PPT-Kurosawa Akira Film Style

Perfectionist Movie directors or should I say people who create things are very greedy and they can never be satisfied That s why they can keep on working I ve been able to work for so long because I think next time. French New Wave Cinema. Apolitical – reflected new acceptance of leisure and consumption. Government sponsored first time directors. New generation of directors:. - . estb. . romantic . image of the young director . Hollywood. style. . . . . . 4th . November. , 2011. . Magdalena . Tutka. . -. . Gwozdz. , . Ph. . D.. Department of Media and . on the savage junctures between Eisenstein, Kurosawa and Lucas. Dr Lola Martinez. SOAS. Background. Kakushi-toride. . no san-. akunin. . (The Hidden Fortress) 1958 . dir. Akira Kurosawa (script by Hashimoto . Comparative Study. American Film – . Comparative Study. Context. Why are the classic noir films obsessed with the femme fatale?. Why are the male protagonists usually loners?. Why is the look of the films so stylised?. Agnès. . Varda. and Feminist Filmmaking. Topics for Discussion. Varda’s. process, inspirations, and style . Narrative structure and effects . Constructing the woman . Alternative . gaze structure . We are going to explore Film Directors and their styles in filming, telling a story, setting a scene, etc.. Your goal is to research and find information on a director and learn various techniques from his or her leadership.. Date. 8:10 – 11:05. 11:05-12:25 . (Lunch). 12:50-1:50. 1:55-2:55. M. 2/29. 8. 7. 6. 5. T 3/1. 4. 3. 2. 1. W 3/2. 7. 6. 5. 8. Th. 3/3. 3. 2. 1. 4. F 3/4. 6. 7. 5. 8. M 3/7. 2. 3. 1. 4. T. 3/8. 5. Life of Pi . and . Metropolis. DR BRUCE ISAACS | UNIVERSITY OF SYDNEY. Film Analysis: . Life of Pi . and . Metropolis. DR BRUCE ISAACS | UNIVERSITY OF SYDNEY. Theatrical . mise. en scene. – excessive dramatizing as a departure from realism. Analyzing Arguments in Documentaries. Film as text. Both documentaries and written texts are arguments and may be analyzed using similar skills.. In both we look for:. . A. Rhetorical Strategies. . Aim: to . consolidate notes with the aim of planning the following essay:. Discuss . how far your international film style was developed by directors and how far by other influences. . Sanity warning: . Introduction to American Film, JC Clapp, North Seattle College. Overall Style & Characteristics. Songs sung . by the characters . to . advance the plot or develop the . film's characters or themes.. HUM 110: Introduction to American Film. JC Clapp, North Seattle College. Historical Context. World War II, post-war disillusionment (1940s). Soldiers returning home and women losing their jobs. Post-war realism – audiences wanted authenticity and “realistic”. JC Clapp, North Seattle Community College. Modernism. Modernism (about 1885-1945 or so) was interested in . the new . master narratives and that would provided truth and unity. Social, political, cultural progress was seen as inevitable and important (no stopping progress!). Cultural unity and hierarchies of values of class supported the divide between “low” and “high” art/culture. There was a clear understanding of human’s place in the world (at the top). . Trailer. https://www.youtube.com/watch?v=zZQKh4sISyI. . Plot summary. A priest, a woodcutter and another man are taking refuge from a rainstorm in the shell of a former gatehouse called . Rashômon.