PPT-Sound recordings in AACR2

Nancy Lorimer Stanford University Scope Recorded music AACR2 Chapter 6 amp parts of Chapter 21 Only music recordings covered not spoken word Only 4 ¾ in discs CDs SACDs DVDaudio with some mention of other types. 12 May 2014. What we’ll cover today. Little bit of theory – FRBR and history. Differences between AACR2 and . RDA. Access point . changes. Relationships. New MARC fields. RDA Toolkit. SLQ . Welcomes . BISA. Conference. 2013. Digitising Sound Archives - A Manx Case Study. The Digitally Un-enhanced Version!. Roland Ardern-Corris - AV Technician. Paul Weatherall - Library & Archive Services Officer. Wrangling Institutional Recordings in Texas. Michelle Hahn. Music Catalog Librarian. Southern Methodist University. The Basement of the Alamo. Who is SMU?. # of students. # of performances. What the collection includes. Stephanie Bonjack. University of Southern California. Do I really need to pay attention?. Yes. Definitely.. Why?. What looks different?. Sound Recordings. Title. Dizzy fingers.. Author(s). Landsberg. Nancy . Lorimer. , Stanford University. Scope. Recorded music. AACR2 Chapter 6 & parts of Chapter 21. Only music recordings covered, not spoken word. Only 4 ¾ in. discs (CDs, SACDs, DVD-audio), with some mention of other types. Losing our fears in Ljubljana – EVTA 2011. Susan Yarnall & Ivor Flint. Dober. . dan. Good afternoon. In . Ljubljana. we….. Worked together from 8:30 am to 11 pm . (and through breaks). e-. xplored. CEAL. Committee on Technical Processing. March 31, 2011. University of Hawaii at . Manoa. Hamilton Library. 1. Presented by. Peter H. . Lisius. Kent State University. Scope: What Will Be Covered. Basic differences between AACR2 and RDA. PRACTICES. ALCTS . CaMMS. Cataloging & Classification Research Interest Group Presentation. 2014 ALA Annual Conference. Las Vegas, Nevada. Introduction to RDA Changes for Cartographic Resources. Credits. :. Sound Recordings Cataloging Workshop. / Jay . Weitz. (Online Audiovisual Catalogers Conference 2012). RDA Basics: Sound Recordings. /Kathy . Glennan. (2011). RDA: Special Formats Training / Jim . Catalogs: . A Guide for Public Service Staff and Librarians. Melissa . Brooks – West Virginia . University. Oct. 6, 2013. A Little Bit About AACR2. AACR was developed in the 1960s, revised in 1978, with a final revision in 2002. . Sound recording practice. Example 1. Give the following fields:. Title. Publication information. Physical description. Publishers’/standard numbers. What do you think is the main entry?. ℗1967 Verve Records. Introduction and legislative updates. Copytalk. American Library Association. 7 September 2017. Ground Rules. I’m . not here to . give legal advice. I’ll be . generalizing. Your mileage may vary. LTDC Virtual Showcase . Jason . Woldt. Assistant Professor-Supply Chain Management . School of Business. University of Wisconsin- Platteville . Agenda . What are screen . r. ecordings?. What is needed?. For producing the most exclusive musical sound track you need to invest in the right hip hop samples and work on them most appropriately. You can’t build a soundtrack overnight but you need to work regularly in fetching the right hip hop samples which are most suitable for creating sound. For more details please visit: https://www.soundcrafting.com/