PPT-Narrative in Children’s Lives

Author : tatyana-admore | Published Date : 2015-12-04

Peggy J Miller Department of Psychology University of Illinois at UrbanaChampaign Outline Multiplicity of stories Stories of personal experience III Socialization

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Narrative in Children’s Lives: Transcript


Peggy J Miller Department of Psychology University of Illinois at UrbanaChampaign Outline Multiplicity of stories Stories of personal experience III Socialization via stories IV Story attachments. Theory . & . Forrest Gump. Assumptions of the Theory. Humans are naturally storytellers. In the movie, Forrest Gump does not pass any opportunity to tell a story. With each conversation he has he finds away to relate that to an experience he has had and this gives him the opportunity to tell one of his many stories. perspective. Wendy Patterson. Propp’s. classic model of . narrative. 1. . mapped onto. . my . model of a trauma . narrative. 2. equilibrium. turbulence. disequilibrium. action. intervention. restoration of modified . Mrs. Duggan . Grade 7 ELA . Three Types of Writing . Expository . Narrative . (Fictional & Personal). Persuasive . Expository Writing . An expository prompt does not ask you to write a story.. . story elements. Remember the mnemonic. What does CCCOMPSS stand for again?. Opening sequence. What is the start of . Psycho. ’s opening sequence? When does it end?. What . is the start of . Edward Scissorhands . Updates for Early Intervention. Sue Grogan-Johnson, Ph.D., CCC/SLP. sgrogan1@kent.edu. Financial Disclosure: I received a complimentary conference registration for this presentation. Non-Financial Disclosure: None. cognition in general. Verbal narrative versus . screen based. Summary. Situation . models+event. segmentation: . modelling. . environment, film and verbal narrative are similar. But these are not enough to explain narrative comprehension by film or word. Grades K–5 ELA II Pathway. Day 3 February 2017. Objectives. Participants will understand . the dimensions of the Narrative Writing Standard by analyzing student work.. Participants will plan narratives using the sources, the standards, and the Writing for Understanding Approach. . Peggy J. Miller. Department of Psychology. University of Illinois at Urbana-Champaign. Outline. Multiplicity of stories. Stories of personal experience. III. Socialization via stories. IV. Story attachments. Narrative Structure. 1. Status Quo. 2. Inciting Incident. 3. Rising Action . 4. Climax. 5. Falling Action, Resolution. 6. Closure, new Status Quo. Narrative Structure. Status . Quo. : initial state of affairs introducing the setting, some characters, the mood/. SHOWDOWN!!!. Created by Ms. . Lelis. Warm up!. In your. . learning partners. , . brainstorm together and write down a T-chart of Narrative and Expository text features. NO NOTES!. . You will have 3 minutes. Then we will relay race. The Premise. The story follows Katie, a college grad who is returning home after a year of traveling. However, she discovers that no one is home when she gets back. You explore the house from Katie’s perspective and discover clues in the form of notes, that fill you in on what has happened in the last year. . (NARRCAT). János László. Institute of Psychology of the HAS and University . of Pécs. Narrative. Narrative text: temporally and causally organized sequence of propositions . Narrative thinking: innate capacity to establish rational, causal order of events. Mary Rowlandson. Born circa 1637 in England.  . Her parents John and Joan White were among the first settlers of Salem in 1638.. She was living in Lancaster by age 17.. She married Joseph Rowlandson, a minister, in 1656. Narrative Arc. Conflict. Structure. Chapter Cards. Voice & Flow. “The Crack”. The Ideal Reader. Just do it. Narrative Arc. . = . CHANGE. Conflict.. Conflict is the heart of drama.. No conflict? Cut it..

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