespeare’s plays about Roman subjects, actors did not wear togasSlide22

Video about theatre

https://www.youtube.com/watch?v=z_cTCdkCAccSlide23

Shakespeare (1564-1616)

He

was actor, writer, and part-owner of a playing company called the

Lord Chamberlain's

Men, later The King’s Men

He never published his own work. His work was compiled by his friends and published in the

First Folio.

Contemporary, Ben Johnson, famously

said Shakespeare was

“not of an age, but for all

time”Slide24

Shakespeare

Shakespeare: wrote 38

plays in 3 genres

Tragedies

Comedies

History Plays

Plays were performed at

The Globe,

which burned down from a cannon fired during a production of

Henry VIIISlide25

History Plays

These plays dramatized figures from Medieval English History

However, They were really about the politics and social situations of his own society

Audiences recognized and enjoyed this factSlide26

Mini Biography

https://www.youtube.com/watch?v=geev441vbMISlide27

5 interesting facts about Shakespeare

https://www.youtube.com/watch?v=hDRpEb7heG8Slide28

Christopher Marlowe (1564-1593)

Came just before Shakespeare but yet less famous in history

Still very important in the study of Renaissance drama

He was one of the first people to write for a living

He created scathing social and political commentary that was often sensational and violent

He Died in a Bar FightSlide29

Marlowe

https://www.youtube.com/watch?v=5CbWeIkgF-gSlide30

Dr. Faustus (1592)

Faustus has learned all earthly knowledge and now desires to know MAGIC

He summons the devil, Mephistopheles, who is Lucifer’s servant

Faustus sells his soul to Lucifer for 24 years with

Meph

as his servant

What do you all think happens next?Slide31

Dr. Faustus

https://www.youtube.com/watch?v=wZeFGKA2MqQSlide32

Quotes

For, falling to a devilish exercise,

And glutted now with learning's golden gifts,

He surfeits upon cursed necromancy.

Nothing so sweet as magic is to him,

Which he prefers before his

chiefest

bliss.Slide33

Quotes

FAUSTUS

Was not that Lucifer an angel once?

MEPHISTOPHELES

Yes Faustus, and most dearly loved of God.

FAUSTUS

How comes it, then, that he is prince of devils?

MEPHISTOPHELES

O, by aspiring pride and insolence,

For which God threw him from the face of heaven. (1.3.61-66)Slide34

Questions

What was the central conflict of Dr. Faustus?

Would you make the same deal as

Dr.Faustus

?

Is this a Christian Tragedy? Does it’s ending fit with Christian Ideals?Slide35

Questions?

Is Dr. Faustus “a

Renaissance man who had to pay the medieval price for being

one” like scholar R.M Dawkins said?

Think about what I have been saying about the Renaissance and people’s thirst for knowledge at that timeSlide36

Dr. Faustus

At the time Marlowe was writing, John

Calvin had developed a theory about human salvation called

Predestination

.

This

theory said that each human being was fated from the beginning of his or her life to be damned or saved. It raised questions about exactly how much control a person had over his or her own salvation.Slide37

Dr. Faustus

Doctor Faustus stood out from the crowd by combining things we associate with medieval drama (like allegory) to explore what we now think of as modern questions: What form should knowledge take? What is the nature of true power? Should we believe in fate or free will

?

Wasn’t a straight forward morality playSlide38

Elizabethan Theatre wrap up

In 1642, with England on the verge of a civil war, the Puritan Parliament closed all theaters

Stage plays were forbidden because they distracted the nation from its efforts to

“appease and avert the wrath of

God”

Theaters were not reopened for almost 20 years in 1660Slide39

During the Restoration

Set designers added

Scenery

to add the illusion of depth on the stage

Others experimented with lighting using chandeliers and candles around the stage

The lightheartedness of the plays reflected a society recovering from years of division and unrestSlide40

Restoration Comedies

Restoration comedies involved quick wit

Playwrights

wrote Comedies of Manners, which satirized the behaviors of society before and during the restoration period. Comedic plays relied on situational humor: disguises, mistaken identity, and

misunderstandingsSlide41

Restoration Comedy

Most popular type of play

Restoration

comedies became social commentaries; they were not a mirror of society, but rather exaggerations of society that the audience would recognize and appreciate

.

in Restoration plays, women

sometimes played

the role of men as a form of situation comedy.

1

st

appearance of women!Slide42

Focus on the Upper Class

Audiences were mainly upper class

Therefore plays often had Upper Class nobles and their courts as the focusSlide43

Focus on Love and sex

Situational humor often involved sexual themes such as adulterous husbands and flirtatious women

Sexual innuendo or jokes were big (That’s what she said)Slide44

Stock characters

Plays included stock characters

Stock Character

: a fictional character based on a common

stereotype

. Stock characters rely heavily on cultural types or names for their personality, manner of speech, and other characteristics.Slide45

Stock Characters

Rake:

a

historic term applied to a man who is habituated to immoral conduct, particularly

womanising

. Often a rake was also prodigal who wasted his (usually inherited) fortune on gambling, wine, women and song, incurring lavish debts in the process. Comparable terms are "libertine" and "debauchee".Slide46

The Fop

He is a "man of fashion" who overdresses, aspires to wit, and generally puts on airs, which may include aspiring to a higher social station than others think he has. He may be somewhat effeminate, although this rarely affects his pursuit of an heiress.Slide47
Slide48

Top 10 job skills

http://www.forbes.com/sites/meghancasserly/2012/12/10/the-10-skills-that-will-get-you-a-job-in-2013/Slide49