From Hardys The Mayor of Casterbridge and Shakespeares Hamlet At Executions stanza one T he nineteenth century had reached onethird of its span now screwed up and pasted over ID: 680961
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Slide1
“At Executions: A Found Poem”
From Hardy’s
The Mayor of
Casterbridge
and Shakespeare’s
HamletSlide2
At Executions (stanza one)
T
he
nineteenth century had reached
one-third of its span,
now
screwed up and pasted over –
manufacturing towns which are like
foreign bodies set down –
a
man is said to be worth so much a
minute.
The sun no sooner shall
The mountains touch, but we will ship him
Hence. (IV.i.29-30)
At
executions the waiting crowd stood in a meadow,
moved
on into the dark dense old avenues –
the
subtle-souled girl asking herself
why
she was
born.
We know what we are but know not what we may be. (IV.v.43)Slide3
(stanza two)
The
coldness soon broke out into open chiding.
Had
she watched, she would have been
surprised –
an
antagonistic force in exercise.
I have shot [my] arrow [over] the house and hurt my brother. (V.ii.215-216)
Well
, well – never mind
–
(Act. Scene. Line)
it is all over and past.
Here
and everywhere be folk dying before their time
like frosted leaves
,
happiness but the occasional episode
in a general
drama of pain. Slide4
The Theme:
One’s identity is greatly affected by the physical, geographical, and social circumstances of one’s birth.Slide5
“execute”
ex·e·cute
[
ek-si-kyoot
] Show IPA
verb
(used with object),
ex·e·cut·ed
,
ex·e·cut·ing
.
1
.
to carry out; accomplish: to execute a plan or order.
2. to perform or do: to execute a maneuver; to execute a gymnastic feat.
3. to inflict capital punishment on; put to death according to law.
4. to murder; assassinate.
5. to produce in accordance with a plan or design: a painting executed by an unknown artist. Slide6
Figurative Language
now
screwed up and pasted over
–
manufacturing towns which are like
foreign bodies set down
–
a
man is said to be worth so much a
minute.
I have shot [my] arrow [over] the house
METAPHOR
SIMILESlide7
Comparisons
now screwed up and pasted over
– time passing (“pasted over” like an old poster)
manufacturing towns which are like
foreign bodies set down
–
Out with the old agricultural ways – factories like “foreign bodies” that don’t belong
a man is said to be worth so much a
minute.
Finding one’s worth through one’s work
I have shot [my] arrow [over] the
house –
physical violenceSlide8
Diction:
The
coldness
soon broke out into open
chiding.
(p. 148)
Had she watched, she would have been
surprised – (p. 161)
an
antagonistic
force in exercise. (p. 207)
Well, well – never mind –
it is
all over
and
past.
(p. 365)
Here and everywhere be folk
dying before their time
like
frosted leaves
, (p. 369)
happiness but the occasional episode
in a general
drama of
pain
. (p. 386)Slide9
Connections:
The negative diction underscores the displacement of the girl:
Coldness
chiding
Antagonistic
all
over
Past
dying before their
time
frosted
leaves
pain
.Slide10
Alliteration:
a man is said to be worth so much a
minute
.
“m” sound repeated
The sun no sooner shall
The mountains touch, but we will ship
him
“s”
sound
repeated
dark dense old
avenues
“d”
sound
repeated
We know what we are but know not what we may
be
– “w’ sounds repeatedSlide11
Connections:
“d” and “w” and “s” –
all HARSH sounds;
Adds to the TONE
(dark and foreboding)
Adds to the SUBJECT (
executions
)Slide12
In Summation:
FIRST STANZA:
Figurative language = changing world
SECOND STANZA:
Words and phrases = displacement/loss of identity
Ultimately, one cannot escape the effect of one’s environment and will only wax or wane because of it.Slide13
The
End