PPT-Rehearsal Skills and Live Music Performance (Criteria)

RSL Level 3 Subsidiary Diploma for Music Practitioners Controlled Assignment Learning Outcome 1 Plan to rehearse for a live music performance Evidence a plan for the rehearsal process defining roles and repertoire to be rehearsed. And people everywhere in the world will relate to that Lyman MacInnis Managing Director Balmur Management Ltd Appropriately enough my 64257rst encounter with country music was while driving with my father Navigating highways and back roads en route Information for Prep Choir Students and Parents. “Excused” Absences. The only absences that are “excused” are absences for . school. BAND, ORCHESTRA, or CHOIR concerts. . Since many Prep choir members are not old enough to be in their school BAND, ORCHESTRA, or CHOIR, there are no possible “excused” absences.. Pre-production. Step 1: Choosing the show. Who’s involved?. Producer & investors. Director (maybe). Considerations?. Finances & talent. Audience taste. Technical capabilities. Pre-production. Reception (1886 and 1898). Stanislavsky's Direction. And rehearsal process. Anton Chekhov. Stanislavski *. Olga . Knipper. *. Reception (. 1886 . and 1898). 1886. The play premieres at the Imperial . CHAPTER 10. Rehearsals should be ‘fun’. Well-organized not painful. Efficient not draining. Productive not a waste of time. Joyful not emotional. Have a clear plan. You need to . free the director and actors . A Graduate Presentation. By Hilary . Janysek. Fall 2015. Professionalism. When should we be professional?. How do we build professional relationships?. How do we maintain personal relationships in a professional environment?. : . parent . meeting!!. Most important #1 Rule. Studies Come First. You must prioritize . If you can’t prioritize we will for . you . Performing in a musical such as this can be one of the highlights of your students’ time in high school. For this to be possible, it is imperative that all participants are cooperative at all times with the directors and stage-managers, respectful of fellow cast members and crew, and generally display a high level of maturity and self-discipline. . Cast. Meeting 2/20/13. Meeting Agenda. Attendance & . Introductions. Team Building Activity. Rules/Policies. Rehearsal Philosophy. The Rehearsal Schedule. Communication. Script Distribution. The Story. Patricia Nedialkova, Ph.D., TTB. International . Wine Technical . Forum. May 7, . 2015. P. repared . for . the International . Wine Technical . Forum and presented . for purposes of . discussion. . . 2016-2017 Syllabus. Ted McDonald, Director. Performing Ensembles. Course Requirements. Test & Quizzes – 40%:. Includes scales, theory, music terms, auditions, down-the-line practice quizzes. Will be checked in group and individual settings. Preparation (aka practicing) is expected.. 2017-2018 . Season. Agenda. Introduce Conductors. Introduce BOD. Community Service Project. Travel. Fees and Tuition. Wardrobe. Rehearsal Logistics. Library. Fundraising. Social. 30. th. Anniversary Gala. Sign up for Remind.com. Heritagechorus.weebly.com. Sign up for Remind.com. Patriot Pride Objectives . Sing year-long. Serious about singing. School wide opportunity. Rewarding experience. Heritage Community Pride. Learning Aim B:. Understand job roles in the music industry. Lesson 6: Performance/Creative roles. 1. st. November 2016. Aims. Who is responsible for what activity?. Why and how are things done?. What are the advantages/disadvantages of relying on individuals for services?. Everything you need to know to become a POD with the Pittsburgh Youth Chorus!. 2017-2018. What is a POD?. *. POD. , n. Literally, parent on duty; the act of participating in the musical education of .