A LINHA CURVA Revision Sheets Costume Description: Brightly coloured lycra shorts. Each dancers has a different colour. Black sleeveless vest style top in mesh fabric - one side is open. Bright coloured stripezip on the top in the same
"‘A LINHA CURVA’ Revision Sheets Costume" is the property of its rightful owner. Permission is granted to
download and print the materials on this website for personal, non-commercial use only, and to display it
on your personal computer provided you do not modify the materials and that you retain all copyright
notices contained in the materials. By downloading content from our website, you accept the terms of this
agreement.
Presentation Transcript
01
‘A LINHA CURVA’ Revision Sheets<br>
02
Costume Description:
Brightly coloured lycra shorts.
Each dancers has a different
colour.
Black sleeveless vest style top
in mesh fabric - one side is
open. Bright coloured stripe/zip
on the top in the same colour as
the shorts. The men wear the
top with the opening at the front,
the women with it at the back.
Men wear metal discs around
their neck at the start.
Bare feet. ‘A LINHA CURVA’ - COSTUMES<br>
03
‘A LINHA CURVA’ - COSTUMES Explain how the costumes contribute towards: Gender, mood/atmosphere, complements other components such as lighting and setting, sculpts body, and enhances flow of movement.<br>
04
‘A LINHA CURVA’ - LIGHTING Use the following key words to describe the lighting in the pictures below Key words:
Coloured
Timed
Chequer-board
Lines
Spacing
Pre-programmed
Speed/pace
Direction
Reflected
Intensity
Shadows
Musicians Designed by: _______________________<br>
05
‘A LINHA CURVA’ - LIGHTING Identify which of the following the lighting contributes towards: Creates a mood, complements other components such as lighting and aural setting, demonstrates the stimulus/starting point, creates space, highlights dancers and demonstrates the choreographic intent.<br>
06
‘A LINHA CURVA’ – SET/STAGING Performance environment – Different Settings for Dance
End Stage: A performance space with the audience on one side; also known as “end-on”.
Description: Black box set and a raised platform upstage where the musicians are<br>
07
‘A LINHA CURVA’ – SET/STAGING Performance environment = _________________________________
Where do the 4 percussionists perform? _____________________________________________________________________________________________
How are the 5 dancers propelled across the stage? ______________________________________________________________________________________________
Describe the physical setting
______________________________________________________________________________________________
What aspects of the set are effective within the work and why? Think about
________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________<br>
08
‘A LINHA CURVA’ – ACCOMPANIMENT Aural setting (An audible accompaniment to the dance such as music, words, song and natural sound or silence).
The musicians have to strike, shout, slap, clap, use body percussion, chant.
There are around 50 instruments used including shakers, congas, bongos, drums
Music all has a heavy Brazilian Samba feel
The accompaniment at the start is cleverly used to immediately grab the audiences’ attention. The female dancers shout ‘Tum Tarakka Tum’ and the rest of the cast respond with ‘HEE HEE HEE’ at the beginning of the piece.
The accompaniment is key in structuring the dance and reflects the structure of a curved line which is also the title and choreographic intention of piece. The music starts on a high with intense chanting and a driving samba rhythm, drops to a gentler pace in Section 2 ( Adage) with a mysterious echoing sound, taps on the drums and a scraping sound, before climbing to a full blown samba until the end with bongos, congos, bass drum, whistles and shakers. This is effective in grabbing the audiences’ attention immediately and then following the calmer middle section, it helps to create a climax to finish the dance.<br>
09
‘A LINHA CURVA’ – ACCOMPANIMENT State how the accompaniment is effective in demonstrating 3 of the following: Brazilian culture, location, creates a mood, compliments the set, compliment the lighting, has a close relationship with the movement and demonstrates gender. Describe the accompaniment in 2 sections of the work: Name of Section:
Description:
Name of Section:
Description:<br>
10
‘A LINHA CURVA’ – MOVEMENT<br>
11
‘A LINHA CURVA’ – MOTIF Describe the motif: (pictures/diagrams/words) What is the significance of this motif?
__________________________________________________________________________________
__________________________________________________________________________________
__________________________________________________________________________________
__________________________________________________________________________________
How is this motif developed?
__________________________________________________________________________________
__________________________________________________________________________________
__________________________________________________________________________________
__________________________________________________________________________________<br>