PPT-lis512 sound recordings

origin and purpose I have taken some slides from arguably the finest cataloging teacher of the early 21 st century Rick J Block I have taken out aspects that dont apply to classical music much since this is what we are dealing here. Welcomes . BISA. Conference. 2013. Digitising Sound Archives - A Manx Case Study. The Digitally Un-enhanced Version!. Roland Ardern-Corris - AV Technician. Paul Weatherall - Library & Archive Services Officer. 14/14 13/14 Photographs, Sound and Film Recordings SingerI, herewith grant Internationaler Liedwettbewerb in Berlin GmbH the exclusive and unrestricted rights of use in terms of time, place and conten – Indian court gets criticized for getting the law right? By Adarsh Ramanujan & Sayaree Basu Mallik Recently, the Bombay High Court, on 25 th July 2011, in the case of Music Broadcast Privat Nancy . Lorimer. , Stanford University. Scope. Recorded music. AACR2 Chapter 6 & parts of Chapter 21. Only music recordings covered, not spoken word. Only 4 ¾ in. discs (CDs, SACDs, DVD-audio), with some mention of other types. – Indian court gets criticized for getting the law right? By Adarsh Ramanujan & Sayaree Basu Mallik Recently, the Bombay High Court, on 25 th July 2011, in the case of Music Broadcast Privat Credits. :. Sound Recordings Cataloging Workshop. / Jay . Weitz. (Online Audiovisual Catalogers Conference 2012). RDA Basics: Sound Recordings. /Kathy . Glennan. (2011). RDA: Special Formats Training / Jim . Nancy . Lorimer. , Stanford University. Scope. Recorded music. AACR2 Chapter 6 & parts of Chapter 21. Only music recordings covered, not spoken word. Only 4 ¾ in. discs (CDs, SACDs, DVD-audio), with some mention of other types. Sound recording practice. Example 1. Give the following fields:. Title. Publication information. Physical description. Publishers’/standard numbers. What do you think is the main entry?. ℗1967 Verve Records. Introduction and legislative updates. Copytalk. American Library Association. 7 September 2017. Ground Rules. I’m . not here to . give legal advice. I’ll be . generalizing. Your mileage may vary. Nancy . Lorimer. , Stanford University. Scope. Recorded music. AACR2 Chapter 6 & parts of Chapter 21. Only music recordings covered, not spoken word. Only 4 ¾ in. discs (CDs, SACDs, DVD-audio), with some mention of other types. Copyright. Zvi S. Rosen. Visiting Scholar,. The George Washington University Law School. Disclaimer. Anything stated here is my view and is only presented in my own individual capacity.. For the views of the Copyright Office, see . Cincinnati, Ohio. Cataloging . Sound Recordings Defensively:. “. When to Input a New Record” in the Age of DDR. Jay Weitz. Senior Consulting Database Specialist. Data Infrastructure and WorldCat . Institutional Sound Recordings. Eric Harbeson. University of Colorado, Boulder. Music Library Association. Pan-American meeting. 23 February, 2017. Ground Rules. I’m here to talk about my research, not to give legal advice.. 1 Paramo Seedeater ( Catamenia homochroa ) Peter Boesman In the following we briefly analyze and compare voice of the t hree races of Paramo Seedeater ( Catamenia homochroa ) . We also try to quant