PPT-RDA Basics: Sound Recordings
Author : yoshiko-marsland | Published Date : 2018-11-09
Kathy Glennan Head Special Resources Cataloging Music Cataloger University of Maryland October 26 2011 Using RDA and Library of Congress Policy Statements Other
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RDA Basics: Sound Recordings: Transcript
Kathy Glennan Head Special Resources Cataloging Music Cataloger University of Maryland October 26 2011 Using RDA and Library of Congress Policy Statements Other policy and training documents under development. A pre-conference workshop for. SEMLA. October 10, 2013. Nashville, Tennessee. Agenda. Information . Quick introduction to RDA. Sound recording formats introduction. When to input a new record. Preferred sources of information. in RDA instruction number order. Part 3 of 3. Presented by UC Berkeley. Spring 2014. Learning Objectives. Apply the CSR (PCC Core) and UC Berkeley Policy Statements to describe textual serials and integrating resources (non-rare) in several formats: print, online, tangible electronic, microform. Transfer training. April 2015. css@bodleian.ox.ac.uk. Why . RDA. ?. RECORD SHARING. Uses . FRBR. principles for cost-effective customer service. Format-neutral and flexible. more uses for our data. more data for us to use. Stephanie Bonjack. University of Southern California. Do I really need to pay attention?. Yes. Definitely.. Why?. What looks different?. Sound Recordings. Title. Dizzy fingers.. Author(s). Landsberg. Gordon . Dunsire. Presented at CILIP RDA: Resource Description and Access Executive Briefing 2014, 12 June . 2014, London. Overview. Linked data 101. RDA entities and relationships. RDA and linked data. Nancy . Lorimer. , Stanford University. Scope. Recorded music. AACR2 Chapter 6 & parts of Chapter 21. Only music recordings covered, not spoken word. Only 4 ¾ in. discs (CDs, SACDs, DVD-audio), with some mention of other types. Committee on Technical Processing CEAL. SOUND RECORDINGS. Erica Chang. University of Hawaii. March 18, 2013. 1. Scope. Main. . focus: . Musical Sound Recording . Compact Disc. Traditional/folk, popular, jazz music of . Stephanie Bonjack. University of Southern California. Do I really need to pay attention?. Yes. Definitely.. Why?. What looks different?. Sound Recordings. Title. Dizzy fingers.. Author(s). Landsberg. Stephanie Bonjack. University of Southern California. Do I really need to pay attention?. Yes. Definitely.. Why?. What looks different?. Sound Recordings. Title. Dizzy fingers.. Author(s). Landsberg. Nancy . Lorimer. , Stanford University. Scope. Recorded music. AACR2 Chapter 6 & parts of Chapter 21. Only music recordings covered, not spoken word. Only 4 ¾ in. discs (CDs, SACDs, DVD-audio), with some mention of other types. Copyright. Zvi S. Rosen. Visiting Scholar,. The George Washington University Law School. Disclaimer. Anything stated here is my view and is only presented in my own individual capacity.. For the views of the Copyright Office, see . Kathy Glennan. Head, Special Resources Cataloging / Music Cataloger. University of Maryland. October 26, 2011. Using RDA and…. Library of Congress Policy Statements. Other policy and training documents under development. SOUND RECORDINGS. Erica Chang. University of Hawaii. March 18, 2013. 1. Scope. Main. . focus: . Musical Sound Recording . Compact Disc. Traditional/folk, popular, jazz music of . East Asian countries. Fotis Karayannis. Athena Research Center and RDA secretariat . April 2017. Initiated to address the recommendations of the first RDA Europe informal review*:. “. RDA Europe 3 should develop short-term and longer-term sustainability goals that...
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