PPT-Sound recordings in AACR2

Nancy Lorimer Stanford University Scope Recorded music AACR2 Chapter 6 amp parts of Chapter 21 Only music recordings covered not spoken word Only 4 ¾ in discs CDs SACDs DVDaudio with some mention of other types. OLAC/MOUG Joint Conference. Cleveland, Ohio, September 2008. Topics to Cover. sources of information . identifying the title proper . the various dates and numbers associated with sound recordings . presenting information on performers and contents. Welcomes . BISA. Conference. 2013. Digitising Sound Archives - A Manx Case Study. The Digitally Un-enhanced Version!. Roland Ardern-Corris - AV Technician. Paul Weatherall - Library & Archive Services Officer. Image Copyright . ©Allure Media 2009.  . . ⨂ . Prohibition on the installation, use and maintenance of listening devices. ⨂. Prohibition on communication or publication of private conversations or recordings of activities. Wrangling Institutional Recordings in Texas. Michelle Hahn. Music Catalog Librarian. Southern Methodist University. The Basement of the Alamo. Who is SMU?. # of students. # of performances. What the collection includes. 14/14 13/14 Photographs, Sound and Film Recordings SingerI, herewith grant Internationaler Liedwettbewerb in Berlin GmbH the exclusive and unrestricted rights of use in terms of time, place and conten Nancy . Lorimer. , Stanford University. Scope. Recorded music. AACR2 Chapter 6 & parts of Chapter 21. Only music recordings covered, not spoken word. Only 4 ¾ in. discs (CDs, SACDs, DVD-audio), with some mention of other types. Catalogs: . A Guide for Public Service Staff and Librarians. Melissa . Brooks – West Virginia . University. Oct. 6, 2013. A Little Bit About AACR2. AACR was developed in the 1960s, revised in 1978, with a final revision in 2002. . OLAC/MOUG Joint Conference. Cleveland, Ohio, September 2008. Topics to Cover. sources of information . identifying the title proper . the various dates and numbers associated with sound recordings . presenting information on performers and contents. CEAL. Committee on Technical Processing. March 31, 2011. University of Hawaii at . Manoa. Hamilton Library. 1. Presented by. Peter H. . Lisius. Kent State University. Advanced Concepts: Access Points, Sets, Performance Films, etc.. Copyright. Zvi S. Rosen. Visiting Scholar,. The George Washington University Law School. Disclaimer. Anything stated here is my view and is only presented in my own individual capacity.. For the views of the Copyright Office, see . LTDC Virtual Showcase . Jason . Woldt. Assistant Professor-Supply Chain Management . School of Business. University of Wisconsin- Platteville . Agenda . What are screen . r. ecordings?. What is needed?. Are you Ready? RDA Basics for Copy Catalogers OLC Chapter Conferences, NE and NW March 27 and April 12, 2013 Sevim McCutcheon, Catalog Librarian; Assistant Professor Kent State University, Kent, Ohio, USA For producing the most exclusive musical sound track you need to invest in the right hip hop samples and work on them most appropriately. You can’t build a soundtrack overnight but you need to work regularly in fetching the right hip hop samples which are most suitable for creating sound. For more details please visit: https://www.soundcrafting.com/ RDA: Resource Description and Access. Presented by the National Library of Australia. September – November 2012. This work is licensed under the Creative Commons Attribution 3.0 Australia License http://creativecommons.org/licenses/by/3.0/au/.