PPT-Copyright in Music and Sound Recordings

Introduction and legislative updates Copytalk American Library Association 7 September 2017 Ground Rules Im not here to give legal advice Ill be generalizing Your mileage may vary. OLAC/MOUG Joint Conference. Cleveland, Ohio, September 2008. Topics to Cover. sources of information . identifying the title proper . the various dates and numbers associated with sound recordings . presenting information on performers and contents. A pre-conference workshop for. SEMLA. October 10, 2013. Nashville, Tennessee. Agenda. Information . Quick introduction to RDA. Sound recording formats introduction. When to input a new record. Preferred sources of information. Wrangling Institutional Recordings in Texas. Michelle Hahn. Music Catalog Librarian. Southern Methodist University. The Basement of the Alamo. Who is SMU?. # of students. # of performances. What the collection includes. Nancy . Lorimer. , Stanford University. Scope. Recorded music. AACR2 Chapter 6 & parts of Chapter 21. Only music recordings covered, not spoken word. Only 4 ¾ in. discs (CDs, SACDs, DVD-audio), with some mention of other types. Credits. :. Sound Recordings Cataloging Workshop. / Jay . Weitz. (Online Audiovisual Catalogers Conference 2012). RDA Basics: Sound Recordings. /Kathy . Glennan. (2011). RDA: Special Formats Training / Jim . composition. , and the other, FOR THE RECORDING ITSELF, which is called the . sound recording. copyright. It is not uncommon for each copyright to have separate ownership.. OVERVIEW. THE PA or the . OLAC/MOUG Joint Conference. Cleveland, Ohio, September 2008. Topics to Cover. sources of information . identifying the title proper . the various dates and numbers associated with sound recordings . presenting information on performers and contents. Nancy . Lorimer. , Stanford University. Scope. Recorded music. AACR2 Chapter 6 & parts of Chapter 21. Only music recordings covered, not spoken word. Only 4 ¾ in. discs (CDs, SACDs, DVD-audio), with some mention of other types. OLAC/MOUG Joint Conference. Cleveland, Ohio, September 2008. Topics to Cover. sources of information . identifying the title proper . the various dates and numbers associated with sound recordings . presenting information on performers and contents. Nancy . Lorimer. , Stanford University. Scope. Recorded music. AACR2 Chapter 6 & parts of Chapter 21. Only music recordings covered, not spoken word. Only 4 ¾ in. discs (CDs, SACDs, DVD-audio), with some mention of other types. Copyright. Zvi S. Rosen. Visiting Scholar,. The George Washington University Law School. Disclaimer. Anything stated here is my view and is only presented in my own individual capacity.. For the views of the Copyright Office, see . Cincinnati, Ohio. Cataloging . Sound Recordings Defensively:. “. When to Input a New Record” in the Age of DDR. Jay Weitz. Senior Consulting Database Specialist. Data Infrastructure and WorldCat . Music. Randal C. Picker. James Parker Hall Distinguished Service Professor of Law. Ludwig & Hilde Wolf Teaching Scholar. The Law School. The University of Chicago. 2. Popular Mechanics, Nov. 1915 (via Google Books). Institutional Sound Recordings. Eric Harbeson. University of Colorado, Boulder. Music Library Association. Pan-American meeting. 23 February, 2017. Ground Rules. I’m here to talk about my research, not to give legal advice..