Stability chart – - PowerPoint Presentation

Slide1

Stability chart – Most (left) to least (right)

Day

19 – Cadences

Look at G:

G

B

D

A

E

C

F#

G

4 (

Fa

) must go to 3 (Mi)

7

(Ti) MUST go to 1 (Do)Slide2

Serve as “home”, final sounding. I and VI

99. Tonic Function Chords

I and VI

VI and ii

V and vii

Notice there is NO III.

Don’t use this chord. It doesn’t function well.

100. Predominant Function Chords

Come before dominant. VI and ii

101. Dominant Function Chords

Lead very strongly to Tonic. V and vii.Slide3

102. Cadence

Harmonic progression that creates a sense of finality or a stopping/breathing point.

A rhythmic cadence generally elongates the rhythm to sound more final.Slide4

103. Conclusive Cadence

Cadence that ends on Tonic (I).

Types of Conclusive Cadences (3)

104. Perfect Authentic Cadence (PAC)

105.

Imp

erfect Authentic Cadence (IAC)

V

 I Both root position, “Do” in Soprano

V

 I or vii  I or there is an inversion, or Do is not in SopranoSlide5
Slide6

PAC

PAC

I

AC

I

AC

I

AC

I

AC

I

ACSlide7

106.

Plagal

CadenceIV  I “Amen”Slide8

107. Inconclusive Cadence

Cadence that does NOT end on Tonic (I).

Types of

Inconclusive

Cadences (3)

108. Half Cadence (HC)

109. Phrygian Half Cadence

Any cadence that ends on V. (Weak)

iv

6



V in minor (most minor half)Slide9
Slide10

110.

Deceptive

CadenceV to any chord other than I (usually VI). Expect Tonic but it “deceives” you.Slide11

V

 I

V

 I or vii  I, not perfect

IV

 I

V

 anything but

I (usu. VI)Slide12

anything

 V

minor: iv6  V