/
THE 1960’S   THE 1960’S THE 1960’S   THE 1960’S

THE 1960’S   THE 1960’S - PowerPoint Presentation

mitsue-stanley
mitsue-stanley . @mitsue-stanley
Follow
348 views
Uploaded On 2019-01-25

THE 1960’S   THE 1960’S - PPT Presentation

Cinema in the 1960s reflected the decade of fun fashion rock n roll tremendous social changes ETC Some of the happeningschanges of the 1960s included Death of Marilyn Monroe First TV broadcast in color ID: 748299

films film 1962 king film films king 1962 1961 decade bond hollywood directors movies 1960 british historical starred 1960

Share:

Link:

Embed:

Download Presentation from below link

Download Presentation The PPT/PDF document "THE 1960’S   THE 1960’S" is the property of its rightful owner. Permission is granted to download and print the materials on this web site for personal, non-commercial use only, and to display it on your personal computer provided you do not modify the materials and that you retain all copyright notices contained in the materials. By downloading content from our website, you accept the terms of this agreement.


Presentation Transcript

Slide1

THE 1960’S

 Slide2

THE 1960’S

Cinema in the 1960s reflected the decade of fun, fashion, rock 'n' roll, tremendous social

changes, ETC.

Some of the happenings/changes of the 1960’s included…

Death of Marilyn

Monroe

First T.V. broadcast in color

Beatlemania

, the Beatles 'invaded'

US

First man on the moon

Coming about of Martin Luther King and the Civil Rights movement.Slide3

THE 1960’S

1963 was the worst year for US film production in fifty years (there were only 121 feature releases). And the largest number of foreign films released in the US in any one year was in 1964 (there were 361 foreign releases in the US vs. 141 US releases).

With

movie audiences declining due to the dominance of television, major American film companies began to diversify with other forms of entertainment: records, publishing, TV movies and the production of TV seriesSlide4

THE 1960’S

In

July of 1961, TWA Airlines began the first regular in-flight movies in first-class during a NYC to LA flight, with a Bell and Howell projector aimed at a screen to show

Love

Possessed (1961), starring Lana

Turner.

I

n

September of 1961, Saturday Night at the Movies premiered on NBC with the first wide-screen comedy,

“How

to Marry a

Millionaire”

(1953) - it marked the start of the trend to broadcast Hollywood movies on

TV.

S

eparate

awards for Black and White and Color Cinematography were eliminated by

AMPAS, because

most films were being made in

color.Slide5

Financial Difficulties Within the Film Industry

The major

studios financed and distributed independently-produced domestic pictures. And made-for-TV movies became a regular feature of network programming by

mid-decade. The

average ticket price was less than a dollar, and the average film budget was slightly over one and a half million

dollars.

Studio-bound "contract" stars and directors were no longer. And most of the directors from the early days of cinema were either retired or dead. Some of the studios, such as UA and Hal Roach Studios, had to sell off their

backlots

as valuable California real estate (for condominiums and shopping centers).

To aid the tourist industry and create another attraction, in 1960, the Hollywood Chamber of Congress inaugurated the Hollywood Walk of Fame

The

first star, placed on February 9, 1960, was for Joanne Woodward. However, by the mid-70s, Hollywood was better known for its adult bookstores, prostitutes, and run-down look.Slide6

The Birth of the Multiplex and the Demise of Theatre Palaces

Stanley H.

Durwood

became the father of the 'multiplex' movie theater in 1963 when he opened the first-ever mall multiplex, composed of two side-by-side theaters with 700 seats at Ward Parkway Center in Kansas City.

Meanwhile, the creation of and flight to the suburbs, the studios' divestiture of their theatre holdings after 1948, and the impact of television in the 1950s meant the demise and razing of the benchmark, downtown movie palaces of the 20s

. Slide7

THE CLEOPATRA DISASTER

The much-heralded Joseph L.

Mankiewicz

film Cleopatra (1963), filmed on location in Rome, brought together the explosive pairing of Elizabeth Taylor as the Queen of Egypt and future husband Richard Burton as Marc Antony, who brought more headlines with their blossoming romance than the budget problems.

It

proved to be a tremendous financial disaster for 20th Century Fox, headed by Darryl Zanuck.

Taylor had

a costume wardrobe budgeted at almost $200,000, and with numerous cost over-runs, extravagant sets and thousands of costumes for the cast, the film was the most expensive up to that time at a record $

44.Slide8

BRITISH INFLUENCES

An increase in

moviemaking outside the country, mostly in

Britain, making

big-budget, big-picture films there.

In

1962, for example, the number of Hollywood films in production had hit an all-time low, dropping off 26% from the previous year.

