PPT-Sound recordings in AACR2

Nancy Lorimer Stanford University Scope Recorded music AACR2 Chapter 6 amp parts of Chapter 21 Only music recordings covered not spoken word Only 4 ¾ in discs CDs SACDs DVDaudio with some mention of other types. 12 May 2014. What we’ll cover today. Little bit of theory – FRBR and history. Differences between AACR2 and . RDA. Access point . changes. Relationships. New MARC fields. RDA Toolkit. SLQ . Welcomes . BISA. Conference. 2013. Digitising Sound Archives - A Manx Case Study. The Digitally Un-enhanced Version!. Roland Ardern-Corris - AV Technician. Paul Weatherall - Library & Archive Services Officer. origin and purpose. I have taken some slides from arguably the finest cataloging teacher of the early 21. st. century, Rick J. Block.. I have taken out aspects that don’t apply to classical music much, since this is what we are dealing here.. PRACTICES. ALCTS . CaMMS. Cataloging & Classification Research Interest Group Presentation. 2014 ALA Annual Conference. Las Vegas, Nevada. Introduction to RDA Changes for Cartographic Resources. OLAC/MOUG Joint Conference. Cleveland, Ohio, September 2008. Topics to Cover. sources of information . identifying the title proper . the various dates and numbers associated with sound recordings . presenting information on performers and contents. Nancy . Lorimer. , Stanford University. Scope. Recorded music. AACR2 Chapter 6 & parts of Chapter 21. Only music recordings covered, not spoken word. Only 4 ¾ in. discs (CDs, SACDs, DVD-audio), with some mention of other types. Introduction and legislative updates. Copytalk. American Library Association. 7 September 2017. Ground Rules. I’m . not here to . give legal advice. I’ll be . generalizing. Your mileage may vary. OLAC/MOUG Joint Conference. Cleveland, Ohio, September 2008. Topics to Cover. sources of information . identifying the title proper . the various dates and numbers associated with sound recordings . presenting information on performers and contents. Nancy . Lorimer. , Stanford University. Scope. Recorded music. AACR2 Chapter 6 & parts of Chapter 21. Only music recordings covered, not spoken word. Only 4 ¾ in. discs (CDs, SACDs, DVD-audio), with some mention of other types. Copyright. Zvi S. Rosen. Visiting Scholar,. The George Washington University Law School. Disclaimer. Anything stated here is my view and is only presented in my own individual capacity.. For the views of the Copyright Office, see . LTDC Virtual Showcase . Jason . Woldt. Assistant Professor-Supply Chain Management . School of Business. University of Wisconsin- Platteville . Agenda . What are screen . r. ecordings?. What is needed?. Institutional Sound Recordings. Eric Harbeson. University of Colorado, Boulder. Music Library Association. Pan-American meeting. 23 February, 2017. Ground Rules. I’m here to talk about my research, not to give legal advice.. For producing the most exclusive musical sound track you need to invest in the right hip hop samples and work on them most appropriately. You can’t build a soundtrack overnight but you need to work regularly in fetching the right hip hop samples which are most suitable for creating sound. For more details please visit: https://www.soundcrafting.com/ RDA: Resource Description and Access. Presented by the National Library of Australia. September – November 2012. This work is licensed under the Creative Commons Attribution 3.0 Australia License http://creativecommons.org/licenses/by/3.0/au/.