PPT-Camera Angles The relationship between the camera and the object being photographed

Author : alida-meadow | Published Date : 2018-03-11

is what we know as a CAMERA ANGLE It gives emotional information to an audience and guides their judgment about the character or object in shot The more extreme

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Camera Angles The relationship between the camera and the object being photographed: Transcript


is what we know as a CAMERA ANGLE It gives emotional information to an audience and guides their judgment about the character or object in shot The more extreme the angle the further away it is from eye . Matthew . Tardiff. Matt . Smedra. Nick . Martocchio. Plans and coordinates the filming of a movie. Controls the camera and lighting. The Role of a Cinematographer. Controls the artistic and dramatic parts of the film. Definition. the . process of capturing moving images on . film. (or digitally). everything . that has to do with cameras and lenses, with film/film stock (and its digital equivalents), exposure and processing of film/digital . How position, angle, lens and movement have a major impact on the visual structure of a film. Extreme. . long shot-. A view from a considerable distance; often used to introduce a film or begin a scene (also called an . Description. An eyelevel angle is a camera angle in which the camera is placed at the actor and actresses' eye.. This type of shot is an extremely common shot because of it’s neutral effect.. Sources. -. Cognitive Robots. Dr. Claus Lenz. Robotics and Embedded Systems. Department of Informatics. Technische. . Universität. . München. http:. //www6.in.tum.de/Main/. TeachingWs2014LCCognitiveRobotics. 180. o. . Rule . When two people are in a conversation, you must draw a line between the two actors and . NEVER. move the camera across this line. Keeps perspective. If you cross the line the actors flip position. Cinematography. Camera Techniques: . What to Know. Key areas. Shot Type. Camera Angles. Camera Movement. Focus. Production Elements. Production . elements . include everything that . you can see . or hear on . Techniques. Plan of a live event. Plan of a studio event. Coverage action. This is how they show the live event or production to the viewers at home. Also the different cameras they use to film the event. . SD Cameras run on an SD card similar to what is inside a USB . flashdrive. . Each video clip is a file. These cameras are very durable but the quality suffers. - This is what we use in BRI. HD Cameras run on a . When describing camera positions, or choosing them yourself, you have to think about three important factors. • The FRAMING or the LENGTH. • The ANGLE. • If there is any MOVEMENT involved. When describing camera positions (or shots), different terms are used to indicate the amount of subject matter contained within a frame, how far away the camera is from the subject, and the perspective of the viewer. Each different shot has a different purpose and effect. A change between two different shots is called a CUT.. In . the case of a film the person who gets the credit is chiefly the . director. . . This person has overall artistic control (or is supposed to). . The . person who co-ordinates the business aspects (ensuring the film meets its budget, representing the studio) is the producer. . Composition. Framing Shots. Camera Angles. Happy Snaps . vs. Artistic Photographs. COMPOSITION. Composition . is about creating the picture, we decide what is in it and what is left out. . . Through . 1. Types of Cameras. Still Cameras. Fixed Lens Cameras. Lens is not interchangeable (removable). Variable zoom, controlled by servo controller. User friendly, less manual . features. Less expensive (<$500). Four . Elements. of Using Cameras. Where you are standing. as you view the scene is the camera location or the eye location. . Where you are looking is the center of . interest. . or camera interest. .

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