Two

examples of films made elsewhere included these magnificent historical dramas of 12th century England:

• Becket (1964) with Richard Burton (as Archbishop Thomas Becket of Canterbury) and Peter O'Toole (as King Henry II), an Oscar-winning film for Best Screenplay

• The Lion in Winter (1968), the retelling of the clash between King Henry II (Peter O'Toole reprising his role as the King) and Eleanor of Aquitaine (Katharine Hepburn), with Oscar wins for Hepburn and James Goldman's screenplay [this film featured Anthony Hopkins' feature-film debut as King Richard the Lion-Hearted]Slide9

BRITISH INFLUENCES

Two

of director David Lean's 60's films, the ones that defined his career's reputation, were made in Britain.

The

scenic beauty and backdrops of both films became a tangible character, and opened the door for similar epic-travelogues:

The

spectacular, adventure epic film made in 70 mm about an enigmatic, masochistic British officer/hero named Col. T. E. Lawrence who fought guerrilla-style alongside Omar Sharif (in a breakthrough role) in Lawrence of Arabia (1962)

Doctor

Zhivago

(1965), a sweeping romantic/historical drama adapted from Boris Pasternak's Nobel Prize-winning novel of the days of Russia's Civil

WarSlide10

THE PHASING OUT OF BIG HISTORICAL EPICS

Costly

historical epics were being phased out. Two big-money,

epic

productions, both directed by Anthony Mann, were carryovers from the 50s

decade. These

were made in Spain and

Italy, two

less expensive movie-making locations in Europe:

•El Cid (1961) with heroic Charlton

Heston

as the legendary 11th century Spanish warrior; Mann made the film after being fired from the set of Spartacus (1960) - see below

•producer Samuel

Bronston's

historical drama The Fall of the Roman Empire (1964) - a disastrous, exorbitant film that overextended and bankrupted his studio

Nicholas Ray's and Andrew

Marton's

“55

Days at

Peking”

(1963), also produced by Samuel

Bronston

, starred Charlton

Heston

and Ava Gardner,

“In

the

Beginning”

(1966) lost favor as extravagant film productions of this kind became too costly. Slide11

GOLDEN AGE DIRECTORS: END OF AN ERA.

Some of the greatest directors from Hollywood's golden era were experiencing their swan songs during this decade.

Many

of them, including King Vidor, Raoul Walsh, Michael

Curtiz

, John Ford, and Howard Hawks, directed their last, lesser-known films in the 60s.

For

example, King Vidor's last film in the last year of the previous decade was filmed in Spain - the biblical spectacle Solomon and Sheba (1959) starring

Yul

Brynner

and alluring Italian star Gina

Lollobrigida

.

Frank

Capra's last feature film was Pocketful of Miracles (1961) - a remake of his Lady for a Day (1933). Orson Welles was struggling in the 60s, although still directing films, such as the adaptation of Kafka's The Trial (1962) with Anthony Perkins, and Chimes at Midnight/Falstaff (1966) in which he starred as Shakespeare's Falstaff.Slide12

NEW CROP OF DIRECTORS: NEW AGE

John

Frankenheimer:

His most acclaimed film at the time was the chilling, political spy thriller/black comedy based on Richard Condon's novel The Manchurian Candidate (1962).

Arthur Penn

: Went

on to direct the artsy and New

Wavish

Mickey One (1965) with Warren Beatty, and then his greatest masterpiece, Bonnie and Clyde (1967). Slide13

JAMES BOND FILMS

The decade inaugurated the first of the popular James Bond film-extravaganzas made in Britain, Terence Young's cheaply-made Dr. No (1962) and its hip star, Scottish actor Sean Connery as the Ian Fleming character James Bond

Casino

Royale (1967) starred David

Niven

as the intrepid agent.

Goldfinger

(1964), the 3rd Bond film and considered the definitive Bond film; with a gold-plated, ill-fated 'Bond girl' Jill Masterson (Shirley Eaton) punished by skin suffocation; and two others: the evil, sexily-named, lesbian-leaning Pussy Galore (Honor Blackman) who eventually changed allegiances, and vengeful sister Tilly Masterson (Tania Mallet

)Slide14

WAR FILMS

Sink the Bismarck! (1960) told the story of the deadly German battleship that was sunk with a single shot by the British Royal Navy's HMS Hood.

Judgment

at Nuremberg (1961), Spencer Tracy presided over Nazi war crime trials in Germany to bring justice to those guilty of crimes against humanity during the war.

The

Longest Day (1962), a tale about the events of June 6, 1944 told from both the Allied and German points of view, featured nearly 50 international stars.

Don’t forget about “The Dirty Dozen”Slide15

OTHER POPULAR FILMS

John Wayne starred as an zoo-animal hunter in producer/director Howard Hawks' adventure film

Hatari

! (1962) (meaning danger in Swahili), shot on location in East Africa. The first (and best of five) in a long series of sequels of thought-provoking science-fiction films was Franklin

Schaffner's

Planet of the Apes (1968), with its reversed man-ape tale, and a surprise shock ending of a fragmented Statue of Liberty in the Forbidden Zone.

The British comedy crime caper The League of Gentlemen (1960) starred Jack Hawkins as the head of a hand-picked group of bank robbers.