Phil Beadle TV The Unteachables and Cant Read Cant Write Books Bad Education and How to Teach amongst others The Aim of this Session 1 To feed back and share what I learnt on a recent course ID: 797814
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Slide1
Literacy across the curriculum
Phil Beadle
TV
‘The
Unteachables
’ and ‘Can’t Read, Can’t Write’
Books
‘Bad Education’ and ‘How to Teach’ amongst others.
Slide2The Aim of this Session
1. To feed back and share what I learnt on a recent course.
2. To raise the awareness of literacy at St John’s.
3. To discuss how we all could benefit from teaching literacy. (And it goes down very well with inspectors!)
Slide3Activity 1
The
F
allacy Detective
Mark the following statements regarding writing. If you fervently disagree you should mark it in with a nought; if you completely agree: a ten. (One statement is totally untrue, see if you can see which one.)
Slide4Question: What is literacy?
Answer:
To be able to read and write.
Yes, but what about speaking and listening? !
Slide5Literacy across the curriculumKey Problem 1
Oracy
is not being taken seriously enough.
“If you can’t talk it, you can’t write it
!”
Oracy
feeds into writing. You must be able to talk it if you are to write it.
Slide6Oracy
Oracy
is two things: Speaking and Listening
(Though one might argue that gesture/body language forms a subsection of both skills)
Slide7The Importance of speaking and
listening according to The Literacy Trust
Speaking and listening skills underpin all learning in every subject.
Ofsted has frequently highlighted that they are not given the same attention or curriculum time as reading and writing in schools.
Slide8Activity 2 - Oracy
Odd One Out. What’s the odd one out between…
(A series of incredibly simple starters to encourage pupils to start talking about key words or topics)
Slide9Oracy
Thunks
Thunks
are ‘thought hand
grenades’ designed to instigate discussion and thinking.
Is there more future or past?
Is black a colour?
If I switch the lights off does the wall change colour?
Can you cast a shadow into a dark room?
In a dark room what does a mirror reflect?
Can you touch the wind?
Can you touch a rainbow?
Slide10Oracy
Babble Gabble: Into pairs. Name one A and one B. A must tell everything they know about a certain topic as quickly as they can in thirty seconds. (Back to back!)
Suggested topics:
Footwear, Fishing, Fast food, The Flintstones…
(Simple warm-up activities)
Slide11Oracy prior to writing
Activity sheet 6
What do sausages and gold have in common?
Discuss for one minute!
The point here is that the discussion should elicit some relevant points that could help someone get to grips with the question. Someone initially stumped could certainly benefit from a sharing of ideas.
Slide12To conclude…
As we have heard before many times, pair work and group work are key. For pupils to write effectively, they must be able to discuss and explore their ideas first.
Jim Smith’s ‘The Lazy Teacher’s Handbook’ is well worth a look.
Slide13Key Problem 2
There is nowhere near enough extended writing used in any subject. Discuss.
Discussion points:
How often in your specific subject do the boys do an extended writing task?
Are there opportunities to do more?
What benefits would there be in increasing the literacy content in your subject?
In Science, is there any merit in asking pupils to write the story of Isaac Newton and the apple?
In Geography, is there any value in writing about a day in the life of a Costa Rican coffee farmer?
Slide14Writing
When
was the last time your students had sore hands from writing in your class? Just like conversation, writing helps us make sense of what we are learning and helps us make connections to our own lives or others' ideas.
Slide15Key Problem 3
Spelling DOES matter. Poor spelling demeans language.
Discusion Point
: What if all subject teachers paid close attention to spelling?
Is it fair to say that standards across the board would improve?
Slide16Activity 5
The best spelling mistake of all time:
Chukyembrosward
The second best:
“I make the moist of all my friendships.”
Slide17Key Problem 4
A fear of grammatical knowledge and a lack of understanding that you don’t need to know much.
(You only have to know your punctuation and the parts of speech. That’s all!)
Slide18Activity 4 – Parts of Speech
Noun
Adjective
Verb
Adverb
Conjunction
Preposition
‘A’ and ‘The’
Thanks for listening.
Slide20Slide21Spelling strategies
Slide22Spelling strategies
Words within words
Cut them up
Deliberately mispronounce 3 times
Try it – it works!
Slide23Connecticut
How would you do it?
Con –
necti
– cut
Connect - i – cut
Con -
nec
–
ti
- cut
Slide24Spelling strategies
Connecticut
Slide25Key Problem 5
There is not enough poetry anywhere.
“Every teacher should be a teacher of poetry.”
Slide26Everyone other than the maths department. What is the significance of these numbers?
1
1
2
3
5
8
Slide27A Fibonacci Poem
Black 1 syllable
And 1 syllable
White are 2 syllables
All we see 3 syllables
Till we discover 5 syllables
Statistical uncertainty 8 syllables
Slide28Slide29Slide30Rothko poems
A Rothko poem can only be written while standing in front of a Rothko poem.
Rothko poems should be three lines, three words per line.
Three of the nine words must be colours and their position in the poem must make a line in ‘noughts and crosses.’
Like all rules of poetry, break at your own risk.
Slide31Acrostic poems
A Anti-intellectual
C Crass
R Retarded
O Obvious
S
Stupifying
T Technique
I Inculcating
C Complacency in
S Students
Slide32Villanelle, Tanka,
Terzanelle
, Clerihew, Sonnet, Haiku,
Virelai
,
Rondeau
,
Cinquai
, Limerick, Sestina,
Sijo
,
Pastourelle
, Ode, Lyric,
Jintishi
, Epic, Elegy,
Diamonte
, Ghazal…
Slide33Literacy across the curriculum
Every teacher in English is a teacher
of
English.
Thanks very much. The end!
Resources:
Appendix – Where to put a comma
Activity 7
Activity 6
Odd One Out
Activity 1