PPT-Character Design

for Animation and Games Week 4a Head Design Head Sculpting and Texturing a 3D Model Work from big to small general to specific Start with very different overall forms t hen create variations in the smaller details. he year Design Value s based on the average of a 3 year period which includes the selected year plus the two prior years Also displayed is the following informat on for each year the umber of Complete Quarters for that year the 99 th Percentil samp a The character and cage shown in black at bindtime b and c are two poses from an animated clip All images DisneyPixar Abstract In this paper we consider the problem of creating and controlling volume deformations used to articulate characters for u Character development is the deliberate effort to nurture these attributes and use them as a standard against which we hold ourselves accountable They are key aspects of school life They bind us together and form the basis of responsible citizenship Graeme Browning. Sean . Wikant. Memorable characters that the player can care about. Can be complex (not hero or villain) . Not a simple challenge. Many factors effect good character design. Well drawn (suitable art style). Tybalt. is angry and hot-blooded. His foil is . Benvolio. who is thoughtful and peaceful. . Tybalt. - Juliet’s cousin . Benvolio. -Romeo’s cousin. Terms for Reference in . Romeo and Juliet by William Shakespeare. COMP 585/185: Serious . Games. Narrative . Game relationships. Triggers. Narrative Events. In-Game Events. Player Events. Story Models. Linear. Branching. Foldback. Emergent. Linear stories. Aesthetically. You . will use the main character questionnaire to help you design a coat of arms or a shield that represents the main character. Then you will organize an oral report to discuss the novel and explain the coat of arms. Last, you will give your oral report in class. . (. ANKaul. ). WHILE WRITING ABOUT A CHARACTER, WE NOTE THE FOLLOWING THINGS ABOUT HIM/HER. : -. 1. . PHYSICAL APPEARANCE;. 2. PERSONALITY TRAITS;. 3. ACTIONS;. 4. SPEECH/COMMENTS ABOUT OTHERS;. 5. CHOICES/MOTIVES.. for Animation and Games. Week 6b: . Mudbox. Texturing . Object and Environment Design as Characters. Maya Lighting and Rendering. Mudbox. : Texturing. Paint Color, . S. pecularity. , Glow, and other maps . P. Du, W. Zhao, S.H. . Weng. ,. C.K. Cheng, and R. Graham. UC San Diego. ckcheng@ucsd.edu. 1. Outline. Introduction. Problem Formulation. Character Design for Wire Layouts. Character Design and Stencil Compaction for Via Layouts. Fiction writers employ a variety of characters while weaving their stories. . PROTAGONIST. : the main character in a literary work. ANTAGONIST:. the main character or force that opposes the protagonist. Usually hero. Outer and inner problems. Antagonist. Sidekick. Servant. Pet. NPCs. Merchant. Trainer. Quest giver. Higher self. Threshold . guardian. Progress delayer. Trickster. Mischief maker. Herald. Protagonist vs. Antagonist. In most stories, there will be a . protagonist. and an . antagonist. .. Most of the time, the protagonist and antagonist will both be one person, but sometimes, there can be more than one protagonist/antagonist – . The Pillars of Pinnacle. Your Role as a Coach. Educate. Teach the definition of the trait in a an appropriate way for your class. Share examples of the trait in action. Point out the trait when you see it.