PPT-American Art Music in the Early Twentieth Century

The American Dilemma Imitate highprestige European styles The American Dilemma Imitate highprestige European styles Or somehow try to deviseconstruct an American sound in music. Opera in seventeenth-century France. Absolute monarchy — established by Cardinal Richelieu under Louis XIII. Académies. 1635 Académie française (for belles lettres) set up by Richelieu — rationalistic, idealistic, classicistic in sense of restraint, balance. Impressionism and Symbolism. Turning . away from subjectivity in Romanticism and post-Romanticism. Emphasis . on sensation. Symbolism . in literature. evocation of sensual experience . use of phonemes for their sound qualities. The artist takes his significant experiences and thoughts as raw material and creates a perceptual embodiment for them. Each artist makes independent judgments about which of his experiences and thoughts are significant. And to the best of his ability and with his unique style, each artist employs the techniques of his perceptual medium of choice. The result is an object that, at its best, has an awesome power to exalt the senses, the intellects, and the passions of those who experience it.. . Opera seria in the early eighteenth century. Addressed to aristocratic audience. Dramatic style — libretti brought to high level by Pietro Metastasio (1698–1782). Rationalistic. three acts. dialogue in simple recitative alternating with affective/rhetorical arias generally in da capo form. The New German School. Progressive . ideas and styles after 1850. “The . music of the future”. — . a teleological view of the composer’s role in music history. Freedom . from convention. harmonic exploration. 1111 2222 Article: “Why is the Twentieth Century the Century of Genocide?”. Author: Mark Levene. Source: Journal of World History 11, no. 2. (Fall 2000). Online Source: Bridging World History. -The article seeks to relate the specific phenomenon of genocide to broader processes that have helped create and shape modern international society. By Jonathan . Wright. 1. st. Year Graduate Printmaking. African-American Art. African-American Art is a broad term describing the visual arts of the black community. Influenced by various cultural traditions, including those of Africa, Europe and the Americans, traditional African-American art forms include the range of plastic arts, from basket weaving, pottery, and quilting to woodcarving and painting. . industrialists. . There is no doubt that these industrialists were driven by one motive, and that was wealth. However, historians and others debate the title to . bestow . on these men – that of “. Nurturing High-Quality Early Learning and Leadership . Across the Pre-K-3 Continuum Institute. Atlanta, Georgia. Thursday, September 28, 2017. Jim Squires. Senior Fellow. Center on Enhancing Early Learning Outcomes. Realism was not their goal but to communicate religious ideas. At first, borrowed from the Romans but began to go their own direction. Earliest surviving Christian art is found on frescoed walls of the catacombs of Rome.. Revival styles. Colonial Revival style. Tudor style. Chateauesque. Mission. Modern Styles. Prairie . Craftsman/Bungalow . International. Early 20. th. Century Revival: Colonial. Similar to Georgian, Federal, Adam, Greek Revival. African American Influence-. Almost all American musical forms were invented by or greatly influenced by African American musical traditions and styles. . Secular Music. Cakewalk. A “cakewalk” or prize dance was something that developed on plantations during slavery. Couples would dance together, exaggerating and imitating the way white couples danced, and have competitions. . MA II SEM PAPER V. DEPTT of English. Govt College Paonta Sahib Distt Sirmour HP . Technical Revolution in PoetryThree influences. Imagism Ezra Pound( Imagism which demands . precision in imagery and freedom in rhythmic .